Clayton Miller is an Assistant Professor at NUS, part of BUDS Lab, a scientific research group that leverages data sources from built and urban environments to improve energy efficiency and conservation, comfort, safety, and satisfaction of humans. He holds a Doctor of Sciences from the ETH Zürich, an MSc. (Building) from the National University of Singapore (NUS), and a BSc. Masters of Architectural Engineering (MAE) from the University of Nebraska - Lincoln (UNL).
ArchDaily had the chance to interview Miller and find out his point of view on how programming and data science can help in improving architecture and construction.
Who said three’s a crowd? With the new Livre armchair, Manto dining table and Bonfire table lamp, Italian furniture specialists Gallotti&Radice have added a trio of designs to their range that are all big on personality.
MVRDV has revealed the first images of Chengdu Sky Valley, the firm’s competition entry for the Future Science and Technology City in Southwest China. Fusing technology with nature, urban with rural, and modernity with tradition, the proposal introduces “a liveable city into the Linpan Landscape”. Located in one of China’s emerging cities, the project balances the competing needs of the area, through a computational workflow developed by in-house tech taskforce MVRDV NEXT.
Real estate development firm ELAD Canada has unveiled Galleria III, Toronto’s tallest flatiron building designed by Hariri Pontarini Architects and DesignAgency. Made to be a gateway to Galleria on the Park, the development will include 426 residences ranging from studios to three-bedroom units. The tower will part of the next phase in the master-planned community and the transformation of Toronto’s West End.
The judges for the Oscar Niemeyer Award, one of the most prestigious of its kind in the realm of Latin American architecture, have announced the 20 finalists for the competition's third edition.
You probably see brick on a daily basis, whether it’s structuring a building, paving the road, or perhaps serving as a fireplace or chimney. But do all these applications use the same type of brick? How are the bricks supporting or being supported? What are these bricks actually made of? Brick’s versatility and ubiquitous nature mean there’s more than one answer to these questions. Even among brick’s most common applications as a building facade and/or structural wall material, there are a variety of types and construction methods employed.
Idaho's nickname is "The Gem State" for its abundance of natural resources and scenic areas, from steep canyons and valleys to snow-capped mountains. It's no surprise that the state's architecture draws from this context, especially for remote housing projects. Reinterpreting building methods, materials, and spatial relationships, architects have designed a series of incredible homes across Idaho that are redefining how to live in nature.
Ranging from yellow, to gray, to traditional red and orange, bricks are ubiquitous in many of our cities and widely used in construction. Briefly, the manufacturing process of traditional bricks involves molding clay and firing it in ovens, facilitating the creation of solid blocks, perforated blocks, cobogós, tiles, and other shapes. Ceramic bricks are inexpensive; easy to find; boast strong resistance, thermal inertia, and finish; and do not require such specialized labor for construction. But if the installation is done near sources of high heat, the common brick will end up cracking and breaking, making refractory bricks more suitable. But what does that mean?
For decades, companies have relied on disposable plastic packaging to bag and contain products worldwide. Today, the staggering detrimental effects of this plastic dependence are well-known: since the 1950’s, over 9 billion tons of plastic have been produced, only 9% of which was recycled; around the world, one million plastic bottles are bought every minute and two million plastic bags are used every minute; and per the Plastic Pollution Coalition, by 2050, the oceans will contain more plastic than fish by weight. Moreover, plastic is a petroleum product, and its production only further contributes to the devastating climate effects of mass fossil fuel use.
https://www.archdaily.com/950213/is-it-possible-to-turn-plastic-waste-into-affordable-housingLilly Cao
The FRAM Museum will take on a new extension dedicated to polar exploration and environmental education. Designed by Reiulf Ramstad Arkitekter, the winning proposal of the invited architectural competition,Framtid, or Future is centered on the idea that “architecture exemplifies how we care for our environment”.
Strelka KB has announced five teams selected for the international competition to integrate development of 5 sites in Saratov, Russia. A total of 67 applications were submitted from 24 countries, and the jury reviewed all the submitted applications to select participants for the second stage. The participants needed to propose a framework of planning, programming, landscaping and transport solutions for the project sites across Saratov City Center.
While concrete is without a doubt the world's go-to building material thanks to its durability, malleability, and ability to withstand a wide range of climates, it is also the principal source of CO2 emissions within the realm of construction. To combat this and reduce their creations' carbon footprint, many architects have begun experimenting and innovating in a bid to optimize concrete's technical qualities while diminishing its impact on the environment. Among these efforts, there are several projects that have explored the possibility of replacing traditional frameworks with more sustainable materials like bamboo, a resource that grows in abundance throughout many regions of the world and, along with having minimal environmental impact, renders high quality textured detailing on a variety of architectural surfaces.
Every company across the country is talking about “diversity” and “inclusion”—but what actions are actually being taken to address the issues? In May, following the death of George Floyd and the rise of the Black Lives Matter movement, conversations were had, statements issued, and boxes checked. But achieving diversity and inclusion will involve addressing long-term, systemic issues that cannot be solved with a black square on Instagram or a carefully crafted statement from a PR department.
The first step toward diversity and inclusion is recognizing that talking about it is not enough, and the path to real change is going to be a process.
Human impacts on Earth are a common issue nowadays, and many people say that there is no turning back. Climate crisis, greenhouse gases, exploitation of natural resources, production of solid waste and atmospheric pollution are some of the most pressing issues that the global community must address if we want to ensure a sound future for the next generations.
These topics can be viewed in full-color and high-definition in the new book Overview Timelapse: How We Change the Earth, by Benjamin Grant and Timothy Dougherty, which compiles 250 satellite and drone photographs of places on Earth that are in constant transformation.
Dutch design practice Mecanoo has released a new documentary exploring the modernization of Washington DC’s Martin Luther King, Jr central library. Called "A Legacy of Mies and King", the documentary explores both architect Ludwig Mies van der Rohe's vision in the sixties, as well as the recent effort to create a modern library that reflects a focus on people while celebrating the exchange of knowledge, ideas and culture.
As our cities continue to grow and expand rapidly, there has been an increasing demand for architects and craftsmen to build houses more cost-efficiently under tight deadlines. Modular architecture has been introduced as a concept which involves assembling multiple pre-fabricated modules on site to create a working unit. By joining similar elements together in various ways, modular architecture allows for more flexibilities in design and standardized repair.
Building in nature constitutes a contradiction, as architecture enables immersive access to the landscape, while at the same time, natural landmarks are being slowly engulfed by tourists. The human presence in natural landscapes is an interplay of scales, a juxtaposition of archetypal shelters against the vast sceneries, as well as a negotiation between access to the landscape and environmental conservation. Exploring a variety of attitudes and formal strategies, the following takes a look at what could be learned from the experiences and design philosophies of several architects and practices that have perfected ways of addressing architecture in the landscape.
The first 3D printed residential building in Germany, built by PERI GmbH, and designed by MENSE-KORTE ingenieure+architekten is undergoing construction in Beckum, North Rhine-Westphalia. The two-story printed detached house with approx. 80 sqm of living space per floor is using a system put into practice in Germany for the first time. In fact, the construction technique has come through all of the regulatory approval processes over the last few weeks and months.
Multi-disciplinary design practice EcoResponsive Environments has won the RIBA competition for the ‘Vision of Future Living’ in Runcorn, England. Designed for SOG’s Heath Business and Technical Park, the proposal aims to help attract interest from global investors and reimagine what the site's future might hold. The competition for the redevelopment of The Heath asked architects to consider how we will live, work and play in the future.
Since its installation in the late 1990s, a large clock in New York City’s Union Square has been counting up to 24 hours in each day with the number of hours, minutes, seconds, and milliseconds on display. However, the digital screen was recently repurposed as a Climate Clock and now projects the amount of time the world has left to take large-scale action on climate change- and the alarming truth, based on an IPCC Special Report on Global Warming counts down to only a little over seven years left until we reach the point of no return.
In 1755, Francesco Algarotti, disgusted with what opera had become, wrote An Essay On The Opera in which he called for its simplification. For Algarotti, opera had degenerated into a vehicle for soloists to grandstand with endless improvisations overshadowing the music and ignoring the drama. Even the drama had lost the plot with mythological characters in extraordinary and complex situations. Algarotti saw drama as being the essence of opera and wanted the emphasis restored to it, with everything else secondary. Christoph Willibald Gluck and his librettist, Ranieri de’ Calzabigi, were the first to make it work with their 1762 opera Orfeo ed Euridice. It had characters and drama people could relate to, music that could be remembered and lyrics and a plot that could be understood. It’s regarded as the first truly modern opera.
A recent study conducted by the Royal Institute of British Architects (RIBA) examined how architecture students have been affected by the pandemic. Examining 398 architecture students, the COVID-19 survey found that these young adults are under significant stress and are concerned about their future career. In fact, the results highlight that 58% of students are struggling with mental health and almost half are concerned about job prospects.
Reflecting on the current global situation, Chicago Architecture Biennial (CAB) has reinvented its 2021 edition, in order to generate conversations about the “intersection of architecture and design and such critical issues as health, sustainability, equity, and racial justice”. The Biennial has also announced the appointment of David Brown, designer, researcher, and educator, based at the School of Architecture at the University of Illinois at Chicago, as the Artistic Director of the fourth edition, entitled The Available City.