Construction began at the Goethe Institute in Dakar, designed by Kéré Architecture. The project is the first purpose-built space for the German cultural association and exchange centre in its over 60 years of global activity. Located within a residential area and a lush garden, the two-storey structure is shaped by the canopy of trees on-site and is being built using bricks made of laterite, a residual local rock with insulating qualities that help to passively regulate the indoor climate. The project will provide spaces for a wide array of activities, ranging from exhibitions and language courses to concerts and gatherings, all while building on the cultural landscape of Senegal.
An architectural project conceived from the neoliberal system can only be hostile. That's what Father Júlio Lancellotti, an active figure in actions to support homeless people in São Paulo, says. His work at the head of Pastoral do Povo da Rua has deservedly received the attention of national and international media, as well as being frequently published on his own social networks, drawing the attention of the public and authorities to urgent issues of inequality, invisibility of the most vulnerable and the hostility of our architecture and public spaces.
Boss Design argues that the office is no longer a routine-based work space but a purpose-driven destination space. Image Courtesy of Boss Design
The demands and expectations of the workplace have shifted dramatically over the last two years. The mission statement of the office is being re-drafted and its role and function re-defined. Mark Barrell, Design Director at global furniture manufacturer Boss Design, argues that the advance of hybrid or blended work – and 80 per cent of Boss’ clients have adopted that model – means that offices must become 'destination spaces', or rather a series of different destination spaces.
It is difficult to measure, observing a completed building, the amount of work, resources and knowledge that were deposited there. All decisions made influence in some way the performance of the building and its durability. As for the execution details, not all architects allow the dissemination of their constructive solutions. There are professionals, however, who go against the grain and focus on disseminating knowledge, identifying common design decisions that can lead to pathologies (such as leaks, rot, corrosion, mold and odors) and more economical ways to avoid them. This is the idea behind Building Science Fight Club, an Instagram profile whose purpose is to explain some issues and critically analyze certain constructive details and ways of installing materials. We spoke with Christine Williamson, creator of the platform, about her journey. See the full interview below:
Real-time visualization is used to generate renderings with excellent visual quality from a BIM or CAD model. When integrated into your design workflow, it can also facilitate collaboration and allows all parties within an architectural project to engage throughout the design process.
Here are five ways in which integrating real-time visualization can provide a complete understanding of design at various project stages.
Gerkan, Marg and Partners (gmp Architects) have won the design competition for global smartphone producers Xiaomi's headquarters in Changping Future Science City in Beijing. Titled “Mi Cube”, the project reflects the company's philosophy of “Smart Technology, Minimalist Design” through an architecture that combines a geometric and structured facade with a multifaceted and dynamic interior sequence of spaces.
OPEN recently revealed the design of Sun Tower, a new landmark structure for the Chinese coastal city of Yantai. The project echoes the area's characteristic Ming dynasty watchtowers and proposes a cultural facility that re-establish the visitor's connection with nature. Comprising a semi-outdoor theatre, an exhibition space, a library and an observation deck at the top referred to as the "phenomena space", the structure is intended as a place "of reflection and contemplation".
The side setbacks configure the distance that must be between the building and the side boundary of the land. Master plans, building codes or zoning laws determine the minimum clearance that must be observed to ensure that the building takes advantage of better aeration, sunlight and permeability. Although this feature brings several qualities to the built environment, many people do not know how to take advantage of the space given by the setback and, often, it becomes just a passageway.
As the discourse about the way we work continues past the original pandemic concern and past the hybrid, remote, or what was once called traditional office space; employers and employees alike are still revisiting mental comfort requirements of a post-pandemic worker. While there are many types of work environments and worker needs that have to be addressed separately (besides the white-collar or knowledge worker), from a design and policies front; one particular, newborn model has been popping up in recent years, thus far seen through some unique, smallscale yet norm challenging Japanese offices.
A little less than two years after the onset of a global pandemic, inclusion in the architecture profession is unfortunately still a limited conversation. A 2020 survey by the UK’s Architects' Journal revealed a sobering amount of obstacles for Black architects in the UK, and in the United States, prominent Black practitioners such as Mabel O. Wilson of Studio & have questioned the Eurocentric nature of a large amount of architectural study.
Disney, the multinational entertainment and media conglomerate announced its new addition to its Signature Experiences Program. Titled "Cotino", part of its new Storyliving by Disneyventure, the master plan is Disney's first master-planned community project, and will feature distinctly-designed housing units and neighborhoods, along with commercial and civic amenities and man-made beaches in the heart of Rancho Mirage, California's Coachella Valley.
A consortium comprising developers Dream Unlimited and Great Gulf together with lead architects Alison Brooks Architects, Adjaye Associates, Henning Larsen and landscape design practice SLA were selected to develop Toronto's Quayside into a new neighbourhood containing affordable housing, robust public spaces and new business opportunities. The design for the 4.9 hectares site on Toronto's waterfront proposes over 800 affordable housing units, together with an 8,000 square-metres forested green space and an urban farm, accompanied by arts venues and flexible educational spaces.
The strategy of raising houses off the ground gained popularity in the 1920s when Le Corbusier announced structures on pilotis as one of the 5 points of modern architecture. A great contribution, especially in the urban issue, as it enables the creation of a free space with greater connection between the public sphere of the street and the private sphere of the building. His iconic Villa Savoye is a paradigmatic example of the use of pilotis that preserves the natural terrain and, as Le Corbusier himself said, places the house on the grass like an object, without disturbing anything. In addition, the pilotis also served as a strategy for the flow of vehicles, which can be seen in Lina Bo Bardi’s equally emblematic Casa de Vidro and its slender steel tubes. Arranged in a modulation of four modules in width by five in depth, they maintain the house as a transparent floating box in the midst of nature, respecting the terrain and assisting in the building's thermal comfort by allowing air circulation.
The history of architecture shows that the use of raw materials has always been somewhat common, whether in ancient vernacular techniques or within the Brutalist movement, to name a few. It is evident that the language of a project is often linked to its material, as various sensations and the perception of space are directed by the aesthetic and physical quality of the given element. For this reason, we have gathered ten buildings that highlight the quality of their materials, whether to make a statement, reinterpret a technique from the past, or to re-signify the potency of some of these elements.
“If you’re a painter, you need a canvas. If you’re a sculptor, you need marble or plaster. And if you build a house, you need a piece of land.” Welcome to the wonderful world of Not Vital, where the Swiss multi-faceted artist shows us his sculpture park, foundation, and castle in this video.
Louisiana Channel meets Not Vital in his studio in Sent, the town in Switzerland where he grew up and one of the places where he still lives. Building places to live have been with him since childhood: “My first work was more related to trying to build a house or a habitat. The first one was when I was only three years old in 1951. There was so much snow that my brother and I built a tunnel,” he says and continues: “I think that it was the first time I realized that I like to build my own habitat. Even though it was much more comfortable to live in the house, I spent the day in the tunnel. I remember the light, the smell of the snow. I just felt great.”
Photography is often likened to a visual language. The “most literary of the graphic arts”[i] is after all a formal system with commonly accepted structure and recognizable motifs.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Jason Somers, President and Founder of Crest Real Estate to discuss the role of the building Expeditor, when an Expeditor should be used and why, how an Expeditor can help with attaining building permits, the benefits of creating property development analyses at the start of a project, and more.
https://www.archdaily.com/977153/the-second-studio-podcast-interview-with-jason-somersThe Second Studio Podcast
‘’We’re in a seismic area. Beirut has been buried seven times, so it has to resist any earthquake, and that’s why it also resisted the explosion in the port,’’ expresses Lina Ghotmeh in conversation with Louisiana Channel, in regards to the Stone Garden. A building constructed with resilience in mind, in a city that has been buried within rubble and rebuilt multiple times.
Lina Ghotmeh was interviewed by Marc-Christoph Wagner at her studio in Paris in November 2021. Renowned for her Humanist approach to Architecture, the Stone Garden offers a very personal relationship as the first building to be constructed in Ghotmeh’s hometown of Beirut. Positioned on the edge of the city center, it is very much a form of vernacular architecture echoing the lives of the people who reside here.
What style is it? This is a common initial question people ask to learn more about a building. For architects, this seems like a poor entry point and the initiating question can seem naive and trivial. This varying degree of attentiveness to a building’s style leads to an impasse between the public—that wants to understand the built environment—and architects eager to share the nuances of their discipline.
HANNAH Office is a US-based experimental research and design studio whose work focuses on advancing architecture and contemporary construction practices by examining the possibilities of new digital routines and fabrication technologies. Selected as one of Archdaily's Best New Practices of 2021, HANNAH Office was founded in 2012 by Leslie Lok and Sasa Zivkovic and constitutes a platform for exploring technology and material methods across a variety of scales, from furniture to urbanism in search of new design outcomes.
Affordable housing has become an increasingly dire global issue. Be it rent or homeownership, the unaffordability of homes has been on the rise. A look at U.S. Census data illustrates a sharp decline in homeownership in recent decades. Although Millennials were the most populous generation by 2019, they only contributed to homeownership at a rate of 47.9%. Contrastingly, Gen-X’s homeownership rate stood at 69%, following the silent generation at 77.8%. Trends of generational decline in homeownership are mirrored in other parts of the world, such as in the U.K. where rates have steadily dropped from 71% in 2003 to 64% by 2018. Many experts point to affordability as a large reason for this decline.
As part of their ‘Essence of Design’ programme, the Hong Kong Design Institute (HKDI), Hong Kong Institute of Vocational Education (IVE), and the HKDI Gallery present “Zaha Hadid Architects: Vertical Urbanism”, an online exhibition that showcases ZHA's innovations in architecture through a display of technical drawings, computer-generated visualizations, architectural models, video projections, and VR experiences. The immersive exhibition is now online and enables visitors to explore the world of ZHA, offering them an insider look into the details of the office's formative projects.
MAD Architects unveiled the design for the Sanxingdui Ancient Shu Cultural Heritage Museum, a project meant to immerse visitors in the still largely unknown Shu civilization. Comprising a series of curved wooden structures scattered within the existing environment of dense greenery and clear waters, "The Eyes of Sanxingdui" weaves together architecture and landscape into a cultural public space.
It was designed and built between 1943 and 1946 by Amancio Williams and Delfina Galvez Bunge over the Las Chacras Stream in the city of Mar del Plata. It eventually became known as "The House on the River" or "The Bridge House". However, it ceased to have a stream, and thus to be a bridge, in 1957 when the watercourse on which it rested was interrupted for sanitation reasons. It was used as a radio station between 1970 and 1977, but the last military dictatorship in Argentina ended up shutting it down. It remained closed, maintained by its owner until their death in 1991. Studied by all, but cared for by none. It suffered two major fires, in 2004 and 2008. Abandoned during the whole succession process, it was recovered by the Municipality of General Pueyrredón in 2012.
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