Unconstrained by the dogmas of established offices, new architectural practices can often challenge building norms and redefine living standards. The Young European Architecture Festival (YEAH!) is an event dedicated to highlighting these new and emerging practices and bringing their contributions to the built environment into focus. Many of these practices are challenging and redefining typologies of residential architecture. They are building upon ideas such as cooperative housing schemes, community-initiated developments, and circular economy. Others are exploring local identities and resources as a way to reinvigorate the profession while creating respectful and regionally relevant works of architecture.
There are significant deficiencies in how our cities worldwide operate and serve the people who live in them. Bureaucracies, red tape, and other limiting processes that publicly drive our cities towards their futures are often the aspects that cause change to happen at such a slow pace that by the time an issue is addressed, five more have popped up in its place. Over time, society has come to accept that when the systems we have in place don’t do much to serve our needs, it forces us to turn to alternatives to advocate for change. Some urban issues have found the best solutions after initiating social movements and the formation of grassroots groups.
Cortesía de ELEMENTAL y Nissen Wentzlaff Architekten
The Bank for International Settlements (BIS) has just announced that the collaborative project designed by ELEMENTAL (Santiago, Chile) and Nissen Wentzlaff Architekten (Basel, Switzerland) is the winning entry of its international competition to develop its headquarters in Basel, Switzerland.
JAJA Architects won the competition organized by Metroselskabet, Denmark, to develop resource-efficient and climate-friendly metro stations. The winning team takes a comprehensive and holistic approach, looking at both material-optimized and sustainable design solutions and the character of the journey that passengers take to reach their destination. The proposal is centered around three core elements: Materials, Mobility Hub and Climate Campaign. While aiming to reduce CO2 emissions, the team also seeks to create an enjoyable and easy-to-navigate space for the many daily passengers. Snøhetta, 3XN/GXN, and Effekt also participated in the competition.
UNStudio and b720 Arquitectos, in collaboration with engineering firm Esteyco, were selected to deliver the integral remodeling for Madrid-Chamartín Clara Campoamor Station and its urban integration. Among the proposals submitted by the world's leading architecture firms, the winning design was chosen for its integral program of efficiency, sustainability, and inclusivity. As "Europe's largest urban regeneration project," the railway hub will extend 2.3 million square meters to become an international benchmark in the Spanish Capital.
Mexico City is undoubtedly one of the most exciting and effervescent cities on the cultural and architectural scene in recent decades. Various authors have positioned it inside and outside the country through projects that make up a meeting platform for the creative community. LAGO/ALGO is part of the list of those resilient spaces that emerged from the pandemic, with the need to reimagine our current context by rethinking how we relate to the public and private space having the iconic Chapultepec Forest as a stage, an 810-hectare urban park that is divided into four sections which harbor some of the most important tourist sites in Mexico.
Currently working on 45 simultaneous projects, including India’s largest bio-diversity park in India and the second largest in the world, Amit Gupta has been leading Studio Simbiosis for the past 12 years with a special focus on sustainability where performance follows experience more than form following function.
In this 2022 version of the World Architecture Festival, in Lisbon, ArchDaily had the opportunity to talk with Amit Gupta and discuss the main philosophy behind Studio Simbiosis, the challenges of building in India’s low-tech context, and the future of artificial intelligence and the metaverse in architectural design.
In Childhood’s End, Arthur C. Clarke’s mid-20th century science fiction classic, a character wonders if the flattened inhabitants experiencing a far-off planet’s tremendous gravitational force are aware of the third dimension. In recent years, this hypothetical has found parallels in our growing digital universe, where we are continually drawn to our flat screens to confirm our relevance, connect with like-minded individuals, or create dating profiles. With attention spans riveted by endless digital content, walking down the street has become a delicate dance of avoiding people staring obliviously at their phones—those who, calling to mind Ada Louise Huxtable’s famous question, “Kicked a Building Lately?,” might walk right into one.
Climate change has been one of the most pressing topics of this year, and for a good reason. Its effects are visible not only in natural habitats but also in urban environments. The construction industry has an important role to play in this dynamic. Throughout the year, events such as COP27 emphasized the importance of striving to achieve net carbon zero and the challenges faced by developing countries affected by increasingly devastating natural disasters. Possible directions for development include actions at varying stages and scales, from optimizing green spaces for urban heat control to employing local and innovative building materials to minimize the carbon footprint or passing laws that help create more sustainable urban and natural environments.
This article represents a roundup of articles published on ArchDaily during the course of 2022 with themes related to climate change and architecture’s potential to make a difference. It breaks down the topic into four main questions: What Are Cities Doing to Mitigate Urban Heat? How to Tackle Rising Sea Levels? What Was COP27 and Why Does It Matter? Can Building Materials Play a Role in Achieving These Goals? The last section presents an overview of new legislation approved during 2022 as a way of understanding how state and local governments are imposing this need for change.
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Photo-realistic luminance rendering from VELUX Daylight Visualizer (left) compared with photo from built project (right). Image Courtesy of VELUX Group
Daylight is core to realizing healthy and sustainable buildings, but its dynamic nature and the complex ways in which it interacts with its environment make it a difficult discipline to master. The new version of VELUX Daylight Visualizer makes climate-based daylight modeling more accessible than ever, empowering architects to make the best use of daylight anywhere in the world.
Reports show that authorities have begun dismantling Stadium 974 after it hosted seven matches during FIFA World Cup, with six group games and one Round of 16 knockout matches. It was also the only stadium built for the World Cup without air conditioning, so it only hosted evening matches. According to the BBC, construction workers moved on the site on 9 December to “take the stadium out of tournament mode.” The structure was designed to be the first FIFA-compliant stadium that can be fully dismantled and re-purposed after the tournament ends. While Qatar called this a “beacon of sustainability,” experts warn that the real sustainability of the scheme depends on several factors, including when and where the stadium will be reused.
In collaboration with architecture and engineering consultancy Sweco and landscape architects Tredje Natur, Zaha Hadid Architects was selected to deliver the new Aarhus football stadium in Denmark. Dubbed the "Arena of the Forest," the stadium will be embedded within the city's Marselisborg forest, offering public and ticketed spaces all year round while revealing glimpses of the surrounding landscape. Scheduled for opening in 2026, the complex will cover 69,912 square meters, including the Aarhus arena and the renovation of the adjacent 'Stadionhallerne' building completed in 1918 by architect Axel Høgh-Hansen.
Throughout 2022 we brought different ideas for homes, from methods that do not require previous experience and with accessible materials to more elaborate projects that demand a complete renovation of the space. Many people want to bring a new atmosphere into their own homes at the end of the year. That is why we have put together some tips with the simplest executions and others that help you create the necessary transformation for your home.
As much as walls, ceilings, and furniture pieces define the character and perception of an architectural project, doors play a critical role in building that style. Among all the doors used in houses, the front door is the first tangible element that homeowners and visitors will encounter, acting as the pivotal point where architecture greets the user. After all, first impressions are always important; and the entrance door is certainly one that can set the tone for the rest of the interior. However, choosing the right front door for a contemporary house can be difficult, especially with so many design possibilities. Therefore, before making that decision, it is crucial to know what those possibilities are – and how these can transform the front door into a design statement.
In 2013 ArchDaily published the article “Can We Please Stop Drawing Trees on Top of Skyscrapers,” - its author was frustrated by rampant greenwashing. If you wanted it to look sustainable, you’d just have to put a tree on it. Plants have always been an effective marketing tactic to appeal to the environmentally conscious, but as soon as they are photoshopped in, they are often discarded at the first whiff of value engineering. Given the voluminous flurry of vigorous commentary and debate following that publication (2013, 2016, 2016) it is clear there is something that persists, perhaps a widely felt instinct that in truth, our urban “landscapes” are unsustainable, and often unlivable. Our cities not only take advantage of the ecosystem services of far-off forests and groundwater to support our carbon production, air pollution, and water wastage, exhausting arable land to feed our increasingly urban populations but simultaneously create urban areas devoid of life that increase our carbon footprints and negatively impact human health and well-being.
https://www.archdaily.com/993515/building-calories-moving-beyond-greenwashing-to-investigate-the-value-of-living-with-plantsAndreas Theodoridis, Christina Ciardullo & Anna Dyson
Winning Design. Bjerg Arkitektur, Denmark. Image Courtesy of Geberit
As living spaces are becoming more scarce and expensive, design must create innovative strategies that maintain a balance between functionality and aesthetic expression, enhancing the creation of smaller spaces. With this goal in mind, Geberit has launched a competition across six European countries –Germany, France, Great Britain, Switzerland, Czech Republic and Denmark– to reimagine the bathroom inside a 6 m2 space, a common size in the urban environment that still allows for different layouts.
While offering a realistic approach, these proposals work as a guide on how to design bathrooms that optimize space and, at the same time, combine different products, materials and colors accordingly (and creatively).
It is a great privilege to amplify the voice of architects and other built environment professionals. It is also an enormous challenge as it requires a lot of investigation and time from our content team. However, the effort is gratifying. It puts us in contact with some of the most prominent talents in our field who have been discussing subjects such as cities, metaverse, community, environment, democracy, sustainability, building technology and interiors, to mention just a few.
Representing the values of a company, without falling into obviousness and clichés, is quite a challenge for architects. This was the case for Rezen and Templewell, who were commissioned to design the headquarters for IGO, a leading exploration and mining company based in South Perth, Australia. Contrary to the obvious "brutality and harshness" that immediately comes to mind when we think of this extractive activity, the project seeks its antithesis: a space designed for the people who work there, exploring textures, sober palettes, and pleasant surfaces. The office has been selected among the five winners of the 2022 Shaw Contract Design Awards "Best of Globe".
Kalita Humphreys Theater Restored, view from Katy Trail . Image Courtesy of Diller Scofidio + Renfro
Diller Scofidio + Renfro, in collaboration with Dallas Theater Center, unveiled the design proposal for the Kalita Humphreys Theater master plan, centered around one of Frank Lloyd Wright’s lesser-known buildings. Over the years, neglect and additions have compromised the building’s integrity. The project aims to restore the mid-century theater to its original state by applying a multifaceted approach. According to the architects, this includes surgical extraction, selective reconstruction, preservation, and a faithful reinterpretation of Wright’s design intent. The master plan also aims to transform the surrounding public green space into an active and attractive park connected to Turtle Creek and Katy Trail, some of the most visited destinations in Dallas.
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Visualization by Atelier Monolit. Image Courtesy of ATHR Gallery
The new cultural destination Wadi AlFann, Valley of the Arts in AlUla desert, Saudi Arabia, unveiled its first permanent large-scale installations by some of the world's most compelling contemporary artists. Agnes Denes, Ahmed Mater, James Turrell, Manal AlDowayan, and Michael Heizer will be the first five to be completed and unveiled by 2024, starting a program of commissions with more renowned artists to be announced.
The site, a vast valley spanning approximately 39 square kilometers with a millennial legacy, aims to become the new global cultural destination for contemporary art, contemplating another 15-20 artworks by 2035. The plan builds upon the success of two editions of the international art exhibitionDesert XAlUla, in 2020 and most recently the 2022 edition, featuring work by Ayman Zedani, Jim Denevan, and Zeinab Al Hashemi.
It was in the early 1960s that the young architects Plínio Croce and Roberto Aflalo joined Gian Carlo Gasperini to participate in the biggest international competition at the time, organized by the UIA (International Association of Architects). The challenge was to design the tallest office tower in Latin America, which would house Peugeot's headquarters in Buenos Aires. Winning the competition with the 55-story building was the incentive that was needed to create aflalo/gasperini arquitetos, betting on contemporary projects, focused on technological aspects and, as they define it, presenting a clear and honest language,
La torre de usos múltiples más alta de Decentraland con la plataforma de observación más alta del metaverso. Image via Crystal City
Felipe Escudero, founder, and principal of Quito-based Estudio Felipe Escudero (EFE), has unveiled Crystal City, his latest metaverse design for LEDY, one of the discipline's leading developers, and Decent Amusements, the district manager. In addition to a high-rise observation deck, an ice-covered marketplace, and a packed snow gallery, this new metaverse destination will feature Decentraland's tallest multi-purpose tower, Crystal Tower.
We have never stopped exploring the manifestation of traditional Chinese architectural language in modern architecture, starting with the effort of a modern volume with a traditional paradigm roof. This inheritance and expression are based on the context, which is divided into two categories: "Adoption" and "Ablation". The reinterpretation of traditions from "Form," "Sense," and "Model" is "Adoption." Ablation is a constructive compromise with the environment that respects the original rural or urban texture and appearance. It is based on old forms and building techniques, enhanced with modern design approaches and techniques. It improves conditions either by erasing them in some situations or by disappearing and integrating into them. Contemporary architecture is both the tradition of the future and the tradition of the past. The "classics" are continuously being extended by architects using new techniques
“Seneca Village was an important community. It was 40 acres, two-thirds African American, and had a church and school,” explained Sara Zewde, ASLA, founder of Studio Zewde and assistant professor at the Harvard Graduate School of Design, during a session at the ASLA 2022 Conference on Landscape Architecture in San Francisco.
The 225 residents of Seneca Village were displaced by the New York City government in the mid 1800s to make way for Central Park, which is considered one of the masterpieces of landscape architect Frederick Law Olmsted and architect Calvert Vaux.
