Architect William (Bill) Hellmuth, the chairman and CEO of HOK, passed away on April 6, 2023, after a long illness. Hellmuth was elected president of HOK in 2005, then CEO in 2016. He accepted the new role on the condition of remaining design principal for HOK’s Washington D.C. studio, as he enjoyed having a hands-on approach and working directly with clients and HOK project teams. One year later he was also named chairman of the firm, helping the office to raise its profile as an innovative and influential company within the design community.
The São Paulo Biennial Foundation has just announced details of the Terra project that will occupy the Brazil Pavilion at the 18th International Architecture Exhibition, La Biennale di Venezia. With a curatorial effort by Gabriela de Matos and Paulo Tavares, the Brazilian exhibition will feature a diverse group of collaborators, comprising Mbya-Guarani indigenous peoples, Tukano, Arawak and Maku indigenous peoples, weavers from Alaká (Ilê Axé Opô Afonjá), Iyá Nassô Oká (Casa Branca do Engenho Velho), Ana Flávia Magalhães Pinto, Ayrson Heráclito, Day Rodrigues with collaboration from Vilma Patrícia Santana Silva (Etnicidades Group FAU-UFBA), Fissura Collective, Juliana Vicente, Thierry Oussou, and Vídeo nas Aldeias.
Biophilic office design is not just a passing trend. It rather represents a seismic shift in how we design and build our office spaces and work environments, with every employer from multi-national giants of the industry to two-person bedroom startups getting on board. But this weighed-down bandwagon of empathetic, wellness-focused workspace still has plenty of room on the back.
Light is part of various disciplines, shaping the world as we know it. In physics, it serves as a measure of speed and makes vision, and the recording of images by the eye and camera lens possible. Throughout art history, the representation of light - or its absence - has guided secular movements in various manifestations with equally different techniques and supports. This means that light - and its derivative shadow - can create environments, atmospheres and sensations, which can be perceived in objects and spaces. Light is also a part of architecture.
Shawn Basler, a New York-based architect, founded his firm Basler Mosa Design Group in 2000; seven years later he merged with Perkins Eastman, one of the world’s biggest and most dynamically growing architectural practices. He is now co-CEO/Executive Director—with Nick Leahy and Andrew J. Adelhardt III—of this 1,100-strong global force headquartered in New York City and operating a total of 24 offices, seven of which are outside of the U.S., namely in Shanghai, Mumbai, Dubai, Singapore, Vancouver, Toronto, and Guayaquil in Ecuador. In addition to designing many international projects, Basler shares the responsibility for fostering the firm’s growth around the world.
Yasmeen Lari’s Pakistani Chulah - an outdoor stove used by women in South Asia- is a powerful intervention that highlights the architect's commitment to feminist and environmental activism. The project synchronically tackles issues of deforestation, pollution, and health hazards faced by women in rural areas. Her design is systemic, locally specific, and conscious of the needs of society’s most vulnerable - women and nature. Her vast body of humanitarian work elaborated on in Yasmeen Lari: Architecture for the Future, opens up a dialogue for viewing architecture through an eco-feminist lens.
Sevince Bayrak and Oral Göktaş, founders of the Istanbul-based studio SO? Architecture and Ideas, were selected as curators for the Pavilion of Türkiye in the 18th International Architecture Exhibition, La Biennale di Venezia 2023, with an exhibition project titled Ghost Stories: Carrier Bag Theory of Architecture. The installation questions the accepted perceptions of unused buildings in order to discover more hopeful proposals for the future. The exhibition will be open from May 20th until November 26th, 2023, under the coordination of the Istanbul Foundation for Culture and Arts (İKSV). The project team consists of Aysima Akın, Kevser Reyyan Doğan, Merve Akdoğan and the research team includes Taylan Tosun, Doğu Tonkur, Hatice Bahar Çoklar Berke Şevketoğlu, Duygu Sayğı.
Vertiport Terminal, Dubai. Image Courtesy of Foster + Partners
Foster + Partners has developed a provisional concept design for a Vertiport terminal, located next to Dubai International Airport, in collaboration with Skysports Infrastructure, the leading designer and operator of Vertiport technology for advanced air mobility.
Skyports Infrastructure and Dubai's Highways and Transport Authority are now considering four initial locations, with the DXB vertiport being one of them (RTA). The locations are envisioned as part of an electric vertical take-off and landing (eVTOL) infrastructure network that will link Dubai's most populated and well-known places and offer high-speed, zero-emission transportation. The RTA's Dubai Metro network and Dubai International Airport are just two existing transportation hubs with which the vertiport network will interact. By 2026, the RTA and Skyports Infrastructure intend to have a network of vertiports ready for use for air taxi services.
Foro Internacional de Tokio, Japón. Imagen de kazuhiro. Image via Shutterstock
Addressing diverse scales, users, and themes, Rafael Viñoly has been involved in numerous architectural projects ranging from museums and educational facilities to airports and skyscrapers. Beyond the economic, geographic, technological, social, or cultural variables he has faced, the wide range of works he has left us as a legacy is the fruit of a trajectory that we propose to go through from his beginnings in the profession to his most controversial and most recent projects.
Terra Building, Villa Devoto, Buenos Aires, Argentina . Image Courtesy of - Roberto Scaia arquitecto & asoc.
Over the past years, collective living has become a solution many city dwellers turn to. It is usually a stand-alone structure or a group of buildings that include both individual, private dwellings and common areas. Their main use is residential and they are often located in the center of the city, giving residents full access to a wide range of services. In today’s economy, many people prefer living in collective housing schemes where maintenance of the common areas is taken care of, while also having their individual spaces.
This week’s curated selection of Best Unbuilt Architecture highlights visionary collective housing schemes submitted by the ArchDaily community. From a housing complex in Zurich that explores the boundaries of privacy, a pre-sale property development situated in the “Garden City of Buenos Aires,” and a suburban residence in Athens, this round-up of unbuilt projects highlights how architects are moving forward from conventional residential architecture, pushing the boundary of community, collaboration, and participation.
A minimal lighting framework for an open plan living space, Outline Ambient hosts a strategic combination of pendants and projectors. Image Courtesy of Reggiani
We are living in an era of active interiors where shifting perimeters, flexible set ups and agile activities are truly testing the limits of design; workspaces are hybrid, retail installations are ever-evolving and cultural spaces are multi-dimensional. Amidst changing scenarios, lighting is key to shaping interior spaces with just the right amount of mood, drama or practical spotlighting. To meet the demands of these cutting-edge interiors, lighting today must provide a solid framework that can embrace both changing dynamics and high quality consistency – offering flexibility, precision control and a timeless aesthetic.
One of the most important factors when designing is the specific climate of the site. This can be a difficulty when dealing with extreme climates and it is necessary to use insulating materials that adapt to the changing conditions. However, when talking about Mexico and its particular climate this works in the architects' favor allowing them to create microclimates and spaces that blur the transition of what turns out to be indoors and outdoors.
The first image that comes to mind when we think of an office is a place with a table and chair. But it was not always the case. In the Middle Ages, monasteries were the main places for study and knowledge, with private rooms designed to help monks concentrate when researching. However, records state that such spaces were uncomfortable since scholars remained standing most of the time.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week Architect Rick Joy, Founder and Principal of Studio Rick Joy joins David and Marina of FAME Architecture and Design to discuss his background; transitioning from his career as a percussionist to architecture; his philosophy and practice; the pros and cons of design-build; his process and thoughts on architectural style; and more.
The traditional architecture of the past can sometimes seem a long way from the modern, open-plan environments we enjoy today. But while some seemingly bygone upper-class room typologies like parlors, drawing rooms, and smoking rooms still exist by other names – dens, snugs, and man caves, to name a few – other architectural intricacies are more rarely replicated.
Back staircases, sculleries, and drying rooms, for example, were at one stage imperative for properties of a certain size and status to function. But just like a woolen jumper accidentally washed on the wrong setting, technology has reduced the size of laundry workspaces over the past century. Small homes like Under the Barao’s Sky Apartment in Sao Paolo, Brazil, for example, are now able to replace separate laundry rooms and pantries with all-in-one kitchen-diners that integrated small washing/drying appliances into an open kitchen layout, leaving more room for living.
Subscriptions are quickly becoming an integral part of everyday life. For example, streaming platforms have completely replaced the need to own video cassettes, while ride-sharing services partially cover the need to own a private car. Subscriptions have been largely understood as digital services, but a new trend suggests that the same concept could be transferred to physical objects in the near future. Instead of owning a fridge, a washing machine, or even light bulbs, one could acquire a subscription to ensure the freshness of produce, clean clothes, and a well-lit home.
The concept is known as the “subscription-based economy,” a variant of the “circular economy” notion. It postulates that instead of owning some of the objects used every day, one could subscribe to a service to gain access to the same benefits, but without the need to own, maintain or dispose of the object in question. Consumers no longer buy products; they buy access to services. Sometimes, it would mean simply leasing the object instead of purchasing it, but the model goes one step further. It inscribes a shift of responsibility and mentality. Because consumers no longer own the objects, the responsibility to reuse and recycle falls to the producers, who are now in charge of the entire life cycle of the objects they create.
Children's Learning Center, Mas-in Village / Native Narrative. Image
Since the first civilizations, nature has been a fundamental pillar to serve humanity as a natural habitat, offering shelter, food, and medicine. In modern times, industrial and technological revolutions have taken over the landscape, reshaping the way humans interact with nature. However, today and due to the events that we have experienced as a society, it is necessary to focus on creating cities and spaces that integrate nature into everyday life.
Architects have always considered the positive influence of natural light on the health and mood of a building's occupants, but measuring its actual benefits was a challenge for a long time. However, the past few decades have seen significant progress in this area, with research such as the comprehensive study conducted by the Heschong Mahone Group, which analyzed more than 21,000 student tests in three school districts in California, Washington, and Colorado. The results showed that students in classrooms with more natural light had a 20% faster learning progress in math tests and 26% on reading tests, compared to students in classrooms with less natural light. Many other studies reinforce that including natural light in spaces has immense long-term benefits for societies, especially during a child's valuable formative years, who spend about 90% of their time indoors and about 200 days a year in classrooms.
House at 9,000 feet, Intermountain Region of the United States. Image Courtesy of MacKay-Lyons Sweetapple Architects
The Canadian Wood Council has announced the winners of the 39th annual Wood Design & Building Awards program. The awards program honors and recognizes the remarkable contributions of architects worldwide who excel in wood design and construction. This year, the program attracted a record 181 nominations from 25 different countries, and 24 winning projects were chosen from the excellent pool of submissions.
San Cataldo Cemetery. Photo by Trevor Patt, via Flickr. CC BY-NC-SA 2.0 license
Cemeteries are among the architectural programs with the greatest symbolic value. They suggest rituals, rigor and solemnity while offering some comfort or hospitality, if not for those who bid farewell to their loved ones, at least to "guarantee" a dignified afterlife for those who have passed away. The San Cataldo Cemetery, designed by Aldo Rossi and Gianni Braghieri, fulfills the first part of the previous statement. Partly because the project was not entirely built, austerity and empty spaces predominate. But when considering the proposed project, perhaps the aridity would remain, and the harshness would be felt more forcefully. Composed of buildings with almost abstract, pure shapes, without noble details or cladding, the cemetery project is a good example of Aldo Rossi's production at the time of its conception, around 1970.
Richard Kelly illuminated some of the twentieth century’s most iconic buildings: the Glass House, Seagram Building and Kimbell Art Museum, to name a few. His design strategy was surprisingly simple but extremely successful.
Lighting for architecture has been and still often is dominated by an engineering viewpoint, resigned to determining sufficient illuminance levels for a safe and efficient working environment. With a background in stage lighting, Kelly introduced a scenographic perspective for architectural lighting. His point of view might look self-evident to today’s architectural community, but it was revolutionary for his time and has strongly influenced modern architecture.
Architect and planner Peter Calthorpe has a new book coming out, Ending Global Sprawl: Urban Standards for Sustainable Resilient Development. But when I called Calthorpe last week to interview him about it, he was more interested in talking about something else: last year’s passage in California of AB 2011, the so-called “Affordable Housing and High Road Jobs Act of 2022.” That’s legislation intended to significantly increase housing production by allowing construction on commercially zoned property. Calthorpe had an active hand in crafting many aspects of the bill, which is scheduled to go into effect on July 1.
The skyline of Cluj-Napoca, a city located in the Transylvania region of Romania, is defined by a mosaic of historical and modern buildings, giving the city a unique and diverse appearance. Among the visible landmarks, the Firefighters' Tower, or "Turnul Pompierilor" in Romanian, stands out for its mixture of styles, from Medieval stonework to Baroque detailing and contemporary interventions. Despite it being a relatively small monument, with a ground floor area of just under 50 square meters, the tower holds layers of history narrating the evolution of its neighborhood and city, from its beginnings during Medieval times until the present day. Left derelict in recent years, a new intervention by Vlad Sebastian Rusu B.I.A and Octav Silviu Olănescu B.I.A. aims to restore the tower's position as a repository of local history and an attractive space for residents and visitors alike. This article explores the story behind the Firefighters' Tower both narratively and visually, through the lens of Cosmin Dragomir.
