Art has long been perceived as elitist, an image solidified by its deep ties to power and wealth. In ancient times, works of art were status symbols reserved for rulers and religious figures, while the Renaissance marked a period in which wealthy patrons like the Medici family promoted art as a tool of social and political prestige. In the 17th century, with the rise of art academies, strict standards were established for what was considered "high culture," further distancing art from the masses.
By the 19th century, the art market had become shaped by private collectors and commercial galleries who viewed art as a luxury product, accentuating its exclusivity and making accessibility a secondary issue. Artistic movements like Impressionism, Modernism, and street art challenged the elitism of art, broadening its reach and questioning its institutional exclusivity. While the contemporary system remains dominated by wealthy collectors and a market that prioritizes profit over accessibility, there are still initiatives aiming to change this dynamic.
Throughout their relatively recent history, museums have evolved to condense particular aspects of a culture and present them in a coherent and unified manner. This makes the connection between the architecture and the exhibit a crucial matter, as the architect is tasked with designing not only the framework and background of the exhibited arts or artifacts but also taking charge of the journey undertaken by the visitor, harmonizing the cultural gain with the lived spatial experience of walking the exhibition halls. However, not all museums have been purposely built for this task.
Across Europe, museums are being organized within or expanding upon historical monuments and buildings that have lost their original purpose. Then in a state of decay, this decision to reorganize them as cultural venues stops the decay and preserves the historical material, adding a new layer of complexity to the intended exhibits. The architect's role becomes that of introducing order and a system that can balance the heritage of the place with the needs of modern functionality, ensuring that the essence of the original structure is preserved while meeting the needs of contemporary exhibitions and public engagement.
The Centenary Building at the University of Salford, Greater Manchester, was designed by Hodder Associates in 1994-95 to accommodate the Spatial, Graphic, and Industrial Design courses at the University. One year after its inauguration, in 1995, the building was named the winner of the inaugural RIBA Stirling Prize, one of Britain's most prestigious awards. Now, less than 30 years after its completion, the award-winning building is set to be demolished, sparking criticism and debates regarding the attitudes towards recent works of architecture.
Architectural firms Snøhetta and HGA have just began work on the Barbara and Gerson Bakar Research and Academic Building (BRAB) at the University of California, San Francisco (UCSF). This nine-story, 323,000-square-foot facility is set to redefine UCSF's approach to biomedical research and academic collaboration. Designed as a state-of-the-art hub for scientific inquiry, BRAB will offer cutting-edge spaces for translational research, fostering breakthroughs in critical areas such as cancer, diabetes, microbiology, immunology, and cell biology.
In Canada, the tradition of owning a secondary home in the countryside is a deeply rooted aspect of the national culture. In Ontario and parts of the Maritimes, these nature-surrounded secondary homes are often called "cottages". In British Columbia, Alberta, and Saskatchewan, the term "cabin" is more common, while in Quebec, they are known as "chalets." Regardless of what they are called, these rural retreats offer Canadians an escape from urban life, a place to gather with friends and family, reconnect with nature and enjoy outdoor activities throughout the year.
Not all people share the same routines, habits, or customs, yet we all have the same fundamental needs, regardless of age, social class, gender, culture, or religion. Designing bathroom spaces involves considering parameters of accessibility, technology, cleanliness, comfort, and durability, while offering efficient and sustainable solutions that ensure optimal performance. But what does functionality in architecture really mean? How do usage patterns evolve over time? Geberit products showcase various design proposals through their Mix and Match approach that blend furniture, sinks, and other bathroom accessories, all conceived to meet the diverse requirements of their users.
Beach houses along the Caribbean coast perfectly blend comfort, nature, and tranquility. With landscapes of white sands and crystal-clear waters, the Caribbean is home to some of the world’s most enchanting seaside retreats. Whether situated on popular islands like the Dominican Republic and Cozumel in Mexico or secluded spots like the untouched beaches of Costa Rica, these homes are designed to fully immerse guests in the lush natural surroundings, providing a uniquely serene experience.
Can academic projects explore new directions and contribute to public discourse on global and local issues? The 2024 Politecnico di Torino Students Award aimed to address these questions, showcasing how architectural research, training, and experimentation can be integrated into a school curriculum.
Politecnico di Torino is ranked among the top 10 architecture schools in Europe (QS World University Rankings by Subject 2024 - Architecture and Built Environment). With over 3,000 students, the Department of Architecture and Design offers a Bachelor's degree in Architecture and three Master's programs—Architecture for Sustainability, Architecture Construction City, and Architecture for Heritage—all featuring dedicated English tracks. The Department offers also two Bachelor's and one Master's programmes in Design.
Studio Aalto and its garden area have just been officially granted protection by the Uusimaa Centre for Economic Development, Transport, and the Environment. Originally constructed in 1955 as an architect's office, with an extension in 1962-63, it holds major significance as the workspace where Alvar Aalto's acclaimed architecture was conceived. Additionally, the Studio reflects the architectural-office design ethos of the 1950s and 60s. Its interiors, including layers of furniture accumulated over decades, remain intact and are integral to the site's protected status, marking it as the first Aalto location in Finland to be listed in this way.
On January 21, 1958, three women sat down as contestants for an episode of the popular television show "To Tell the Truth", a quiz game in which a panel tries to guess which of the three contestants is who they say they are by asking them a series of questions. The announcer reveals the true identity of the person is a registered architect, has so far designed a Hilton hotel, and is a married mother of four. Each of the women, dressed formally in pencil skirts and blouses, introduces themselves as Natalie De Blois. As the panelists reveal their lack of knowledge about architecture, only firing off questions about Frank Lloyd Wright, one asks "What is the name of the building that was torn down to build Union Carbide?" The real Natalie De Blois, at the time a senior designer at SOM, firmly answers, "Hotel Margery."
Architecture is one of the oldest recorded professions, dating back to ancient eras when builders designed historic huts and constructed some of the great wonders of the world. When we think about women who have been known as trailblazers of the industry, it's astonishing that we often talk about women who we may interact with in the workplace day to day, or who our mentors may have learned from. Natalie De Blois was a modern-day pioneer of women in the design workforce, and although her legacy began only seventy years ago, it has significantly changed the way that women can participate in the profession today.
Pavilions offer architects a unique opportunity to experiment, serving as compact spaces that push the boundaries of design and spatial concepts. Free from many conventional functional constraints, these structures allow for artistic expression and the testing of new technologies. Pavilions often act as living laboratories of architecture, positioned in public or cultural contexts. They transform their surroundings into interactive, memorable experiences, providing a stage for architects to showcase their most innovative ideas. In recent years, climate responsiveness has emerged as a crucial focus in pavilion design. By using temporary structures as a testing ground for more sustainable practices, architects can experiment with alternative materials and environmentally conscious approaches that address the climate crisis.
A journey through the legacy of Eileen Gray and her most famous house in the French Riviera, "E.1027 – Eileen Gray and the House by the Sea," by directors Beatrice Minger and Christoph Schaub, invites viewers into the layered legacy of the pioneering Irish architect and her unique vision of modernism. Designed in the late 1920s, the villa not only embodies Gray's architectural genius but also bears the shadow of an uneasy narrative involving Le Corbusier and Jean Badovici. Through their docufiction, Minger and Schaub illuminate Gray's groundbreaking work and critique the prevailing narratives of male dominance in modernist history.
The exhibitors' stands are one aspect of a trade fair. But what would the spectacle be without an informative supporting programme? And… which exhibition hall will you head for first when Heimtextil opens its doors in Frankfurt am Main from January 14 to 17, 2025? Admittedly: It's not easy to keep track of more than 2,900 exhibitors spread across 16 hall levels. But we have a few ideas. Use well-known brands as orientation anchors and be curious to discover new, young and innovative newcomers in the midst of it all. Mark your calendar for exciting talks and tours, and look out for certain signs on the stands. Which ones? We'll tell you now.
As global concerns about climate change grow each year—reshaping our daily lives, cities, and landscapes—some places face a paradoxical challenge: extreme cold. In the world's harshest latitudes, designing sustainable, habitable buildings requires more than conventional approaches; it demands innovation and a deep respect for the local environment. This is the commitment of BIOSIS, an architecture studio based in Copenhagen, which has embraced the challenge of working in some of the planet's most extreme climates. Specializing in climate-driven design, the firm adapts each project to its surrounding environment, respecting and collaborating with nature. For founders Morten Vedelsbøl and Mikkel Thams Olsen, with whom we spoke, this approach represents more than structural resilience—it's a way to harmonize buildings with the environment in regions where extreme cold is a daily reality.
As global urbanization accelerates, the demand for forward-thinking urban development and construction strategies is more pressing than ever, with an estimated 80% of the world's population expected to live in cities by 2080—particularly in the Middle East, Africa and South Asia. From 26 to 29 November, Big 5 Global, together with co-located events LiveableCitiesX, GeoWorld and Future FM, will host five strategic summits, bringing together 1,500 leaders from both government and the private sector to shape the future of urban communities.
NEOM has announced the appointment of new partners to advance the city planning, design, and engineering for the initial phase of THE LINE, a core component of its region in northwest Saudi Arabia. The collaboration brings together Delugan Meissl Associate Architects (DMAA), Gensler, and Mott MacDonald, who will work alongside THE LINE's design and development teams to shape the urban landscape, offering expertise in urban design, planning consultancy, and infrastructure development.
The redevelopment of the International Slavery Museum (ISM) and Maritime Museum in Liverpool, UK, achieved planning approval in Autumn 2024. On this occasion, ArchDaily's editor Mohieldin Gamal had the opportunity to engage in a conversation with Kossy Nnachetta, partner at Feilden Clegg Bradley Studios, the office in charge of the redevelopment. She discusses her architectural journey, key considerations of her practice, and the challenges and opportunities of designing the Maritime and International Slavery Museum, a joint project that had to address several sensitive and historically important issues. Kossy draws on her human-centered and community-driven design approach, describing how this development builds upon Feilden Clegg Bradley Studios' extensive portfolio of cultural projects, adaptive reuse, and historical restorations.
Integrating contemporary art with the landscape in a dialogue between human creation and the natural environment, the Sculpture Space of the National Autonomous University of Mexico (UNAM) represents one of the most important public artworks in Latin America. Both the Sculpture Space and the Pedregal de San Ángel Ecological Reserve at UNAM in Mexico City have recently been awarded the Carlo Scarpa International Prize for Gardens 2023-2024, granted by the Benetton Foundation for Studies and Research based in Treviso, Italy. They were recognized for their high natural, historical, and cultural value as works of preservation and collective art that emerged from a lava surface where new neighborhoods and UNAM’s University City were developed.
John Pawson is a renowned British architect and designer, widely recognized for his minimalist approach, which values simplicity, proportion, and material authenticity. In his work, he explores space and light with depth, refining each element to its essence to create environments that promote tranquility and focus. His portfolio spans private homes, galleries, churches, and monasteries, each exemplifying his dedication to material purity and spatial harmony. By balancing clean lines, natural textures, and understated details, Pawson establishes a modern elegance and timeless quality that make him a pioneer of architectural minimalism.
Air travel has opened up multiple avenues for travel experiences. Lately, these transitional spaces have become destinations themselves, with airports like the Hong Kong International Airport and Incheon International Airport commanding over 60 million visitors per year. Airports are often the first and last impression of a city, and designers and city planners are recognizing their role in telling a place's brand story. As hubs of both travel and tourism, these airports aim to blend functionality with cultural engagement, offering passengers a taste of the local flavor before they even leave the terminal.
Buildner is pleased to announce the results of its second annual Architect's Chair Competition, which received excellent ideas from around the globe. As this competition series gains traction and interest, Buildner is excited to announce the launch of the Architect's Chair Edition 3 competition with a registration deadline of January 15, 2025. Buildner has also published its first book on the topic, highlighting key ideas and outstanding projects past editions.