The interest in co-living is on the rise, a direction emphasized by the merger between the largest co-living operator in the US, Common, and their European equivalent, Habyt. The two companies manage more than 4,000 apartments in the US and 7,000 apartments in Europe and Asia, as reported by The Wall Street Journal. The term co-living refers to a modern form of group housing where residents share communal spaces for socializing, cooking, and gathering, and have access to shared amenities such as cleaning services or dog walking.
At a historical moment when industrialization and urbanization are continuing at a fast and predatory pace, we need to design and produce spaces that can adapt to new realities. Based on this need, concepts that can guide the transformation and production of future cities emerge.
Recent surveys have revealed the average frequency of daily baths in some countries. While in Latin America, led by Brazil, Mexico and Colombia, people take 8 to 12 baths a week, in the vast majority of countries affected, the average is around 6 to 8. Bathing, throughout human history, involves health, religious, spiritual and even social aspects.
Using only natural light to document English cathedrals can turn into a logistical and technical challenge. However, Peter Marlow's photography has resulted in a remarkable series of iconic spiritual sites whose contemplative atmosphere is rarely accessible to others. Looking east with the camera towards the nave as the dawn light streamed through the main window opens a purist and mystical perspective to the time when these sacred structures were erected.
Cities are inseparable from fast-paced lifestyles. Rising rents and “not-that-small” apartments characterize urban environments, perpetuating the chase for “bigger, faster, and more”. As economies develop and human needs grow, buildings are erected at alarming rates to rush toward progress. The risks of urban living are gradually being exposed, raising questions about more intentionally-driven actions. One way to return to slower lifestyles is by returning to slow architecture.
Through the “Search History” exhibition at MAXXI Museum in Rome, Lara Lesmes and Fredrik Hellberg, directors of the architecture and art studio Space Popular, set out to explore the work of Also Rossi and to translate his notions of “urban fact” and “analogous city” to the virtual realm. The installation is a reflection on the proliferation of metaverse platforms and the concept of virtual urbanism. The exhibition is part of the fifth edition of Studio Visit, a partnership between Alcantara and the MAXXI Museo nazionale delle arti del XXI secolo, which challenges designers to put forward a personal reinterpretation of the works of the masters in the MAXXI Architecture Collections.
As human beings we cannot live without stories, we need them to fill those gaps in our reality, to live in our imagination those thousands of lives that are different from ours and, in some cases, impossible.
Could we qualify as "good architecture" that which has a story, or several stories, to tell us? That which is a story in itself? Such a subjective question undoubtedly generates different answers, but one possible answer is "yes". And one example is the Brion Tomb project, one of Venetian architect Carlo Scarpa's major masterpieces.
Rutas Naturbanas (San José, Costa Rica. 2015 – 2020). Fundación Rutas Naturbanas - Federico Cartín. Image Courtesy of Jeannette Sordi
Green corridors, or biodiversity corridors, are large portions of land that receive coordinated actions to protect biological diversity. According to Brazil’s National System of Nature Conservation Units, they strengthen and connect protected areas, encouraging low-impact use by implementing a more comprehensive, decentralized and participatory conservation alternative.
Mexico City-based architecture firm Tatiana Bilbao ESTUDIO presented its design for the Casa Dragones Tequila Tasting Room, which took place at Art Basel Miami Beach from December 1st to 3rd in the second year of its multi-year partnership. Founded in 2009 by Bertha Gonzalez Nieves to create tasting tequilas produced with the utmost care and expertise, Casa Dragones has become the first tequila brand to be an Official Partner of Art Basel Miami.
Biennales, exhibitions, and architecture focused festivals provide a platform for opening debates, conducting research, and driving innovation, but they can also contribute to the incremental changes that shape the image and the character of a city. Through temporary installations and experiments, this type of events have the opportunity to open lines on inquiry into the quality of urban spaces, inviting visitors and residents to slow down, break away from their daily routine and interrogate their local environments. The effects might not be immediate, but by cumulating these impressions and moments of contemplation, architecture and design festivals can have a long-lasting impact on the cities that welcome them.
Keen to shape buildings and cities in Southern Europe, BIG has opened its latest office in Barcelona, Spain. Led by partner, João Albuquerque, the studio is seeking to create positive change and integrate into the city and the Spanish community. With a couple of projects spanning from the west to the east of the Mediterranean region, most notably Farfetch, and Fuse Valley campus in Portugal, the Joint Research Center in Sevilla for the European Commission, and the Gastronomy Open Ecosystem for Basque Culinary Center, BIG Barcelona is in constant evolution.
ArchDaily had the chance to talk to BIG Barcelona Partner João Albuquerque about the inception of the Barcelona office, his journey at BIG, and the firm's upcoming projects and involvement within the Spanish and Southern European markets.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
Baby Boomers, Gen X, Millennials, and Gen Z have long dominated the conversation around how different generations influence architecture and the built environment. From views around city planning and zoning efforts to the great debate about whether workplaces should be completely open or office-intensive, each generation has had its strong opinions about how spaces we inhabit are designed- largely shaped by the socio-economic, political, and technological influences that have shaped our lives in different ways. Looking ahead, what can we expect next? Enter Generation Alpha, the first generation born entirely within the 21st century.
Chile has a rich and vast heritage architecture, which is gradually gaining relevance through different initiatives that seek to renovate these buildings to give them a second life. The buildings and infrastructures were in disrepair, disused, or damaged, but have great architectural value, being an important contribution to the reconstruction of the history of Chilean cities.
In October, the ArchDaily team spoke with Henry Glogau during his stay in London, where he was working on a number of projects. At only 26 years old, his resume includes an impressive amount of international awards, which he has received for the relevance of his work to issues both so basic and urgent for humanity: access to potable water, sanitation and quality of life. Born in New Zealand, Henry moved to Copenhagen in 2018 to study at the Royal Danish Academy and for the past two years has been working at the 3XN GXN office as an architect in their innovation unit, alongside a multidisciplinary team. Below, read the conversation we had about some of his projects, his beliefs about the role of architecture, and his views on our responsibility to the planet.
Artists are frequently inspired by land — be it painter Robert S. Duncanson’s renditions of American landscapes, or William Kentridge’s subversions of colonial-era British paintings depicting African vistas. Some artists, though, have preferred to work directly with the land, creating structures that sit on landscapes, or carving into the land itself. This art style — formally termed as Land Art — gained prominence in 1960s and 70s United States, in the context of the rise of the environmental movement amidst civil rights and antiwar protests, and as artists looked to separate themselves from the art market.
In hospitality, first impressions count. Corian® Solid Surface – an exclusive product of Corian® Design, a division of DuPont company – has become a more and more regular guest in hotels over the past decades as designers and architects look to create highly hygienic and adaptable interior designs. designboom and ArchDaily concluded its three-part webinar series with the material producer, this time to explore the future of hospitality design. Leading architectural and design experts joined the live conversation, including TBI Architecture & Engineering, JOI-Design and Ultraspace – watch above.
Studio KO as the curator of the Uzbekistan National Pavilion at the 18th Venice Architecture Biennale. Uzbekistan’s response to this year’s overarching theme, Laboratory of the Future, is an exhibition titled “Unbuild Together.” It aims to bring into focus the country’s rich architectural heritage as a potential tool and inspiration for developing a more sustainable future. The curatorial team will include Karl Fournier, Olivier Marty, Jean-Baptiste Carisé, and Sophia Bengebara.
Tu Casa by Lutolli Architects + Partners. Image Courtesy of Lutolli Architects + Partners
Architects play an important role in creating healthy, functional and aesthetically pleasing environments. Interior design represents a natural continuation of the same prerogative, and its importance has been accentuated in recent years, from the lockdown forcing many people to remain indoors for extended periods of time, to the rise of remote work. The task of the interior designer is not decorating spaces, but planning for an effective use of space, understanding the needs of the user and highlighting the intrinsic qualities of a space. Acoustics, lighting, material properties and proportions all play a role in achieving a coherent and enjoyable interior space.
This week’s curated selection of Best Unbuilt Architecture highlights interior design projects submitted by the ArchDaily community. From a pastel-colored library in Turkey to a renovated symphony hall in San Diego, US, this selection of unbuilt projects showcases how architects design interior spaces by integrating textures, materials, light, and color in well-proportioned spaces. The article includes projects from Turkey, US, Switzerland, Indonesia, UK, and Denmark.
While approaching Wainscott Beach on Long Island’s South Fork in early December, one could see the most tangible aspect of offshore wind’s New York progress even before hearing the crash of waves: three pillars, each about as tall as the Statue of Liberty, jutting up from the ocean. They were the legs of the Jill, a liftboat from the Gulf of Mexico stationed about a third of a mile off the coast of Long Island’s South Fork.
The profession of architecture is often marked by those individuals who employ their talent and resources to enable change and bring forth a vision for a better future. While some of them began their careers with bold gestures that captured the attention of the architectural world and changed paradigms, others worked in a more quiet manner, shifting the focus to the users of the space and asking themselves how they can best contribute to enriching the lives of those around them.
As the new year begins, we pause to look back to the architects who have passed away over the course of the last year but whose legacy and contribution to architecture outlive them. Among them, we remember Pritzker Prize laureate and pioneer of the High-Tech Richard Rogers, Post-Modern icon Ricardo Bofill, the thoughtful Gyo Obata, advocate and innovator Doreen Adengo, social housing pioneer Renée Gailhoustet and the many-sided Pritzker Prize laureate Arata Isozaki.
Developed by WERK Arkitekter and Snøhetta, the new maritime center on the coast of Esbjerg, Denmark, opens to the public. The wooden structure is conceived as a gathering space for watersports clubs and other visitors to the harbor, providing the coastal town with a maritime social hub. The circular structure protects the visitors from harsh weather conditions, while the large windows and amphitheater stairs open up views of the sea. Dubbed “The Lantern,” the project represents the winning design of a competition organized in 2019.
Blur Building at the 2002 Swiss Expo. Image Courtesy of Diller Scofidio + Renfro
Scale is a term that has dominated the architectural profession for as long as built structures have existed. In the literal sense, scale defines the measurable standards that we have come to know and accept —the widths of door frames, a car turn radius, and of course, a means of producing measurable drawings. In a more abstract and figurative representation, scale describes a feeling of individual experiences when comparing themselves or a familiar object to something unfamiliar.
