More than half the world’s population lives in dense urban areas. Uncomfortably loud restaurants, stores, hotels, or offices are enough to keep patrons away. When planning a meeting or even a night out with friends, we are conscious of selecting a location where we can focus and hear one another. The noisier our world gets, the more difficulty we have focusing on the sounds we actually want to hear.
Since the beginning of time, our ears have warned us of approaching danger. While their function remains the same, the dangers of today are different than they were in the past. Unwanted sounds can have serious health effects such as: hearing loss, cardiovascular disease high blood pressure, headaches, hormonal changes, psychosomatic illnesses, sleep disorders, reduction in physical and mental performance, stress reactions, aggression, constant feelings of displeasure and reduction in general well-being. With this laundry list of side effects, it would be foolish to leave the acoustic comfort of our spaces up to consultants alone. When we take acoustic comfort into our own hands, the end result can be quite extraordinary.
Courtesy of Steelblue for the City of Sacramento / Perkins&Will
Global architecture firm Perkins&Will, in collaboration with ARUP, Grimshaw Architects, EPS , AIM Consulting, and the City of Sacramento, have transformed the city's historic train station into a self-reliant and regenerative transportation hub, making it one of the most sustainable public areas in California. The design team worked alongside the local community to create a people-centric 31-acre master plan that reflects what the community envisions for a public train station and gateway to the city of Sacramento.
Text by Reutov Design. The owners of the apartment are a young couple that completely entrusted me with the design of the apartments. They liked my non-standard approach to design. Having taken this project, I decided to create a bold project that will give you the opportunity to forget about the hard everyday life and help you take a break from the noisy metropolis. Light, gentle, slightly heady interior. Terracotta-pink walls add originality to the entire design.
Titled Oræ -Experiences on the Border, (oræ, Latin for “borders”) the Swiss contribution to the 17th Venice Biennale explores the spatial and political dimension of the country’s border, investigating the social implications of this inhabited territory. Created by a Geneva-based team of architects and artists comprising Mounir Ayoub and Vanessa Lacaille from Laboratoire d’architecture, as well as filmmaker Fabrice Aragno and artist sculptor Pierre Szczepanski, the exhibition details a series of participative processes performed along the Swiss border that investigate the frontier and its inhabitants, revealing the poetic character of the space.
Render by Giovanna Bobbetti. Image Courtesy of CURA
The question may seem straightforward, but the answer can be very complex, leading to a whole series of issues related to the target audience of hyper-realistic architectural renderings, as well as to what their goals are.
Although architecture itself is universal, the day-to-day practice still varies across the world, influenced by a wide range of factors, from the professional requirements and responsibilities of an architect, the local environment, history and building customs, to local priorities and challenges. In a hyper-connected world, where architecture seems to become more uniform, how do local contexts and characteristics shape the built environment? This article taps into the commonalities and the variations within the architecture profession.
At the heart of it, architecture is an inter-disciplinary profession. Ranging from structural engineers to quantity surveyors, a design project thrives from the collaboration of individuals from various fields of work. An often-overlooked connection is the link between the fields of architecture and archaeology, which in more ways than one have a lot in common. In a time of increased awareness on issues of sustainability and heritage, the expertise present in the field of archaeology plays a vital part in the preservation of architectural landmarks of historical significance. This expertise can also play a significant part in creating sensitive architectural interventions suitable for their context, contemporary in their design while responding to historical precedents.
As we begin to emerge from the COVID-19 pandemic, there has been much speculation and debate about whether we will return to our old habits of working in the office 5 days a week, or if working from home creates equal or greater productivity. However, many believe that the future of the workforce will largely be focused on a balance between in-person and in-office working, and a form of remote working, that summates into a new, hybrid model. But if you’re not at home, and you’re not working, then you must be somewhere else- exploring the true in-between of a public and a private space. Enter the concept of the “third” place, which is used to describe everything from coffee shops to banks, and even co-working spaces. If you’ve ever studied for an exam at a bookstore, or even dropped into an airport restaurant to catch up on some work, then you too, have visited a “third” place.
Design projects rely heavily on visual tools that illustrate the project's features and overall atmosphere, and whether you are an architect, interior designer, furniture designer, or engineer, the term 'mood board' has definitely come up at some point during the early stages of the design process. Generally speaking, images have immense powers of influencing and inspiring their viewers, so putting together a powerful mood board can be a game changer for the architect, the visual artist, and the clients, and can amplify the project's story telling process. So what is a mood board and how can you create one?
SHoP Architects has designed a new mixed-used development and tower that will also house the Museum of Civil Rights in West Harlem. Combined, the project could total nearly one million square feet of office, residential, and retail space with the cultural program. SHoP submitted a draft scope of work for the project, dubbed One45, that was made in collaboration with Judge Jonathan Lippman and Reverend Al Sharpton.
Perhaps no building is closer to a date with the wrecking ball in Chicago than the James R. Thompson Center. While those responsible for initiating this threat cite years worth of deferred maintenance and high costs of operation as the primary reasons for their decision, these are not the real reasons for the building’s demise. It suffers from a much more lethal ailment — treating it like a normal building. In this video, Stewart explains why the Thompson Center is definitely not a normal building and offers alternative ways to evaluate it. What if we considered it to be a piece of urban infrastructure or public plaza instead? Relating the building to Rem Koolhaas’ theory of ‘Bigness’, this video builds the case that the Thompson Center should be valued for how it brings people together in space rather than its colors, or material palette, or any other normal ways of appraising mere buildings.
New Investigations In Collective Form, 2018. Image Courtesy of The Open Workshop
The ChicagoArchitecture Biennial (CAB) has announced the list of contributors for its 2021 edition The AvailableCity, selected by Artistic Director David Brown. Bringing design perspectives from around the world, the list of 29 contributors includes the global perception of cities such as Cape Town, Caracas, Chicago, Copenhagen, Dublin, Paris, Basel, and Tokyo.
From the 14th to the 16th century, Iran had witnessed growth and affluence under the Timurid and Safavid dynasties. During this period, many mosques, palaces and pavilions were commissioned and contributed to sites of veneration and pilgrimage. However not many of these key architectural realms survived and few historical texts exist to relay the intricacies of the architecture of that time.
What remained were some dispersed manuscripts from the Shahnameh and other renowned illustrated stories or poems that represented the moral values and aesthetics of that period. Inadvertently these initial renders became the main representation of a unique and fantastic Islamic architecture.
Titled "American Framing", the United States pavilion at the 17th International Architecture Exhibition – La Biennale di Venezia, will explore the omnipresence and creative power of wood-framed construction in American architecture, an overlooked structural element. Curated by Paul Andersen and Paul Preissner, the exhibition will be on display at the Giardini della Biennale from May 22 through November 21, 2021.
The Fundació Enric Miralles has launched MIRALLES, a series of exhibitions and events celebrating the work of the influential Catalan architect, whose passing marked twenty years in 2020. Curated by Benedetta Tagliabue and Joan Roig i Duran, the program will unfold over the course of this year in different emblematic venues in Barcelona. The first three exhibitions of the circuit inaugurated this month showcase the multiple facets of Enric Miralles through archival materials ranging from drawings and collages to photography and models, exploring his legacy in architecture and artistic creation.
The distribution of natural light, improved ventilation, and the propensity to connect living spaces with the outdoors while maintaining the privacy of the inhabitants have made courtyards a go-to in architectural design around the world over the centuries.
Courtyards are characterized as outdoor or semi-outdoor spaces that are enclosed within the walls of a house or building.
In today's climate, energy and how we use it is a primary concern in the design of built spaces. Buildings currently contribute nearly 40% to global carbon emissions and with a projected growth of 230 billion square meters in construction before the end of 2060, the focus on construction decarbonization efforts should be paramount.
On the week commemorating American-Chinese architect I.M Pei’s birthday, Delhi-based photographer and photojournalist, Nipun Prabhakar, has shared with us a series of images of I.M Pei & Partners’ building, the Herbert F. Johnson Museum of Art. The firm was commissioned in 1968 by Cornell University to build the university’s museum that would also serve as a teaching facility and cultural center for the educational community. The building was completed in 1973 and was awarded the American Institute of Architects Honor Award in 1975.
Two years ago, Nathaniel Rich published Losing Earth, his account of the pivotal decade from 1979 to 1989 when the political consensus around climate change somewhat miraculously formed and then collapsed, hardening into an impasse that’s now more than three decades old. Though not explicitly a sequel, Rich’s new book, Second Nature: Scenes From a World Remade, is a follow-up of sorts.
The Design Educates Awards recognize, showcase, and promote globally the best ideas and implementations of architecture and design that can educate. DEAwards reach beyond the regular architecture contest priorities, it searches for something that will have a lasting influence beyond the ever-present effects of design and architecture.
KCAP Architects & Planners have designed a new mixed-use building at the rail station of Gouda. The design takes the form of a public plinth with a program of hotel, apartments and amenities. Created for ABC Vastgoed, the project aims to enhance the areas surrounding the existing rail stop and its overall quality as the final piece in a larger redevelopment of the station's northern area.
As part of its first Virtual World Tour, Architects, not Architecture visited New York to meet Elizabeth Diller.
The international event format Architects, not Architecture is known for inviting some of the most influential architects of our time and asks them to talk about their path, influences, and intellectual biographies. With its new event series, „AnA“ brings the architecture community a bit closer together by taking attendees on tour around the globe to “visit” selected cities and virtually meet two of their renowned practices.
In a competition organized by Shenzhen Airport, Rogers Stirk Harbour + Partners (RSHP) and China Northeast Architectural Design & Research Institute (CNADRI) have won a competition to design the Terminal 4 Bao’an International Airport in Shenzhen, China. The winning design offers a new 400,000 sqm building with connections to existing and new transport infrastructure, as well as a space that promotes passenger interaction and wellbeing, all while maintaining a safe post-pandemic environment.
Slovenia's contribution to the 17th Venice Architecture Biennale explores interior public spaces as vital social infrastructure through the lens of the local cooperative centre typology. Titled "The Common in Community", the exhibition curated by Blaž Babnik Romaniuk, Martina Malešič, Rastko Pečar and Asta Vrečko details the architectural spaces of social interaction built after WWII in rural and suburban Slovenia, which continue to serve their purpose as local community centres to this day.
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