Architectural events like biennales, urban festivals or the World Expo provide a framework for research and experimentation, allowing architects to showcase their visions on an international stage, with the aim of advancing the practice and driving innovation. World Expos, in particular, allow for these lines of inquiry to unfold at an architectural scale rather than that of an installation. Within these platforms for discourse and knowledge exchange, temporary architecture becomes a medium for communicating ideas about architecture and the city, its challenges and possible lines of development.
Artificial intelligence is transforming how we design and build. By 2050, the effects of AI adoption will be widely felt across all aspects of our daily lives. As the world faces a number of urgent and complex challenges, from the climate crisis to housing, AI has the potential to make the difference between a dystopian future and a livable one. By looking ahead, we're taking stock of what's happening, and in turn, imagining how AI can shape our lives for the better.
Vernacular techniques and local materials are becoming more and more relevant in architecture, but is it possible to bring these concepts to large urban areas?
In 1984, the Amazonian architect Severiano Porto had already pointed out the need to make architecture more connected to its location. Using local materials and techniques is becoming more important each day, considering the impacts of the commodity chain of building construction on the planet. Not surprisingly, the number of projects that use this approach is growing every day, as Severiano has already mentioned in his work since the 1980s.
Researchers credit the Hanging Gardens of Babylon as the first examples of green roofs. Although there is no proof of its exact location and very little literature on the structure, the most accepted theory is that King Nebuchadnezzar II built a series of elevated, ascending terraces with varied species as a gift to his wife, who missed the forests and mountains of Persia, their local land. According to Wolf Schneider [1] the gardens were supported by brick vaults, and under them, there were shaded halls cooled by artificial irrigation of the gardens, with a much milder temperature than the outside, in the plains of Mesopotamia (present-day Iraq). Since then, examples of green roofs have appeared all over the world, from Rome to Scandinavia, in the most diverse climates and types.
Nevertheless, inserting plants on roofs is still viewed with suspicion by many, as they are thought to be costly and difficult to maintain. Others, however, argue that the high implementation costs are quickly offset with savings in air conditioning and especially that occupying the building's fifth façade with vegetation is, above all, a rational solution. In any case, the question remains as to how green roofs can really help with climate change.
In this week's reprint from Metropolis Magazine, authors Madeline Burke-Vigeland, FAIA, LEED AP, a principal at Gensler, and Benjamin A. Miko, MD, assistant professor of Medicine at Columbia University Medical Center explore how uniform standards applied across the built environment can protect our communities from COVID-19 and future pandemics.
A circular economy is an economic system aimed at eliminating waste and the continual use of resources. Looking beyond the current take-make-waste extractive industrial model, a circular economy aims to redefine growth, focusing on positive society-wide benefits. It entails gradually decoupling economic activity from the consumption of finite resources and designing waste out of the system. Underpinned by a transition to renewable energy sources, the circular model builds economic, natural, and social capital.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Architect Toshiko Mori to discuss her moving from Japan to New York City at a young age, attending The Cooper Union for Art and Architecture, starting her own practice and VisionArc, witnessing the 9/11 attack, her design process, creating a temporary concert hall, and more.
https://www.archdaily.com/962165/the-second-studio-podcast-interview-with-toshiko-moriThe Second Studio Podcast
Peru is home to a wide range of new cultural architecture. Strongly tied to the country’s megadiverse geography, Peru’s modern projects reinterpret past building techniques. Taking inspiration from the vernacular and varied landscapes, these contemporary buildings arise from long traditions rooted in ancient cultures and civilizations.
The SO – IL-designed 21,000 square foot multi-building “art campus” in East Williamsburg, Brooklyn, is set to open on June 5th, 2021, with construction projected to conclude by May 2021. Serving as the Amant Foundation’s new headquarters, the complex will host exhibitions, public events, archival projects, performances, and residency programs.
As the oldest institution of higher learning in the United States, Harvard has emerged as one of the world's most well-known universities. Organized into ten academic faculties and the Radcliffe Institute for Advanced Study, it is spread across 200 acres and centers on Harvard Yard in Cambridge. Developed along the Charles River adjacent to the Allston neighborhood of Boston, Harvard has the largest financial endowment of any academic institution. This has supported a number of different campus building projects across the university’s history.
During the week of the final selection of ArchDaily China Building of the Year 2021 Awards, we received a total of 75,000 votes, thanks to our readers from all over the world. ArchDaily China strives to bring more Chinese firms to the wave of global exchanges and introduce Chinese architecture to the world.
This year, CCTN Design, with Shougang NO.3 Blast Furnace Museum, were selected for the first position, adopting the design strategy of “sealing the old, dismantling the surplus, and replenishing the new”, and transforming the industrial remains of Beijing into an inviting urban space. MAD Architects, with YueCheng Courtyard Kindergarten, won second place by dismantling and expanding the traditional courtyard house. gad, with Mountain & Sea Art Museum, won the third position by solving the problem of mountain construction and shaping the sculpture form of the art museum.
https://www.archdaily.com/959695/interview-with-winners-of-the-archdaily-china-building-of-the-year-2021-awards韩双羽 - HAN Shuangyu
Benin's National Assembly in Porto-Novo Proposal. Image Courtesy of Kéré Architecture
Founder of the Berlin-based firm Kéré Architecture, Francis Kéré, has won the 2021 Thomas Jefferson Foundation Medal in Architecture. Presented by the University of Virginia and the Thomas Jefferson Foundation at Monticello, the award is one of four honors recognizing achievements in architecture, citizen leaderships, global innovation, and law. The Thomas Jefferson Foundation Medals recognize the exemplary contributions of recipients to the endeavors in which Jefferson excelled and held in high regard.
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