The term ‘open concept’ is popular with house-flipping television shows and real estate descriptions for lofts or contemporary style homes. However, the phrase is absent from the architect’s lexicon, likely due to a much more robust vocabulary and archive of precedents for describing the continuity of space in a domestic environment. This video is the second in a series that breaks down various ‘open concepts’ in architecture. The first video was dedicated to the ‘Organic Plan’ of Frank Lloyd Wright and this one takes a closer look at the ‘Free Plan’ of Le Corbusier. Through comparisons with Wright and supported with examples from the Five Points of a Modern Architecture, ‘Free Plans’ are presented as a unique way of understanding the coherence of space.
David Chipperfield Architects has unveiled his restoration plans for the Grand Hotel in Nieuwpoort, Belgium. Started in 2019, the project converts the structure into a residential building, while seeking to reinstate its landmark status. Becoming “The Grand residential building”, the architecture will also take on an extension that underlines a “sensitive understanding of heritage value and entails reinterpretation and invention as well as restoration”.
Architecture and urban planning studio STL Architects has created a design concept for the Korean Museum of Urbanism and Architecture in Sejong, South Korea. The team's minimalist approach features open, airy interiors and rectilinear building volumes located within the National Museum Complex Master Plan. The design aims to re-address the idea of Human Ecology by exploring ways to intensify the relationship between humans and their natural, social, and built environments.
The progressive departure of factories from cities, often due to environmental regulations, noise ordinances, or the price of real estate, has left many urban manufacturing facilities abandoned and out of use. As these urban factories are left empty, many adventurous developers are taking advantage of the plentiful space, light, and flexible functions that they offer, leading to a residential revitalization in many of the world's defunct manufacturing facilities.
In dystopian films, it is a common trope to depict the sky as filled with a thick fog, blocking the sun's rays and bringing a dark atmosphere to the scenes. Whether in Blade Runner or in a Black Mirror episode, the lack of sun commonly represents a future we would rather not live in. The sun provides heat to planet Earth and is a great source of light energy, essential for the survival of many living creatures. We can generate electricity from the sun and still use only a fraction of the energy it provides. Sunlight also regulates our circadian cycle, which affects our mood. But recent forest fires and industrial pollution in some large cities have already made the dystopian blockage of sun a relatively common phenomenon, depriving hours of sunshine from many inhabitants. Concurrently, with the COVID-19 pandemic, we are living a plot that few science fiction writers could have predicted, and new technologies and solutions have emerged to try to contain the spread of this invisible enemy. Can the sun, or specifically ultraviolet radiation, kill viruses and bacteria? Could it kill the coronavirus?
Almost 6 months ago, on August 4th, 2020, the city of Beirut was shaken by one of the biggest non-nuclear blasts in history. Leaving the northern side of the capital in ruins, the explosion damaged around 40,000 buildings. New contemporary structures completed recently by local international architects are now facing reconstruction dilemmas, raising existential questions such as: How should reconstruction efforts of “new” damaged buildings look like? Should architects rebuild them as they were before the blast, erasing what has happened or should they leave scars and portray new realities?
In order to explore ideas and highlight different perspectives, ArchDaily had the chance to sit with three architects whose buildings were impacted by the blast. Bernard Khoury, Paul Kaloustian, and Lina Ghotmeh talked about their projects and their vision of the reconstruction of Beirut with ArchDaily's Managing Editor, Christele Harrouk, alongside Architectural Photographer Laurian Ghinitoiu, who documented in a featured photo series the extent of the destruction.
A new film by OMA / Reinier de Graaf titled “The Hospital of the Future” has been released as a part of the exhibition, Twelve Cautionary Urban Tales at Matadero Madrid Centre for Contemporary Creation. Dubbed a “visual manifesto”, the 12-minute short film questions the long-standing conventions in the field of healthcare architecture in terms of the methodology behind how hospitals are built and also why they are built in certain ways. Through an exploration of the role that disease has played in shaping cities, the film offers a lens into the future of what we might expect for healthcare design, especially as we emerge from the COVID-19 pandemic.
The new Piccadilly Hotel in the United Kingdom by FCBStudios has received planning approval from the Manchester City Council. Designed for Pestana’s Cristiano Ronaldo CR7 brand, the hotel is sited at the corner of Piccadilly and Newton Street with a lounge bar and rooftop terrace. The scheme reuses a Grade II listed building with an 11-story new build to mark the gateway to the Northern Quarter and city center.
Since immemorial time, humans have constructed their shelter and homes using wood. Gradually these structures grew more complex, but wood has continued to play a fundamental role in architecture and construction. Today, especially due to growing concerns about climate change and carbon emissions, wood has been regaining significance as an important building material for the future, if used consciously and sustainably. Wood’s structural performance capabilities make it appropriate for a broad range of applications—from the light-duty repetitive framing common in low and mid-rise structures to the larger and heavier, often hybrid systems, used to build arenas, offices, universities and other buildings where long spans and tall walls are required.
From climate crisis to How Will We Live Together, as we face the current and accentuated global challenges many of our ideas about the cities of tomorrow are changing. So how will the city of the future be?
Pamela Conrad, principal at CMG Landscape Architecture in San Francisco, California. Image Courtesy of CMG Landscape Architecture
In 2019 CMG Landscape Architecture principal Pamela Conrad launched Climate Positive Design in an effort to help landscape architects design and build projects that can become climate positive. In this interview originally published on The Dirt, Jared Green talks with Conrad about how this approach can make a big difference.
Do you know a great example of high density living environments built within the last 30 years? Share your knowledge and contribute to the creation of an open repository via Crowd Creation. To be truly exemplary, the area should include a mixture of functions (at least some of them high-rise) where the physical fabric retains a human scale at street level despite the high density.
Sou Fujimoto Architects has unveiled its design for the top part of the tallest skyscraper in Japan“Torch Tower” in Tokyo, collaborating mainly with Mitsubishi Jisho Sekkei, Inc. Standing tall at 390m, the highrise building planned to be ready by 2028, takes on a large plaza at around 300m, generating a space for people.
Blank Space has announced the winners of the second annual Outer Space competition. The competition asked architects and designers to leverage real scientific advances in robotics, AI, rocketry and autonomous spacecraft to create visions for the near future in outer space.The competition attracted thousands of participants, with winning entries showcasing narratives and images of architecture beyond the planet Earth.
Many architects tend to prefer using materials and architectural elements in their natural or raw state. It is common to remove ceilings and finishings, especially in renovation projects, to expose a building's structure. This process of reclaiming the natural materials of construction - without incorporating elements to cover the framework, pipes, tubes, and cables - transforms these spaces into places that have nothing to hide.
"And a window that looks out on Corcovado. Oh, how lovely." Tom Jobim's lyrics, immortalized by João Gilberto and Astrud Gilberto's voices and a soft guitar, was one of the early songs that introduced the world to the idea of a paradisaical Rio de Janeiro and a promising Brazil, with an increasingly urban population and a modern capital being built from nothing. Almost 60 years later, Paulo Mendes da Rocha casually quotes this song in an interview and points out that for him, in this scene, the most important element is the window, not Corcovado or Christ the Redeemer. That's because it frames the view and directs our eyes to what matters. It is a phrase that goes almost unnoticed, but that carries enormous poetic and artistic significance to the craft of architecture.
Designing resilient cities combines practical solutions with innovative ideas. Interdisciplinary global firm HKS is working to bring these ambitions to life with researchers, urban designers, nurses, anthropologists, graphic designers and more. Viewing design as a process of discovery, three directors at HKS are leading how cities explore research, equity and integration to create more resilient futures.
Responding to the challenge of designing a space for the launch of the Prada FW Menswear 2021 Collection by Miuccia Prada and Raf Simons, Rem Koolhaas and AMO have designed four connected geometric rooms that allow for the continuous circulation of the models showcasing their different garments. The general theme of the design centers sensory stimulation. Like the designs presented, the materials used and their distribution throughout the space speak of a more intimate connection with our surroundings, reminding us that fashion and architecture are more than just a functional container; they are an opportunity to actively excite and provoke our senses.
Maria Montessori began to develop her educational method at the beginning of the 20th century. In general terms, the method is a scientific pedagogy that promotes an education that positively contributes to the development of children's brains, respecting their individuality and stimulating their autonomy, self-esteem, and self-confidence.
Although the method was created in the last century, science is currently beginning to test much of the information investigated by Maria Montessori. For this reason, it is increasingly being applied to architecture for children’s educational spaces, improving the quality of children's learning and development and providing them with better tools for their future lives.
Courtesy of ir Richard Rogers and Graham Stirk of Rogers Stirk Harbour + Partners
Rogers Stirk Harbour + Partners have unveiled images of their latest venture, No. 33 Park Row in New York City. Located across the street from City Hall Park in Downtown Manhattan, the project, nearing completion and set to officially launch in the spring of 2021, is the city’s first residential project designed by Sir Richard Rogers and Graham Stirk of Rogers Stirk Harbour + Partners.
German design practice Barkow Leibinger has finally received a building permit for the Estrel Tower in Berlin, Germany. Set to become the city's tallest high-rise at 175 meters, the tower comes seven years after winning the initial competition. Construction is now set to start, and the project will be built on Sonnenallee in Neukölln. The design references the existing Estrel hotel und connects both into one unit.
The RENAZCA international competition has released a shortlist for the design of the financial district of Azca in Madrid, Spain, according to El Pais. Directed by IE School of Architecture and Design Martha Thorne and Edgar González, the competition aims to transform the district into the most important economic and cultural node in the Spanish capital. The winning team will be chosen at the end of January 2021 and will have the task of transforming the sector into a "new, open, sustainable urban space connected to the city."
Polycarbonate has become an alluring alternative to glass in facades, as it has different levels of translucency and can provide optimal transmission and diffusion of light. Moreover, it is light, flexible, recyclable, durable, resistant to impact, and includes UV protection, in addition to resisting temperatures between -40°C and 115°C. But beyond its functional properties, this thermoplastic also provides wide-ranging aesthetic opportunities, allowing architects to create unusually dynamic and expressive facades.
Most of the practicing architecture is drudgery, and this is rather unfair. As students, architects are given thoughtful prompts about the built environment and its big questions, as well as sole creative reign to answer those questions. That is the only time in the architect’s life when this is the case, and in many ways, this does not adequately prepare the architecture student for the world of architecture, which is a world of drudgery. In reality, architects are not heroes.
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