These two 3-story mixed-use buildings, side-by-side reflecting each other, sit on a narrow thirty-foot lot along Ocean Front walk on world famous Venice Beach. This culturally diverse urban community is a busy commercial pedestrian area, popular with tourists and locals alike.
Zoka Zola is an architecture firm that is interested in high degrees of optimization that are achieved through a series of inventions — similar to the inventions and optimizations leading to human flight from early gliders and flying machines to the airplane — where characteristics, shape and use of each element is in a tight interdependent relationship with every other element. Where every element can be enjoyed on its own while at the same time is an essential part of the entire assembly. These inventions toward optimization contribute to the body of usable strategies in architecture, since each assembly is optimized for a very specific set of circumstances. While this high degree of “optimization” is not yet taken seriously as an architectural objective, they believe it will become an objective of future architects because of the growing awareness of our available resources and their uses, eventually making the terms “efficient” and “optimized” common place. This project develops a series of steps towards optimization through architectural form of a building’s natural ventilation.
In search of the origins of architecture, Laugier presented a primitive hut using the three basic elements of architecture – the post, the lintel and the gable. Semper’s pursuit of the origin resulted in a primitive dwelling that was comprised of four basic qualities – earthwork, hearth, framework/roof, and enclosing membrane. While Laugier’s list of basic elements stemmed from the obsession with disciplinary origins, Semper‘s meditations were a vehicle to essentialize that which was previously seen as superfluous, namely the building enclosure. Semper wanted to put ornament to work. Butterfly House is an exercise in re-working three ubiquitous elements – window, door and roof – until they exceed their functional value and lead the way to new architectural effects. Butterfly House builds upon Laugier’s primitive hut as a model of fitness, updated to reflect a post-bubble economic climate rather than mythical origins, as well as Semper’s interest in the productive capacity of the apparently unnecessary. Our conceptual hut uses a limited quantity of elements to solicit rich qualities and characteristics and uncovers a zone of enchantment between the essential and the excessive.
Architects: BROISSINarchitetcs Location: Coyoacán, Mexico Design Team: Gerardo Broissin, David Suarez, Alejandro Rocha, Enrique Guillen Collaborators: Rodrigo Jiménez, Mauricio Cristóbal, Ruben Zepeda, Luis Muñoz, Erik Guzman, Jose Luis Durán Sara Villanueva, Juan Carlos González, Elizabeth Salinas, Juan Manuel Vargas, Pamela Moreno General contractor: R+A. Coordinación Acoustics: Saad Acústica Scructural engeneer: Ing. Armando Serralde. Ing. Nabor Castillo Landscaping: a10Studio + Entorno Taller de Paisaje Lighting design: Satélite Iluminación Civil works: Macinter Images: BROISSINarchitetcs
The North American competition-winning design for the renovation and expansion of the historic University of Toronto Faculty of Law responds directly to the client’s ambition to create a law school among the finest in the world. Hariri Pontarini Architects proposed a design that would provide both a physical and visual connection to its surrounding landscape.
The main objective behind the design for the new Staten Island Animal Care Center was to create a high quality environment for the animals, staff and visitors. The building is sheathed in a highly insulating, translucent polycarbonate envelope. This provides higher performance in comparison to typical glass and maximizes the benefits of natural light. The roof of the outer perimeter housing the animals is raised above a lower interior roof plane, which covers other shelter functions. This configuration permits the daylight to enter the facility on multiple sides. Natural ventilation is encouraged along the periphery with the use of a passive air ventilation system. A sophisticated mechanical system that uses heat recovery to feed heat gain energy back into the system is incorporated into the design to provide constant fresh air exchange.
Architect: Garrison Architects Location: Staten Island, New York City, New York, USA Project Area: 5,500 sqf Renderings: Courtesy of Garrison Architects
https://www.archdaily.com/121670/in-progress-staten-island-animal-care-center-garrison-architectsChristopher Henry
Architects:Atelier 11 Location: Beijing, China Design Director: Xu Lei Design Team: Ding Liqun, Gao Qinglei, Liu Heng, An Peng Construction Drawing: Xu Lei, An Peng, Gao Qinglei, Ding Liqun, Li Lei, Liu Heng, Zhu Yin, Jin Ding Client: Beijing Shi Ao Co., Ltd. Project area: 51,199 sqm Project year: 2009 – 2011 Photographs: Atelier 11
Architects: ALA ArchitetcsLocation: Kristiansand, Norway Project team: Juho Grönholm, Antti Nousjoki, Janne Teräsvirta, Samuli Woolston and Birger Grönholm with Niklas Mahlberg, Pekka Sivula, Pauliina Rossi, Pauliina Skyttä, Sami Mikonheimo, Jani Koivula,Auvo Lindroos, Aleksi Niemeläinen, Erling Sommerfeldt, Ingrid Kokkonen, Tomi Henttinen, Harri Ahokas, Anniina Koskela Klaus Stolt Collaborators: SMS Arkitekter AS: Erik Sandsmark, Wenche Aabel, Lasse Stamrud, Hanne Alnes (local partner) WSP Multiconsult AS (structural engineering) Arup Acoustics (hall acoustics) Brekke Strand Acoustics (room acoustics) Sweco Grøner (mechanical engineering) Cowi (electrical engineering) TPC (theater technical engineering) Client:Teater og Konserthus for Sørlandet IKSProject area: 24,000 sqm Project year: In construction Photographs: Courtesy of ALA Architects
Construction for the City Green Court, Richard Meier & Partners third building within the Prague 4-Pankrác Master Plan, is underway. Receiving a pre-certification of LEED Platinum, the building’s design is inspired by the language of Czech Cubism simultaneously responding to issues of conservation and sustainability. A completion date of early 2012 is anticipated. The video,
“We are working together to make City Green Court a benchmark for green building design in the Czech Republic,” shared Richard Meier. “This assignment has been particularly challenging as it also meant addressing the historic beauty of Prague and at the same time creating a modern image of the City for its future.”
More renderings and drawings of City Green Court following the break.
Continuing our coverage of the Shenzhen Stock Exchange (SSE), OMA recently shared the latest photographs of the building while under construction. The building, located in the downtown area of Shenzhen, China, is expected to reach completion in April 2011. The SSE, a new headquarters for China’s equivalent of the NASDAQ, is 132,000 sqm of offices, registration and clearing house, accessory area, securities information company, SSE office area, trading floor and technical operations. The floating podium design, which is suspended 36 meters over a public plaza, projects 54 meters from the base of the tower. The building broke ground in November of 2007, Rem Koolhaas along with local government and the officials from the SSE were in attendance. Check out our previous coverage here.
Follow the break for the latest photographs of SSE.
Spring 2011 marks the opening of “Metropol Parasol”, the Redevelopment of Plaza de la Encarnación in Sevilla, designed by J. MAYER H. Architects. After finishing the concrete works in 2008, the parasols are under construction now. Visiting the site at the moment gives an impressive imagination of the final dimension and appearance.
The project becomes the new icon for Sevilla, – a place of identification and to articulate Sevillas role as one of Spains most fascinating cultural destinations. “Metropol Parasol” explores the potential of the Plaza de la Encarnacion to become the new contemporary urban centre. Its role as a unique urban space within the dense fabric of the medieval inner city of Sevilla allows for a great variety of activities such as memory, leisure and commerce. A highly developed infrastructure helps to activate the square, making it an attractive destination for tourists and locals alike.
Architects: LAR / Fernando Romero y Mauricio Ceballos Location: Mexico City, Mexico Project Team: Ana Medina, Herminio Gonzalez, Omar Gerala Félix, Sergio Rebelo, Ana Paula Herrera, Mario Mora, Juan Pedro López, Guillermo Mena, Libia Castilla, Raúl García, Manuel Díaz, Alan Aurioles, Ana Gabriela Alcocer, Luis Ricardo García, Ivan Ortiz, Tiago Pinto, Laura Dominguez, Juan Andres Lopez, Olga Gomez, Hugo Fernandez, Jason Sidelko, Eddy Slim, Nicola, Davolio, Lee Warren, Alexander Pena, Jacqueline Hernan- dez, Kosuke Osawa, Francisco Javier de la Vega, David Hernandez, Jorge Hernandez, Joaquín Collado, Mariana Tafoya, Eduardo Benítez, Pe- dro Lechuga, Thorsten Englert, Luís Fuentes, Luís Flores, Rodolfo Rueda, Víctor Chávez, Max Betancourt, Wonne Icks, Dolores Robles-Martínez, Sappho Van Laer, Ophelie Chassin, Elena Haller, Abril Tobar, Diego Eumir Jasso, Albert Beele, Homero Yánez, Cynthia Meléndez, Hugo Vela, Susana Hernández, Gerardo Galicia, Alberto Duran, Camilo Mendoza, Dafne Zvi Zaldívar, Cecilia Jiménez, Ángel Ortiz, Raúl Antonio Hernández, Alma Delfina Rosas, Wendy Guillen, Raúl Flores, Daniel Alejandro Farías, Jesús Monroy, Saúl Miguel Kelly, Iván Javier Avilés, Cesar Pérez Client: Grupo Carso / Museo Soumaya Façade: Gehry Technologies Engineer concept: ARUP Los Angeles Project Regency: Inpros Civil Constructor: PC Constructores Project Area: 17,000 sqm Project Year: 2010
Like many large scale projects around the country, REX’s Museum Plaza, in the city of Louisville, Kentucky, had just broken ground and had given light to many dreams for the downtown community when the nation’s financial crisis hit the city. Needless to say, financing came to a standstill and funding for the towers the city had been hoping for was no longer an option. Their current construction loan of $140.5 million, city contributions, bonds and funds already put forth by the team was not enough to proceed in their construction efforts until positive news came their way at the turn of the month. More images and description after the break.
Currently under construction, the Film Theatre of Catalonia is a new building for the Cinematheque of Catalunya in the Raval, Barcelona. Mateo Arquitectura won first prize in 2004 for their design proposal and they were kind enough to share their construction photographs with us. Follow the break for more photographs and an extract of the meeting between Josep Lluís Mateo and José Luis Guerín about the Raval district in Barcelona.
Architects: Mateo Arquitectura Location: Raval, Barcelona Client: Generalitat de CatalunyaProject Area: 7,515 sqm Photographs: Adrià Goula
Renzo Piano’sShard is quickly climbing up London’s skyline. The 1,016 ft high skyscraper will provide the mixed use density the city needs, as it incorporates apartments, office space, a spa, hotel and restaurants within its sleek pyramidal form. Inspired by perhaps a ship’s mast from the Pool of London, or a modern take on the church spire, the Shard will become a prominent fixture in the skyline as it nears it completion. Check out these images illustrating the Shard’s progress – the crisp aesthetic commonly found in Piano’s projects is becoming evident as the low-iron glazing is applied to the structure.
We’ve just received some news from our friends atSteven Holl Architects regarding the progress of their latest private gallery and residence. Situated in the hillside of the Kangbuk section of Seoul, Korea, the project’s geometry is an experimental reaction to a 1967 sketch for a music score by the composer Istvan Anhalt, “Symphony of Modules,” discovered in a book by John Cage titled “Notations”. This strategy, which runs parallel to a research studio on “the architectonics of music,” results in three separate pavilions connected by a sheet of water that establishes the plane of reference from above and below.
More construction photos, renderings and of course, Holl’s infamous watercolors after the break.
We took a few shots of Foster + Partners’latest addition to the Bowery – a new gallery to house theSperone Westwater’s growing collection from prominent artists of different nationalities and ages. Sitting a few steps away from SANAA’s musuem, this new gallery’s CNC milled glass facade elegantly responds to its neighboring art museum. According to Foster, the gallery is “both a response to the dynamic urban character of New York’s Bowery and a desire to rethink the way in which the public engages with art in the setting of a gallery.”