Before fossil-fuel powered air-conditioning became widely available, people living in harsh climates had nothing but natural means to ventilate their spaces and control the interior temperature. To do so, they took into account several external factors such as their location, orientation with respect to the sun and wind, their area's climate conditions, and local materials. In this article, we explore how ancient civilizations in Western Asia and North Africa have used windcatchers to adapt to the region's harsh climate and provide passive cooling solutions that are still being used in contemporary architecture, proving that local approaches to climate adaptability are fundamental to the development of today's built environment.
A new report from The Trust for Public Land (TPL) makes a compelling case for transforming underperforming, paved public schoolyards into green oases for the entire community. While the benefits for schools and their educational communities are clear, TPL sees an opportunity to open up these facilities to surrounding neighborhoods after school hours, on weekends, and when school is out. If all 90,000 public schools in the country had a “community schoolyard,” more communities could tackle the persistent park equity issue — in which too few communities, particularly undeserved ones, enjoy access to nearby high-quality public green spaces. TPL argues that opening up all schoolyards, essentially turning them into part-time all-access community hubs, would “put a park within a 10-minute walk of nearly 20 million people — solving the problem of outdoor access for one-fifth of the nation’s 100 million people who don’t currently have a park close to home.”
https://www.archdaily.com/971293/the-incredible-opportunity-of-community-schoolyardsJared Green
When examining the world of African cinema, there are few names more prominent than that of Senegalese director Ousmane Sembène. His films ‘La Noire de…’ and ‘Mandabi’, released in 1966 and 1968 respectively, are films that tell evocative stories on the legacies of colonialism, identity, and immigration. And whilst these two films are relatively slow-spaced, ‘slice-of-life stories, they also offer a valuable spatial critique of the setting where the films are based, providing a helpful framework to understand the intricacies of the post-colonial African city, and the contrast between the African and European metropolises.
An icon in architecture and design holds a certain degree of widespread recognition, admiration, and originality, whether it be a famous building, an artwork or a popular piece of furniture. However, it must also be capable of remaining relevant through the years and never go out of style, constantly attracting an audience without having to entirely reinvent itself. In an era dominated by social media and the need for instant gratification, the design industry has become more trend-driven than ever, creating products that die just as fast as they’re born. That is precisely where the value of timelessness lies; classic, high-quality, and long-lasting functional products will rarely become a thing of the past.
SHoP Architects and JDS Development Group's The Brooklyn Tower at 9 DeKalb Avenue has reached its final height. The monumental tower stands at 1,066 ft. formed by interlocking hexagons that create a dramatic facade of reflective bronze and black panels, providing residents with panoramic views of the city, river, and harbor. The tower is expected to launch residence sales in early 2022, and open for occupancy late 2022.
David Chipperfield Architects won the competition to redesign 1014 Fifth Avenue, a historic 1907 townhouse owned by the German government and used for cultural programming, into a space for meeting and dialogue. The project, titled "An Open House" and developed together with New York-based practices KARO Architects and Patarus Group, reorganizes the interior and creates the framework for cultural exchange while honouring the history of the building. Inspired by the interplay of public and private space within an ambassador's house, the project draws inspiration from the building's history as the home of the German Ambassador, with a design that balances public and private functions in establishing a new cultural institution.
As a room everyone needs to visit, no matter what their social standing (or sitting), bathrooms can be one of the best ways to add character to a project. Used when we are at our most vulnerable, bathrooms are calm, solitary arenas, giving a few minutes of peace in an otherwise hectic environment. So the originality of the user experience can really stand out.
Whether they bring relaxation to hospitality, individuality to residential or drama, and culture to public space, bathrooms can both surprise and delight users, while allowing them to rest. Here are eight projects where a designer bathroom is an integral part of interior architecture.
Sustainable architecture begins with designing for longer lifecycles and reuse. Looking to create more inclusive and viable futures, architects are exploring adaptive reuse as one of the best strategies to address the climate crisis and promote social justice. Reuse keeps the culture of an area alive, bridging between old and new as projects push the boundaries of circular and adaptive design.
Four emerging architecture studio profiles from Greece, Lithuania, Italy, and Denmark have been chosen by New Generations, a European platform that analyses the most innovative emerging practices at the European level, providing a new space for the exchange of knowledge and confrontation, theory, and production. Since 2013, New Generations has involved more than 300 practices in a diverse program of cultural activities, such as festivals, exhibitions, open calls, video interviews, workshops, and experimental formats.
With its wide range of products and services SPLACES by Interstuhl offers more space in the room and the right solution for each new working environment. Image Courtesy of Interstuhl
SPLACES brings together Interstuhl's products and services to create aesthetic, functional and flexible working environments.
As cities grow in scale, dimensions, and amplitude, taking in 60% of the world population, the United Nations has designated the 31st of October as “World Cities Day”, an opportunity to talk furthermore about global urbanization, addressing challenges, encouraging opportunities across borders and highlighting responses. Focusing this edition on the theme of “Adapting Cities for Climate Resilience”, this day, part of Urban October, seeks to raise awareness about the climate crisis and its repercussions on the built environment.
Cities, at the center of the global challenges, are hubs for institutions, society, economy, commerce, and transportation. Understanding the importance of “Thinking the City”, we have compiled in this roundup, articles published by ArchDaily’s editors that offer planning tools and guidelines, tackle the different components of the urban realm and highlight worldwide as well as contextual questions and responses.
MVRDV's Depot Boijmans Van Beuningen, the world’s first fully accessible art depot, is opening its doors to the public this weekend. The official opening ceremony is taking place on November 5th, and the public will be able to visit from Saturday 6th of November onwards. Located at Museumpark in the center of Rotterdam, the reflective structure features exhibition halls, a rooftop garden, and a restaurant, and offers a behind-the-scenes look into the world of museums, making art collections accessible to the public.
The European Union intends to be climate neutral by 2050. This will require decarbonization at all levels of the economy, and the construction sector will have a particularly key role to play. The sector accounts for around 40% of CO2 emissions globally, and steel and concrete, in particular, require enormous amounts of energy to produce. There needs to be a paradigm shift to replace these building materials and their associated environmental impact. Natural and renewable building materials play a crucial role in this.
MVRDV and Hyde Park BV have unveiled their design proposal of Hoofddorp's Station Quarter, a project that aims to transform the area around the existing station into an ecofriendly and affordable urban district. The masterplan will offer 8,500 housing units and renovated train, bus, and metro stations, providing a solution to the housing shortage and access to public transportation without compromising the quality of living.
The 26th UN Climate Change Conference of the Parties (COP 26) debuted yesterday in Glasgow, bringing together more than 190 world leaders, with the aim of accelerating action to reach the goals of the Paris Agreement and UN's Convention on Climate Change. Leading architecture organizations and figures are attending the two-week summit to show the AEC's industry's commitment to reduce carbon emissions and urge decision-makers to implement clear targets to achieve global climate goals.
Jacob K. Javits Convention Center in New York City, April, 2020. New York National Guard. (U.S. Air National Guard photo by Major Patrick Cordova)
Cities have always been a stage for transformations. The directions, the flows, the different ways of using the spaces, the desires, all change and give way to new places and needs. Such richness provides the city with an innovative and mutable character, but it also implies demand for more flexible architecture in terms of the functional program and structure. Especially during the past year, we have witnessed - at breakneck speed - great changes in the cities and urban spaces. The pandemic brought new paradigms that suddenly disrupted long-established norms. Houses became offices, offices became deserts, hotels turned into health facilities, and stadiums turned into hospitals. Meanwhile, architecture has had to reveal its flexibility to support purposes that could not be foreseen. This adaptability seems to have become the key to creating spaces that are coherent with our current lifestyle and the speed of modern times.
If you haven't seen Respect, I highly recommend it. The Liesl Tommy-directed biographical film based on the life of American singer Aretha Franklin visually takes us back to the 1960s through a successful set work. Here, Production Designer, Ina Mayhew had the job of creating a series of locations where color palettes undoubtedly evoke more than emotions: Her suburban home from her childhood in Detroit, the sassy jazz clubs of New York City, her luxurious Upper West Side apartment, and finally her ultramodern home in Los Angeles.
What is an architecture critic? And what makes a critic in the 21st century? Throughout history, critics were the select few who were chosen to describe and evaluate architecture while we waited for their rave reviews or disappointments before we validated our own opinions. Their thoughts and words became design canon and heavy-handedly shaped our profession. This mindset and culture only further contributed to the idea that architecture is an “elitist” practice where a few set the rules and the rest must learn them. While architecture will always have named critics, just as other forms of art and culture have theirs, there’s recently been a push for architecture to transform itself into a profession that designs for the masses and is equally critiqued by the masses.
All over the globe, countries are facing a housing crisis. United Nations statistics put the number of people who live in sub-standard housing at 1.6 billion, and 100 million of the world’s population are without a home. As conflicts and climate change forces refugees to move to new countries, and as housing prices around the world continue to rise, cities are having to grapple more and more with how to provide safe and affordable housing for their residents.
At Architects, not Architecture, we believe it’s safe to say that almost everyone who has studied architecture in the last 50 years has come across The Salk Institute designed by architect Louis Kahn. While it does not always reflect in their works, our speakers have shared their little stories on how this modernist gem built in1963 played a role in their life. And since we just started our second Virtual World Tour on October 13th, 2021 we thought we’d share a few stories from last events.
https://www.archdaily.com/970564/how-louis-kahns-salk-institute-influenced-a-generation-of-architectsAbhinav Thakar / Architects, not Architecture
Models are useful to architects for all sorts of things, from the earliest parts of the design, all the way to marketing a building after it's built. But, what is it about models that makes them such an important and powerful tool? And, how do different architecture firms incorporate them into their own and unique design process? This video explores these questions by surveying three firms: Morphosis, MVRDV, and Herzog and de Meuron. Often firms have model shops and dedicated model teams who are responsible for everything from early design decisions to critical client presentations and even marketing the building. We hear from the folks who work in these model shops and breakdown how the three case study firms approach models in their own unique way.
Urban environments are in a constant process of social evolution, political and economic transformation. Attached to the idea of urban renewal is gentrification, a complex phenomenon circumscribing a variety of issues, from the improvement of the built environment and strengthening the local economy to displacement and demographic change. On the one hand, redevelopment means revitalizing neighbourhoods, improving the built environment and infrastructure and boosting the local economy, and on the other hand, gentrification drives up property prices and cost of living, forcing out low-income communities. Is the displacement of local communities a "collateral damage" of urban development? Does redevelopment intrinsically drive gentrification, and can urban environments be revitalized more ethically?
In this Editor's Talk edition, editors from Argentina, Lebanon, Brasil, Chile, Tanzania share their views on gentrification.
The word “furniture” derives from the Old French, forneture, which means the act of supplying, from fournir. But it is only in the English language that this word is used to refer to elements of the house such as chairs, tables, shelves, etc. French and other Romance languages, as well as German, use variants of the word meubles, which derives from the Latin mobilia, meaning "things that move." While the English spelling impels a meaning of utility, languages that take the Latin root “mobilia” bring to the word a sense of freedom and possibility. But furniture does not always carry this versatility and flexibility in its creation, and generally, staticity and monofunctionality better characterize the furniture we know. The Gregory seating system is an example of how furniture can provide functionality, but also combine beauty and flexibility.
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