Veteran Italian film producer and CEO of Luce Cinecittà Roberto Cicutto has been appointed president of the Venice Biennale. Cicutto was appointed by the Italian minister of culture Dario Franceschini, and will replace Paolo Baratta, who presided over the Biennale for 8 years. Cicutto’s term will run for four years with a maximum of three renewals.
The Patio Vivo Foundation seeks to promote active free play, positive and healthy relationships, wellbeing and contact with nature by articulating space, community and the culture of kindergarten and school playgrounds. In the following article, they describe their working methodology in their own words.
IKEA Austria is establishing a car-free city center store, in the heart of Vienna. Addressing global issues, IKEA’s newest building will cater to the changes in customer and mobility behaviors.
Skidmore, Owings & Merrill (SOM) has signed a Memorandum of Collaboration with the European Space Agency (ESA) in order to further develop their existing research for Moon Village. Signed in Paris, by Colin Koop, Design Partner at SOM, and Johann-Dietrich Wörner, Director General of ESA, the announcement was made earlier this month.
Architects of today face a common task that defies intuition – how to balance building performance and strict carbon targets against cost. Sustainability in design is certainly a worthy and necessary goal, but the amount of options can be overwhelming and the costs prohibitive, especially in the eyes of owners. How can designers best convince their clients to integrate sustainability into a project? Keeping costs low and backing up decisions with fact-based analysis are solid first steps.
Imagine that you are in a cubicle located in the middle of the office floor plate. Your office has a glazed front, but you are looking into another open office. You have no real window or view to the outside, so you can't tell if it's raining outside or sunny. If you are lucky, and you do have a window, it's fixed, and you are looking into an office in the neighbouring building that is five metres away.
The fluorescent lighting that you sit under for eight hours has thrown out your body's natural circadian rhythm. The ventilation is alright, but you start to feel droopy at around 3pm because the carbon dioxide levels in your shoebox have risen. It might even feel a bit stuffy, regardless of the door being open or closed. As you don't have an operable window, you have been breathing in recycled air all day. When you get outside and take a breath, you will instantly notice that the air outside is fresh.
Now multiply that by five days a week, 48 weeks a year. Maybe you will get a pot plant in a few weeks.
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Open More Doors is a section by ArchDaily and the MINI Clubman that takes you behind the scenes of the world’s most innovative offices through exciting video interviews and an exclusive photo gallery featuring each studio’s workspace.
In this installment of the series, we talked with Kai-Uwe Bergmann, a partner at Bjarke Ingels Group (BIG). Despite the size and fame of the firm – BIG has around 500 employees and maintains offices in Copenhagen, New York, Barcelona, and London – he emphasized camaraderie and connection as the most defining characteristics of the company. These traits are doubly emphasized in the open, nonhierarchical layouts of their offices.
When members of the Bauhaus school fled Germany, many of these talented visionaries made their way to Tel Aviv. At the time, the city was in its fledgling stages and served as the ideal blank canvas for this idealistic concept. Today, the city boasts over 4,000 Bauhaus buildings and has earned distinction as a UNESCO World Cultural Heritage site. Last year, for the 100th anniversary of Bauhaus, the city opened the White City Center in partnership with the German government to actively promote the preservation of this iconic architectural style. The White City Center hosts exhibitions where visitors can learn more about this iconic style. The Bauhaus Center is also worth a visit and hosts weekly guided tours on Fridays for a small fee. For those who are planning a visit here’s our list of the top six must-see Bauhaus buildings in Tel Aviv.
Currently, there are a multitude of pavements in the market, each with different characteristics. When designing a public space, it is essential to ask the right questions regarding requirements and functions to determine the right material for the job. To begin: Where will the pavement be installed? (Will it be protected, exposed, wet, or damp?). What level of traffic will it experience? (Light, moderate, or high?). What type of traffic will it experience? (Pedestrians, bicycles, light vehicles, or heavy vehicles?). What other factors should be considered based on preexisting conditions?
From these questions, it is possible to draw a more precise and effective profile of the "abrasion resistance" of the pavement, an important factor to guarantee the durability and efficiency of the material. Then, the aesthetic, functional, economic, and sustainable factors may be added.
Designed by Japanese firm Nikken Sekkei, and developed by Ithra Dubai, the latest addition to Dubai’s skyline is a mixed-use two towers project with a horizontal connection housing one of the world’s largest cantilevers. Currently, under construction, One Za'abeel Tower is scheduled for completion by 2021.
Architect and visual artist Mohammad Hassan Forouzanfar has been conceptually combining contemporary landmarks with traditional Iranian houses, palaces and monuments in a photo-series titled "Retrofuturism". In his latest exploration, Peace, the Persian architect looks to Iran's Persepolis cultural site, the former capital of the Achaemenid Empire.
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Energy infrastructure has historically been met with a “Not in My Back Yard” response from policymakers and the public alike. Aside from the clear human health implications of coal plants and natural gas stations, the architecture of energy infrastructure has traditionally been driven by raw economy and feasibility, with isolated locations creating little need for architectural beauty. However, modern ideological and urban shifts are powering a new approach.
Every work of art is an interpretation of the world, of what you are thinking; a realization of your perception which creates and attempts a different world. In the end, a work of art is merely an offering to art.
Mexican-Spanish architect Félix Candela (Jan 27, 1910 – Dec 7, 1997) was known for redefining the role of the architect in relation to structural problems, and played a crucial role in the development of new structural forms of concrete. His famous experimentation with concrete gave rise to projects like the Los Manantiales restaurant in the Xochimilco area of Mexico City and the Cosmic Rays Pavilion for the National Autonomous University of Mexico.
CODE - COmpetitions for DEsigners has launched the “Roversi Design Award”, a competition of ideas aiming to design spaces for people’s life, work and amusement in the industry 4.0 era of fluidity and dematerialization. A cash prize of €10,000 will be awarded to the winners, selected by an international jury panel including Frans van Vuure (UNStudio), Peter Pichler, Nicholas Bewick (AMDL Circle), Livia Tani (Ateliers Jean Nouvel), Marco Costanzi, and Massimo Iosa Ghini, among others.
For decades, scientists have been warning us about global warming, and the consequences of human actions on the planet in the form of environmental disasters. The construction sector is today one of the major contributors to global warming and the climate crisis. According to data of the United Nations (UN), currently, 36% of the global energy is dedicated to buildings and 8% of all pollutant emissions are caused by the production of concrete alone.
As part of the activities that took place during the 16th MUTEK Mexico festival from November 16 to 24 in Mexico City, Adidas Originals presented 'Aether', an inverted installation by Max Cooper & Architecture Social Club. This installation represents an audiovisual mapping of abstract forms that works as an emotional instrument, and was presented in 'La Fábrica', a renovated 18,000-meter space serving as a reference for the electronic culture of the Eighties and Nineties.
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The energy already embodied in the built environment is a precious unnatural resource. It’s time to start treating it like one.
At its Googleplex headquarters in Mountain View, California, Google has what is arguably one of the most sustainable corporate campuses in America. It has a new million-square-foot complex on a 42-acre landscape, featuring monumental futuristic buildings from Danish architect Bjarke Ingels and British designer Thomas Heatherwick. But these places are not the same place. Although the new campus has no doubt been developed with a sense of environmental duty, the radically sustainable campus is the one next door, which Google has been using since 2003. Foreseeably—and fortunately—they’ll go on using it. Built in 1994, it was once the corporate home of an earlier Palo Alto technology firm, Silicon Graphics.
On January 23, 2020, Adolfo Natalini has died at the age of 78. The Italian architect founded —together with Adolfo Natalini— one of the most important offices of radical post-war architecture in Italy, Superstudio, which, during the '60s and early '70s, focused on the form of a strong critique of the production methods of design and architecture.
All this analysis was reflected in a very different way of representing architecture, collages, experiments, manifestos, furniture, stories, storyboards, etc. This approach has unleashed multiple discussions that remained valid to this day among the younger generations, which have resumed these modes of criticism to apply them to new ways of producing and thinking about architecture.
The government of Wuhan City in China has decided to build a 1,000 bed hospital in six days to fight the recent coronavirus outbreak. The project aims builds off the previous construction of Beijing Xiaotangshan Hospital in just a week's time back in 2003. As the quarantined Wuhan City's existing hospitals are overwhelmed, they have turned to social media for medical supplies and have begun to turn away patients.
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Every day we receive hundreds of submission forms from our readers, who want to share their work on our platform. Known for our interest in young talent, we encourage people to communicate their ideas, projects, and views on architecture. In order to share more of our readers’ work, we have rounded up in this first article the winning competition entries from the unbuilt section.
It is an inevitable truth that the world population is growing exponentially. Higher numbers can only lead to a higher demand for resources, food, and housing. By the year 2100, the 7.6 billion people currently living on earth will reach, according to the UN, a whopping 11.2 billion.
This increase can only mean that the need to accommodate these people will become an urgent priority, innovating and shifting from the household system that is present nowadays. Soon enough this will be a global pressing issue.
Imagined by Sasaki, the Kabul Urban Design Framework creates a vision of what the city can become. The project generates a set of guidelines that can transform the Afghan capital into a model of sustainable, equitable, and resilient development.
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Wood Design & Building Magazine has announced the winning projects for this year's Awards program. Launched in 1984, the awards program recognizes and celebrates the work of visionaries around the world who inspire excellence in wood architecture. Submissions included projects that weaved wooden architecture into the surrounding landscape in inventive ways.
The history of timber construction stretches back as far as the Neolithic period, or potentially even earlier, when humans first began using wood to build shelters from the elements. The appearance of the first polished stone tools, such as knives and axes, then made wood handling more efficient and precise, increasing the thickness of wood sections and their resistance. Over the decades, the rustic appearance of these early constructions became increasingly orthogonal and clean, as a result of standardization, mass production, and the emergence of new styles and aesthetics.
Today we are experiencing another seminal moment within the evolution of timber. Nourished and strengthened by technological advances, new prefabrication systems, and a series of processes that increase its sustainability, safety, and efficiency, timber structures are popping up in the skylines of cities and in turn, is reconnecting our interior spaces with nature through the warmth, texture, and beauty of wood. Where will this path lead us? Below, we review 7 trends that suggest this progress is only set to continue, increasing both the capabilities and height of timber buildings in the years to come.
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