Mortality defines both architecture and human experience. Throughout time, funerary structures have been designed across societies and civilizations to ground personal and shared beliefs. The idea of the afterlife shapes how these buildings are made, from symbolic monuments to vast tombs and crypts. Now a new range of modern architecture has been designed for remembrance and reflection.
Douglas Cardinal (b. 1934) is a visionary indigenous Canadian architect based in Ottawa, Ontario. He grew up in Red Deer, Alberta. His mother, who was of German origins, loved painting and music, and both became his passions as well during his years at a Catholic boarding school. In 1953, he started studying architecture at the University of British Columbia in Vancouver, but was forced to leave two years later due to his outspoken opposition to follow rigid geometry of the Bauhaus and International Style models, championed by his professors. He wanted to create buildings that would respond to nature and the organic rhythm of life, drawing from his childhood experience of being intimate with nature.
The Lisbon Architecture Triennale has announced the appointed Chief Curators for their 6th edition, which will take place in 2022. The architects Cristina Veríssimo and Diogo Burnay were chosen given their great professional experience in the various aspects of the discipline that includes education, academic, and project activity in Portugal and abroad. The duo will be dedicating three years to preparing the Triennale 2022, beginning with an exploratory period for research, a team definition phase, a phase of structuring the programme design, ending with its implementation.
From its starting to point as a tree to its product form as a beam or piece of furniture, wood used in architecture and interior design goes through several stages and processes. A renewable resource and popular traditional building material, wood is also often cited as a promising construction material of the future, one that is suitable for the new demands of sustainability. But unlike concrete, whose molds can create even the most complex curves, wooden architecture most commonly uses straight beams and panels. In this article, we will cover some techniques that allow for the creation of curved pieces of wood at different scales, some of which are handmade and others of which seek to make the process more efficient and intelligent at a larger scale.
Waugh Thistleton Architects or WTA has won an international design competition in collaboration with In Praise of Shadows and Land Arkitektur, to deliver the new head office of Gotlandshem, the national housing association of the Swedish island of Gotland in Visby, Sweden. The project, low carbon, and low impact building will be a multifunctional place, providing a healthy hub for businesses, accessible by the whole community.
.jpg?1596440556)
Proposing a reflective “floating garden” to counterpoint the existing absolutist castle, MVRDV has won the competition for the masterplan of the Ettlinger Tor area in Karlsruhe, Germany, taking joint-first place alongside Max Dudler Architekten. Inspired by the historical fabric of the city, the project imagines a new composition, blurring divisions, and bringing more greenery to the area.
In the 20th Century, New York City became an epicenter of newly constructed buildings that quickly gained an iconic status. While they greatly influenced new ways that we think about aesthetics and space, many of them met their demise less than 60 years after their commissioning. It seems that in the modern age of mass development, and where a wrecking ball symbolizes progress forward, no building is safe. The tenacity to tear down even these structures deemed to be culturally significant speaks to how architects are quick to dismiss ideas about how long we plan for buildings to live and how we decide when its time for them to come down.
Now more than ever, architecture is in need of innovation. The pandemic has made us fundamentally rethink the functioning of our cities, public spaces, buildings, and homes. Meanwhile, the recent Black Lives Matter and racial justice protests have us questioning architecture’s complicity in broader socioeconomic issues. These challenges are pressing, and we cannot put off changing architecture any longer.
Between the late 1940s to the 1980s, Toronto, Canada, experienced a high rate of growth and development, resulting in a wealth of modernist-style buildings. Due to an increasing population, parishes were also outgrowing their spaces and found themselves in need of new facilities. Consequently, many well-designed modernist churches began to pop up throughout Toronto. This black and white photography series, titled Fifty/50 by Amanda Large, is an ode to these churches, and a celebration of their enduring importance to the city more than fifty years after their construction.
The series of articles developed by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy and Ernesto Philibert-Petit researches the peculiarities of social housing in Latin America. This time, the authors focus on the role of participation in design processes and in the construction of a healthy urban fabric based on the experience of Christopher Alexander.
Like most functions in recent months, this year’s Digital FUTURES, which is held annually since 2011 at Tongji University in Shanghai, had to move online due to the pandemic. The organizers took this as an opportunity to give the event a global dimension, turning the festival into what they rightfully call the most significant worldwide event for architectural education ever staged, with a 24/7 display of workshops, lectures and panel discussions involving some of the most prominent architects and educators. Here is an overview of the festival, together with a selection of lectures from Digital FUTURES World.
When Jane Jacobs famously said, “Cities have the capability of providing something for everybody, only because, and only when, they are created by everybody,” she might as well have been foreshadowing the successful partnership formed between SHoP Architects, James Corner Field Operations, and Two Trees Management. The team, who collaborated on the 11-acre Domino Park master plan in Williamsburg, Brooklyn, has been hailed for creating a benchmark standard in perfecting the process for designing and understanding what it means to maintain a park that actively participates in a two-way dialogue with the community.
A new six-story net-zero carbon office development in Vauxhall, London, UK has been granted planning commission by the city council to move further. Designed by FCBStudios, the timber workspace named Paradise, will transform an abandoned site on old Paradise street, and replace the existing disused roastery.
By 2025, Frost and Sullivan, a market research company, has predicted that there will be at least 26 fully-fledged major smart cities around the world. While some still think that as our cities get more intelligent, they will resemble sci-fi futuristic movies, the reality is that the quality of life in these cities will drastically improve. Cities are set to become more efficient with better services. Nevertheless, before reaching these ideals, let us go back on the process itself, and evaluate the challenges that we might face.
Because the concept of smart cities is still very new, with rare finalized and implemented projects, the topic is still unclear. Although big titles and strategies are well defined, the on-ground application is still uncertain, giving us the opportunity to question its planning process. In fact, how can we go wrong when designing smart cities? What key element are we failing to address in the planning phase?
The Graham Foundation for Advanced Studies in the Fine Arts has announced 2020 Grants to Individuals. A total of 52 new grants will support critical projects that tackle contemporary issues, broaden historical perspectives, and explore the future of architecture and the designed environment. They are awarded for research, exhibitions, publications, films, and digital initiatives, among other formats.
As lockdown provided architects with the opportunity to reflect on their design processes, it prompted Morris + Company founder, Joe Morris, to create On reflection, a series of short films discussing the fundamentals of the practice, centring the conversation around model making as a critical element of design thinking and a wide-ranging architectural tool.
This article was originally published on Common Edge.
The news about real action on climate change tends to track toward the gloomy. It is easy to despair, given the severity of the problem and the time left to properly address it. But there is progress being made in the built environment—just not nearly fast enough to offset emissions elsewhere. In recent years the sector has added billions of square feet of new buildings, but seen energy consumption for the entire sector actually decline. A good chunk of the credit for that accomplishment can go to architect Edward Mazria and his dogged advocacy organization, Architecture2030. Mazria and his team, along with collaborators all over the world, keep doing the unglamorous work of revising building codes, working with mayors, governors, elected officials in Washington (and officials in China), forging new alliances, all while deftly working around the climate obstructionists currently occupying the White House. Recently I talked to Mazria, who spoke from his home in New Mexico, about his take on where we stand. Some of the news, alas, is pretty good.
With the aim of supporting architects to become active agents of sustainable design, this week we present a selection of facades that incorporate different recycled materials. Beyond the typical uses of plastic and glass, in this article, you will find innovative materials such as mattress springs, ice cream containers, plastic chairs, and recycled waste from agricultural and industrial products. A look at 21 remarkable projects using recycled materials to create an attractive facade.
In some cases, a roof can become the shining centerpiece in a work of architecture. Catalan vault, also known as Valencian timbrel vault, became a fixture in Spanish architecture in the 19th century, popularized thanks to its low cost and ease of sourcing and assembly. With the ability to span over 30m per module, this technique is currently making a comeback, establishing itself as a go-to construction method in industrial architecture and can be seen in everything including workshops, factories, and warehouses.
Aquatic centers are defined by activity. Making space for focused exercise and leisure alike, they are designed to support different scales of movement. At their core, they center on swimming pools. These structures explore ideas of light and space spanning millennia, from Pakistan's "Great Bath" at the site of Mohenjo-Daro and Ancient Greek palaestras to contemporary swimming complexes.
Townscaper is a new building game that allows users to create their own town, in a very simple way, with elements rising from a digital sea as they click. With no goal apart from the design aspect, this video game, launched very recently, has already gained a lot of positive reviews.
SOM has unveiled its design for a record-breaking supertall structure in Jiangsu Province, in China. Under construction since 2017, the Greenland Int’l Finance Center will become the tallest tower at almost 500 meters, once completed, surpassing Nanjing’s Zifeng Tower, also designed by SOM.
Barcelona and the Netherlands based Anagram A-U and Gruppa have designed a "Mountain of Knowledge" for the School of Dolní Měcholupy in Prague. Made for the national competition to create a new kindergarten and primary school, the proposal embraces connection and interaction to drive learning. The design is made of contour lines that delineate the mountain, while the building's core features a series of indoor-outdoor classroom spaces.
A lot of prejudice and contradictions surround the history of Cannabis sativa around the world. It is estimated that hemp was one of the first plants to be cultivated by mankind. Archaeologists have found remnants of hemp fabrics from ancient Mesopotamia (now Iran and Iraq) that date back to 8,000 BC [1]. There are similar records in China documenting the consumption of hemp seeds and oils, dating between 6 and 4 thousand BC. Upon its arrival in Europe, its main use was for the manufacture of ship ropes and fabrics: even the sails and ropes of Christopher Columbus' ships were made of this material. Likewise, the first books after Gutenberg's invention of the printing press [2] and many paintings by Rembrandt and Van Gogh were made of hemp.
The use of hemp for civil construction is not new either. Mortar made of hemp was discovered on the pillars of bridges built by the Merovingians in the 6th century, in what is now France. It is also well known that the Romans used hemp fiber to reinforce the mortar in their buildings. Nowadays, although there are legal barriers in many countries, the use of hemp as a construction material has had encouraging results, with research demonstrating its strong thermoacoustic and sustainable qualities. Hemp can be shaped into fibrous panels, coverings, sheets, and even bricks.
.jpg?1596440410 "Courtesy of MVRDV")
.jpg?1596440577 "Courtesy of MVRDV")
.jpg?1596440379 "Courtesy of MVRDV")
.jpg?1596440556)
.jpg?1596100203 "Courtesy of FCBStudios")
.jpg?1596100176 "Courtesy of FCBStudios")
.jpg?1596100270 "Courtesy of FCBStudios")
