For city dwellers, balconies can be a real blessing. They mediate between space-saving stacked domiciles and the vastness and liveliness of the surrounding neighbourhood. They can be landscaped into small oases, and you can even take a holiday on a ‘balcony’. And for architects, they offer a welcome element for structuring the facade. They also, however, pose a challenge, because not every balcony faces a garden or a quiet side street.
We are living in an era of active interiors where shifting perimeters, flexible set ups and agile activities are truly testing the limits of design; workspaces are hybrid, retail installations are ever-evolving and cultural spaces are multi-dimensional. Amidst changing scenarios, lighting is key to shaping interior spaces with just the right amount of mood, drama or practical spotlighting. To meet the demands of these cutting-edge interiors, lighting today must provide a solid framework that can embrace both changing dynamics and high quality consistency – offering flexibility, precision control and a timeless aesthetic.
Is it the award-worthy barista skills at the third-floor coffee bar that make your days in the office bearable? Or is it being able to ring-fence a desk and height-adjusted chair and call them your own while the rest of the world hot desks? Perhaps it is knowing that the warming of your hands and toes is at someone else’s expense or that in this space you are you and not mum, dad, daughter, or husband. Or you might put it simply down to the camaraderie of the team and the common sense of purpose. One thing that is not in question, however, is that since the recent shake-up of our working practices, it matters now more than ever that productivity and wellbeing are in balance in the office, and contentment and comfort are key to both.
What’s more important, work or wellbeing? Should we have to choose? A ‘good work ethic’ –as in placing work before all else– used to be a badge of honour, certainly among generation X-ers who grew up with post-war parents and a recession to wrestle with just as they were getting going on working life in the 1990s. Today’s economic situation might present similar wrangles in securing a wage among their off-spring, so-called generation Z, but it is nevertheless this emerging set of workers that are teaching the rest of us that work at any cost –particularly that of our mental and physical wellbeing– should not be a life ambition.
No topic permeates more areas of society today than concerns about the global climate in the coming decades. How extreme will it become and above all how can we adapt as quickly as possible to better cope with and manage the situation? Because one thing is certain: The last hundred years could be characterised with the words 'too much' – in relation to emissions, resource consumption and imbalance in nature. Driven by the internationally declared motivation to limit climate change, the industry is reacting with determination and recognising the crisis as an opportunity.
If anyone can be said to know about the wishes and dreams of brides-to-be, surely it's those behind the creation of that mythical matrimonial object, the wedding dress. For more than 30 years, one of Sweden’s most famous fashion designers, Lars Wallin, has created dresses for women about to live, what is for many, the ultimate romantic experience. And with his design for a recently finished bridal suite at Gothenburg's SAS Radisson, Wallin has demonstrated not only his haute couture finesse in realising dreams of glamour and romance, but also an ability to seamlessly transfer his creative talents from the boutique to the bedroom.
The Design Center Baden-Württemberg has opened the call for submissions for the 2023 edition of its Focus Open International Design Award. As a non-commercial design prize, the Focus Open offers particularly low barriers to participation thanks to its moderate fees, while providing a high level of visibility from which, in the event of an award, smaller agencies, design studios and companies, in particular, can benefit. Entries can be submitted in a total of 14 categories including Bathroom, Kitchen, Light, Mobility, Investment products, Sport and Mobility.
The last two years have turned society and its habits upside down. The working world, too, where hardly anything is the way it used to be. But this new start is proving to be a wonderful opportunity to rethink content and work processes and to reinvent oneself. Since last fall at the latest, it has been clear where this journey is headed. In October, the internationally active contract furniture manufacturer Brunner presented innovative design news that offers a solution to the issues and the changed situation.
The Desforma range is quite unique in the design world. It doesn't do reheated mid-century modern or strict straight lines or no-nonsense functionalism in powdered steel. Desforma does swooping, fluid lines and organic curves, sofas composed of sine waves that seem shaped by natural forces and summon up swaying sea life, chairs that might have blossomed into being.
With its curved, handcrafted shapes inspired by Japanese culture, the Zencha bathroom collection by Sebastian Herkner soothes its users in a meditative way.
Trends 23/24 at January's Heimtextil in Frankfurt will focus on material cycles and sustainability strategies for textiles – and use the analogue fair platform to promote exchange, present new products and bring experts together.
In early December, the global winners of the International VELUX Award 2022 were announced, a competition for architecture students that celebrates the innovative and creative use of daylight in a broad range of different projects.
Innovative strength in industry is not only about developing new products, but also successfully establishing them on the market, because they make everyday life and the world a little bit better. As a full-range supplier of sanitary products, Duravit has a number of innovations in its range: the hygienic, easy-care ceramic surface HygieneGlaze, the efficient, water-saving HygieneFlush WC flushing technology or taps with the energy- and water-saving FreshStart or MinusFlow functions. Known for its acrylic bathtubs and shower trays, the Black Forest-based manufacturer continues to ask itself: How can we make it even better? Could a material be developed that has similarly positive properties to acrylic but can be completely recycled at the end of its life cycle? The answers can be found in its first product made of a new material called DuraSolid Nature: the Sustano shower tray range.
Designer and academic Brook Muller has authored a book called Blue Architecture: Water, Design, and Environmental Futures that presents innovative approaches to water-centric urban design. We asked him how a “hydro-logical” approach to architecture could allow us to design cities that improve water sustainability as well as promoting more equitable distribution of our most vital resource.
Sustainability was a hot topic at this year’s Cersaie trade fair, the biggest international ceramic tile and surfacing event, held annually in Bologna, which exhibits the latest developments in ceramics industry trends. Dynamic discussions explored the environmental impact of the raw materials of ceramics, the thermal properties of ceramic tiles as insulators, the biophilic effect of ceramic tiles within urban interiors – and much more.
Opulence comes at a cost and it’s not just the sort that will leave your purse lighter. Exotic woods dent, gold tarnishes, marble stains and chips. But it doesn’t stop us hankering after the materials we perceive to be effortlessly elegant and replete with character. Okay, so we also like a bit of polish and precision in our building materials these days, alongside durability and ethical manufacture, ease of installation and maintenance alongside hygienic surfaces. But what’s often been missing from modern engineered materials is old-fashioned warmth and poetry. Is it too much to ask for both?
With the political, economic, social and ecological rollercoaster seemingly careering out of control, we are discovering what might be considered by some as the blooming obvious but by much of the business world who often like to box consumers, a hurdle: we humans are multifaceted and changeable. For Baiju Shah of Accenture Song, the creative arm of the consulting conglomerate, the term life-centric is replacing customer-centric, as people grapple to focus in on themselves, their health, happiness and survival, while panic planning for the future of the planet.
Our quest today for the natural, the hand-crafted and the original in our built environments is righting some of the wrongs we’ve inflicted on our land and seas with the mass production of products made from synthetic materials. It’s also exposing a contemporary yearning for warmth, comfort and poetry in our surroundings, not seen perhaps since the seventies slump – the last economic happening that opened design doors to bamboo and rattan, and cosseting ‘fat’ furniture.
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