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Budapest-based Hello Wood has announced an open call for team-leaders to participate in its award-winning summer school from July 14-22, 2016. The eight day Project Village program focuses on envisioning a design for a “new village model,” and then on building the imagined projects. The 2015 program brought together academics and students from more than 30 countries and 25 universities. This year, Project Village is looking for experienced architects, designers and artists to join the team in western Hungary, only two hours away from the capital.

The theme for the 2016 program is “Settling: The Rituals of Arrival,” which will explore the ways communities make themselves feel at home. Participants will be asked to build “a place of arrival, permanence, and connection," exploring in their designs the architectural aspects of settling, what makes a place feel like home, and the roles of hosts and guests.

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Set in the depths of rural Hungary, Hello Wood has emerged from the landscape for its 2015 edition, entitled 'Project Village'. Since 2010, the Hungarian-led collective of architects, designers, students and artists have gathered from around the world to create temporary wooden installations. Now in its sixth year, Hello Wood was realized with the help of 150 volunteers from 30 countries, and co-curated by Johanna Muszbek, with the shared vision to build a series of community-driven pavilions. Together the teams created fifteen unique wooden pavilions, each centred on a different component of the architecture of a village.

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A shortened version of this article by ArchDaily's Managing Editor Rory Stott appears in HW 1-5, a book by the organizers of Hello Wood about the camp's first five years.

Arriving at Budapest’s international airport on a warm Saturday in July, I confess to being unprepared for my week ahead at Hello Wood 2014. Hungary was the third country and Budapest the fourth city I had been in in 72 hours, and thanks to this (uncharacteristically) chaotic week, I hadn’t had the chance to research anything about the camp. All I knew was what could be learned from the photos of the 2013 camp which I had published almost a year earlier: that is, that the camp is held in an idyllic rural setting, presumably a significant distance from Budapest; and that the quality of work seems unusually high for a week-long architecture workshop, presumably indicating a serious, focused atmosphere at the camp.

The first of these assumptions was absolutely right. But the second could hardly be more wrong. In fact the atmosphere at the camp was so far from being serious that by Tuesday, Gábor Betegh - a friend of the organizers and coincidentally Cambridge University’s new Laurence Professor of Ancient Philosophy - told me how fascinating it was to compare the “centripetal madness” of the philosophers he knows to the “very centrifugal madness” of the architects at the camp. This remark was made in response to one of the team leaders screeching like a monkey from the top of his team’s half-completed tower.

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Featuring around 220 events spread out over 10 days, Budapest Design Week kicks off its 11th year on October 3rd. With exhibitions, workshops, lectures and a range of other events spread across all design disciplines, the program will suit all tastes - however, perhaps the highlight for architects will be the presence of Benedetta Tagliabue, Principle of EMBT, who will give a lecture on "Blending and Experimentation" on October 8th.

Read on after the break for more on Budapest Design Week.

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As one of EMBT's Directors, Salvador Gilabert has helped guide the realization of some of the practice's biggest projects in recent years – including as project director of Spain's 2010 Shanghai Expo Pavilion and the recently completed Barajas Social Housing Block.

Last month, he took a week out of his schedule to lead a project at Hello Wood, where – with an energy and intensity that was almost out of place in the relaxing surroundings of the Hungarian countryside – he led a group of students to construct an ambitious, screw-free elevated platform that emerged from a cluster of trees and offered views of the setting sun. ArchDaily caught up with Salvador Gilabert during the week to find out more about his work.

Read on after the break for the full interview

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