I always consider myself fortunate to have grown up outside the city, where my ‘cross-country’ lessons, for example –national right of hardship for 11-16-year-olds– were through the actual countryside rather than the high street. For many children, however, modern school life is not so close to nature.
Already over-populated cities are continuing to expand, meaning more schools are suffering from the limitations presented by inner-city architecture including noise, air, and light pollution; a lack of space, especially green space; restrictive budgets and building regulations resistant to change.
With innovative and considered design solutions, however, these four inner-city schools show the rest of the class how to work through their architectural answers and provide quality, green spaces for all.
More than ten thousand kilometers away from the capital Brasilia, a jewel of Brazilian modern architecture overlooks the Mediterranean Sea. Located in another Brasilia, a district in Beirut named after the Brazilian capital, the Residence of the Ambassador of Brazil in Lebanon, designed by Olavo Redig de Campos, combines tropical modernism with elements of Middle Eastern culture.
For the first time, the house will be open to the public through guided tours focused on historical heritage. Geared towards architecture, design, and art professionals and students, the visits will be guided by Dr. George Arbid, director of the Arab Center for Architecture, a renowned institution in modern architecture in the region.
Roland Halbecame into photographyentirely by accident, discovering it at the age of 15 in a class on optics. His physics teacher presented camera obscura effects, which immediately triggered his fascination. He then started borrowing his father’s old camera quite regularly. While still in high school, Roland worked part-time at a camera shop, eagerly discovering everything there is to know about photography. Those were the circumstances that kindled Halbe’s lifelong romance, first with black and white, and, eventually, color photography with a focus on the built environment.
Concrete, second only to water, is the most consumed material worldwide due to its structural strength, ease of handling, and versatility. Comprised of cement, sand, gravel, and water, it is extensively used in construction projects of various scales. However, even this resilient material can deteriorate over time, necessitating maintenance or, in severe cases, demolition. Abrasion and erosion are factors that can adversely affect the appearance of concrete, remove its protective layer, create a rough surface, and potentially lead to structural issues. These challenges are particularly critical in large and complex construction sites, where any irregularities or unevenness can result in significant losses and complications for architects, engineers, and contractors.
Water, with its religious connotations as a symbol of purification and life, holds great significance in many cultures. Nowhere is this respect for water more evident than in India, a country that reveres its rivers as holy. Water bodies serve as a testament to the veneration and use of water in religious rituals, embodying cultural heritage as public spaces, ritual sites, and places for cremation. Central to daily life in India, water and water architecture intertwine spirituality, and cultural traditions, offering a glimpse into the rich traditions of communities.
Tic Art Exhibition Center / Ann Yu. Image: Ann Yu, 2022. Image Courtesy of A' Design Award
As a designer, it can be difficult to find one's way through the many awards and competitions that currently exist. One award, however, offers a one-stop solution to honor designers, architects and design-oriented companies, anywhere in the world, and with global recognition and publicity. The A' Design Award is an international, juried design competition that spans over 100 categories, from Furniture Design, Architecture, Building and Structure Design, to Landscape Planning and Garden Design, and Bathroom Furniture and Sanitary Ware Design.
The American Institute of Architects has elected Evelyn Lee as the 2025 President-elect. During the AIA annual meeting, Lee has been selected to take the position of 2024 First VP President-Elect, and afterward to become president in 2025. AIA has also elected Heather Philip-O'Neal to serve as Treasurer between 2024-2025, and Latoya N. Kamdang as the elected At-large Director.
Evelyn Lee is the Global Head of Workplace Strategy and Innovation at Slack Technologies, Founder of the Practice of Architecture, and Co-Host of the Podcast Practice Disrupted. She is also a member of the National Organization of Minority Architects (NOMA). From 2020 to 2021, she served as the first female Treasurer to the AIA National Board. She is also widely published, having managed a monthly column for Contract magazine, in addition to various other online publications, where she developed recurring content on the business of architecture. Additionally, Evelyn Lee has been featured as a speaker, panelist, and moderator at national design and architecture conferences, including AIA National Convention, Dwell on Design, and Women in Green.
Rabab Raes Kazem, Envisioning the future of Kuwait, 2023. Collage, Print on Mylar, 42cmx29.7cm. Image Courtesy of NCCAL
The Kuwait Pavilion, titled 'Rethinking Rethinking Kuwait,' at the 18th International Architecture Exhibition — La Biennale di Venezia, delves into innovative architectural and urban design methods arising from space and time. The project is an ongoing exploration addressing the consequences of modernist urban planning, which erased much of Kuwait's historic built environment.
Old and compartmentalized plants, small openings, and lower floors receive scarce natural light. Improving natural lighting in an apartment can be challenging. However, some strategies can help maximize light entry into interiors and bring benefits such as comfort, spaciousness, well-being, and energy savings.
In the center of Cairo, The Nile River, one of the world's most iconic waterways, has shaped the course of civilization for thousands of years. Serving as a vibrant lifeline, connecting neighborhoods, and providing a bustling hub for transportation, the Nile River is an essential natural resource for arid Cairo. Throughout the country’s history, it has often been regarded as the source of life in fertility in its annual flooding, bringing richness to the surrounding lands. Interestingly, this year's edition of La Biennale di Venezia, the Pavilion of Egypt "NiLab" focused on exploring this layered water source and unfolding its effects on the built environment.
On January 24th, the fifth edition of the 'International Education Day' was celebrated under the slogan "Invest in people, prioritize education". Proclaimed by the United Nations General Assembly, it promotes a strong political mobilization seeking to chart the way and accelerate progress towards the 4th Sustainable Development Goal: Quality Education.
Mexican architect Carlos Lazo's Cuevas Civilizadas project in Mexico City. Image Courtesy of The Isamu Noguchi Foundation and Garden Museum
Contemporary architecture's approach to space is fairly linear: enveloping a specified volume within some form of material construct. But if we take a look at humanity's first intentional dwellings, it becomes clear that they were much less premeditated.
Rather than manmade areas to be furnished with pride, our earliest homes were naturally occurring cave lairs that offered hunter-gatherers temporary protection from the elements and potential predators. It wasn't until the appearance of agriculture that our ancestors took permanent, built residences. To this day, troglodytism — or cave living — continues to be connected to ideas of societal disassociation and a hermetic desire to exist outside of orthodox architectural norms. And yet, from Northern China to Western France and Central Turkey, hundreds of millions of people still choose to spend their lives at least partially underground.
The greenhouse is a commonplace architectural typology, a frequent fixture in a host of cities, built to shield plants from the elements — from excess heat or cold or to prolong the growing season of crops. Evidence of the presence of greenhouses in some form stretches as far back as the 1450s during the Korean Joseon dynasty, but it is in the 1700s that the greenhouse was born as a specific architectural form. Glassmaking improved, and thus the largely transparent, wide-span structures we know today were born. Nestled under the intricate iron metalwork of greenhouses are also wider stories — of control and undeserved wealth, and resistance.
The circular economy concept became more defined in 1990 when it appeared in the article Economics of Natural Resources and the Environment, by British economists and environmentalists David W. Pearce and R. Kerry Turner. At the time, the main purpose of the research was to demonstrate that the traditional economy did not incorporate recycling. In this way, the environment assumed a secondary role, just like a simple waste reservoir. Therefore, the circular economy would gain strength as an opposition to the linear (or traditional) economy, in which the production chain motto is “extract, produce and discard”. A model deeply rooted in our economy that has become unsustainable for several reasons, like the depletion of natural resources and the contamination of the environment resulting from production and disposal.
As you make your way through the symphony of wooden colonnades, leafy screen walls, and unfurled roofing, towards the converging veins of flooring and ceiling ribs leading to the light, it feels like a space that was always meant to be there. Part of the park, the pavilion complements the nature around it, reflecting its patterns, and illuminates a main interior feature: a concentric set of tables and stools that inspire people to sit at the moment, hold conversations, and connect with each other. This narrative tells the tale of this year's Serpentine Pavilion, designed by French-Lebanese architect Lina Ghotmeh.
Titled, À table, It draws inspiration from the designer’s connection with nature growing up and is reminiscent of the French call to sit together at a table, share a meal and enter a dialogue. It foregrounds the table as a laboratory of ideas, concerns, joys, connections, and essentially brings people together. It further reflects on the architectural ideals that can provoke and welcome moments of collective conversations.
Which are the criteria for the regeneration of a former industrial site? Restore to Impact, the international Call for Ideas powered by the Chiesi biopharmaceutical Group, aims to identify innovative, evolutionary and transversal concepts as guidelines for the future regeneration project of its historic industrial site in via Palermo in Parma. In this context, it has defined its guiding principles to evaluate the concepts submitted by April 30th.
Flexibility, adaptability over time, and porosity are understood as the ability to dialogue with the physical and social context. In addition, the quality of the landscape and public spaces are also related to connectivity and sustainability in technological, environmental, economic, business and innovative terms.
Henning Larsen has been selected as the winner of an international competition for the design of Kurfürstendamm 231, a new mixed-use urban development in western Berlin, Germany. Other finalists in the competition included Cobe, David Chipperfield, and Mäckler Architekten. The winning concept centers the neighborhood around an urban courtyard which acts as a large-scale meeting place for the local community. Nine buildings define the courtyard, including the existing Agrippina House, which is set to be rehabilitated through the project.
West Bund Orbit. Image Courtesy of Heatherwick Studio
Heatherwick Studio has unveiled the design of an exhibition hall situated on Shanghai's emerging West Bund waterfront, in China. Known as the 'West Bund Orbit,' this building will be the focal point of the new Financial Hub in the Xuhui District. Set to become a prominent landmark along the Huangpu riverside, the project is a pivotal public space for passersby, welcoming visitors to its cultural design program.
Trans-scale is an interesting word. It can mean the passage from one scale to another, a shift in magnitudes. It can also mean the negation of the scale itself, the refusal to accept its physical limits. It is also the term used by Pedro Varella to describe the practice of gru.a (a group of architects), a Rio de Janeiro-based office of which he is a partner along with Caio Calafate. Supported by a tripod of design, education and research, gru.a has carried out a relevant set of works that have earned it recognition within and outside Brazil in just over ten years of work.
Nominated for the Mies Crown Hall Americas Prize (MCHAP) 2022 and the DÉBUT of the Lisbon Triennial 2019, gru.a also has two first-place trophies in the Tomie Ohtake AkzoNobel Architecture Prize (2015 and 2019), as well as awards in design competitions. More recently, in 2022, it was included in ArchDaily's list of best New Practices for a work based on resource economy that challenges the conventional limits of architecture and claims the possibility of being read as art.
The simplest definition of a vaulted ceiling is a self-supporting arched structure to cover a space. This technique was used extensively during the Roman Empire and the Middle Ages but fell into disuse with the advance of other building solutions that became more practical. However, many contemporary projects still build these elements or highlight the original structures in renovations because of their powerful impact on the building design.
Enhancing the energy performance of existing buildings through refurbishment processes provides the opportunity to create more comfortable and sustainable environments, while also improving their functionality, aesthetics, and safety. Architectural approaches to these renovations encompass various aspects of a building, including interior spaces, structure, internal systems, and facades.
When it comes to rethinking a building's envelope, STACBOND’s composite panel solutions delve into the development of ventilated facades. These facade systems serve as an architectural strategy for energy-efficient building renovations. Minimizing energy consumption for heating and cooling, the rehabilitation strategy incorporates thermal insulation, moisture management, and thermal mass optimization.
OmniRoom is a new room-in-room system developed by Mute. The product uses patented technological innovations and the benefits of modular architecture to offer a quick and easy solution for building comfortable and reshapable workspaces suitable for new, hybrid work environments. The product has already been recognized with the Mixology'23 Product of the Year award nomination.
Tour Triangle . Image Courtesy of Herzog & de Meuron
The city of Paris has officially reinstated a rule that limits the height of new buildings in the French capital to 37 meters, or 12 storeys. Among the factors for the decision was the controversy surrounding the construction of the 180-meter-tall Tour Triangle, designed by Herzog & de Meuron, which began in 2021 after more than a decade of legal battles and backlash. The new urban planning regulation is introduced as part of Mayor Anne Hidalgo's Local Bioclimatic Urban Plan, which aims to reduce Paris' carbon emissions.
Asiat-Darse Pedestrian Bridge . Image Courtesy of Counterspace
Sumayya Vally, renowned architect and Principal of the Johannesburg/London-based studio Counterspace, won the competition to design the new Asiat-Darse pedestrian bridge in Vilvoorde, Belgium. Counterspace's design concept delved into the history and impact of Paul Panda Farnana, a significant yet under-appreciated figure in the city, who studied the intricate connections between past and future generations of migrant individuals and communities. "The studio has been praised for its research-led approach, which led to the discovery of Farnana and his work, and for shedding light on an otherwise overlooked, vital part of the city’s history". Construction on the Asiat-Darse pedestrian bridge is set to commence in April 2024, with an estimated completion date of December 2025.
