Past, Present, Future is an interview project by Itinerant Office, asking acclaimed architects to share their perspectives on the constantly evolving world of architecture. Each interview is split into three video segments: Past, Present, and Future, in which interviewees discuss their thoughts and experiences of architecture through each of those lenses. The first episode of the project featured 11 architects from Italy and the Netherlands and Episode II is comprised of interviews with 13 architects from Spain, Portugal, France, and Belgium.
The goal of the series is to research these successful firms and attempt to understand their methods and approaches. By hopefully gaining a clearer picture of what it means to be an architect in the 21st century, the videos can also serve as inspiration for the next generation of up-and-coming architects and students as they enter the field.
Eduardo Souto de Moura (born 25 July 1952), the Portuguese architect that won the 2011 Pritzker Prize, is known for designs that are formally simple yet serious and at times, dramatic, created through his thoughtful use of colors and materials. His architecture is both versatile and consistent, contextual yet universal, and rarely affected by current trends or styles.
Japanese architect, teacher, and theorist Arata Isozaki (born 23 July, 1931) helped bring Japanese influence to some of the most prestigious buildings of the 20th century, and continues to work at the highest level today. Initially working in a distinctive form of modernism, Isozaki developed his own thoughts and theories on architecture into a complex style that invokes pure shape and space as much as it evokes post-modern ideas. Highly adaptable and socially concerned, his work has been acclaimed for being sensitive to context while still making statements of its own.
Led by Jacques Herzog (born 19 April 1950) and Pierre de Meuron (born 8 May 1950), most descriptions of Herzog & de Meuron projects are almost paradoxical: in one paragraph they will be praised for their dedication to tradition and vernacular forms, in the next for their thoroughly modern innovation. However, in the hands of Herzog & de Meuron this is no paradox, as the internationally renowned architectural duo combine tradition and innovation in such a way that the two elements actually enhance each other.
Perhaps the most renowned 'skylight' ever built is the Pantheon of Rome commissioned by Marco Vipsanius Agrippa during the reign of Emperor Augustus (27 BC-14 AD) and rebuilt by Hadrian (117-118) around 126 AD. At the highest point of its dome (in this case, the oculus) the sunlight shines, casting its beams over the various statues of planetary deities that occupy the niches on the walls. The light that enters the space symbolizes a cosmic, sacred dimension. In projects around the world, natural light continues to fulfill this scenic role, especially in religious projects.
It is characterized as zenithal illumination as that which comes from above, from the sky (zenith). Very useful for large spaces that can not be adequately lit by windows, skylights are a widely used device for providing a pleasant, diffuse light. Generally, care is taken to prevent direct entry of sunlight; the openings must be well designed so that they do not overheat the space of allow water infiltration. Below is a collection of projects that make good use of this technique.
The architectural approach of 2011 Pritzker Prize-winner Eduardo Souto de Moura can be difficult to summarize. His convictions on matters of aesthetics and design are strongly held, but also highly individual and at times even unusual. In his work, this translates to buildings that are enigmatic, yet not flashy—in the words of the 2011 Pritzker Prize jury, “His buildings have a unique ability to convey seemingly conflicting characteristics—power and modesty, bravado and subtlety, bold public authority and sense of intimacy—at the same time.” In the latest interview from his “City of Ideas” series, Vladimir Belogolovsky speaks to Souto de Moura to probe his architectural mind and understand the thinking behind these powerful yet modest works.
Wine production is an industry that combines robust economic activity with an extensive cultural legacy. Although there are several programs related to the wine sector, we commonly find spaces dedicated to the process of fermenting grapes into wine. However, there are a variety of duties grouped around wine production that play an important role in boosting the industry, such as tasting rooms, education centers, sales rooms, or broadcast. Below, a selection of 27 inspiring projects of wine architecture.
Spas, swimming pools, and saunas are spaces to which we turn in search of positive experiences, especially healing and sanitation. What characterizes all of these spaces is a requirement to wear little clothing--or even none at all--meaning that these spaces have very different expectations regarding nudity, privacy, and the human body when compared to other forms of architecture. From the point of view of design, nudity requires specific spatial conditions, forcing architects to think carefully about details such as the opacity of materials and the dimensions of space. With this in mind, this week we present a selection of the 15 best images of healing spaces, captured by renowned photographers such as Kevin Scott, Clément Guillaume, and Marcello Mariana.
https://www.archdaily.com/887350/architecture-and-the-bare-body-15-spaces-for-healing-relaxing-and-bathingArchDaily Team
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