This summer a brand new class of eager architectural hopefuls are preparing to start their lives in design at architecture schools around the world. Entering a studio environment for the first time brings an exciting set of new creative challenges, but this thrilling new world of architecture can often be tough to anticipate for those who have yet to begin their journey — leaving newcomers feeling unprepared and nervous on their first day.

Summer. Vacation. Two magic words that will certainly ease all the pain and exhaustion of working/studying full-time. Now that it is that time of year, most people are busy planning their travel itineraries. Whether it’s a city trip to Paris to see the Eiffel Tower and the Louvre, or a journey to walk on China’s Great Wall, the majority of travelers will choose to cross iconic landmarks off their bucket lists. However, there is a lot more to London than the London Bridge and Buckingham Palace, and there is a lot more to Barcelona than Gaudí. There are, in fact, hundreds of underrated, exquisite structures that go unnoticed.

If you are planning a getaway soon, here is a list of hidden architectural gems that are worth the visit.

This article was originally published by Common Edge as "STADIUM: the Venice Biennale’s Most Powerful Architectural Statement."

The opening of the Venice Biennale has about it a general sense of raucousness and aesthetic cacophony. The entire scene is lush, almost overwhelmingly rich. There are thousands of places for eyes to land. There are outfits: the salty, wet Venice air manages to get at least a few architects to ditch the all-black outfit for its all-white summer counterpart, often cut through with brightly colored, geometric jewelry. There are events: at any given moment, at any point throughout the weekend, there’s a dozen or so architects gathered on a panel to talk about a topic relevant to a pavilion theme, or the edition theme, or to architecture generally. There are parties, picnics along canals, Aperol spritzes that glow bright orange, and designed-to-death tote bags that run out so quickly just carrying them is a sign that you were there, part of the early crowd, in the mix.

It’s all swirling and chaotic and bright and somehow you have to manage to pay attention to serious ideas about architecture while attempting to figure out how it’s possible that you’re still sweating even though it’s 4PM.

When Louis Sullivan rang in the era of the skyscraper at the turn of the 20th century, the vertically soaring building—with its views and elevators—was unthinkably cutting edge. By the fifties, the dense downtown had experienced its moment in the sun and endless suburban sprawl began to surround the city. As early as the eighties, both the suburbs and the skyscraper felt oppressive in their own ways.

Enter “New Urbanism.” Propagated vigorously by architect Léon Krier, the ideology entailed a return to the traditional European city, in turn conjuring images of romantically dense, small-scale architecture and walkable streets. The fruits of the New Urbanists’ efforts are visible at a number of neo-traditionalist planned communities around the world, most notably, Truman Show-esque Seaside, Florida in the U.S. and Poundbury, Dorset in England, designed with the help of Prince Charles.

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Arts & Architecture’s Case Study House program was supposed to be about creating replicable, affordable designs for post-war living—stylish but modest homes for young families on a budget. And then came house #17(2).

To be fair, this house was designed for real clients, with specific and ambitious requirements. The Hoffmans had four children, a household staff, and an art collection. So this was never going to be just another suburban three-bedroom.

Thanks to their loud, brash, and nocturnal nature, rock concerts are often held in dark bars and nightclubs designed to withstand the abuse of rowdy fans and guitar-smashing rockers. But as musicians earn a following, they eventually graduate from beer-soaked basements to prestigious theaters, outdoor amphitheaters, arenas, and stadiums. For performers and music fans alike, playing or attending a show in a space like Carnegie Hall, the Royal Albert Hall, Madison Square Garden or Colorado’s Red Rocks Amphitheater can be a momentous, once-in-a-lifetime opportunity that ties together the sublime power that great music and architecture can both evoke. As rare as these opportunities are, an exclusive group of iconic musicians have managed to reach an even higher level of prestige by organizing one-off performances amid humanity’s most treasured historical sites—from the Acropolis and ancient Mayan cities to the Colosseum and the Eiffel Tower.

While these special concerts have given fans the chance to experience music history firsthand, many have also been mired in scandal as local officials and residents have raised concerns about potential damage to the sites or inappropriate commercial misuse of treasured cultural landmarks. Despite these legitimate and often justified concerns, these nine iconic sites have hosted some of the most ambitious concerts in the history of popular music:

With more digital tools available to architects than ever before, one has to ask themselves why the sketch remains one of the most valued pieces of representation in the architectural field. Renderings, three-dimensional models, and virtual reality are powerful and efficient innovations that allow architects to express their ideas and designs. However, in our fast-paced world where messages are sent across the globe in a matter of seconds, it seems that nothing compares to the hand-drawn, imperfection of a sketch.

While some sketches are chaotic scribbles developed during the design stage, others are true works of art, aimed to convince clients. Below, we compiled a list of 100 sketches made by architects from around the world to inspire you.

Videos

A new genre of film is emerging: the luxury skyscraper promotional video. Usually released before a new building is even finished, these filmic renderings follow an uncannily standard format: A stirring soundtrack reliably accompanies a time lapse of a city’s skyline; viewers ascend a rendered building until we reach the top floor. There, we see some variation of the most common scene found in these videos: a businessman silently overlooking the expansive city below. The figure tends to be pensive, well-dressed, white, and male. Read on to see three prime examples of this odd trend.

The Zeitz Museum of Contemporary Art Africa—or Zeitz MOCAA for short—recently received first place in ArchDaily's Refurbishment in Architecture awards, with its striking design transforming a formerly derelict industrial building into an iconic landmark in South Africa’s oldest working harbor. Developed by the V&A Waterfront in Cape Town and designed by Heatherwick Studio, the mixed-use project is now “the world’s largest museum dedicated to contemporary art from Africa and its diaspora.” To celebrate the award, we sat down with group leader Matthew Cash to discuss the challenges faced during the project, its cultural importance to Africa, and the practice’s interest in refurbishment as a whole.

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This article was originally published by Metropolis Magazine as "The Designers Who Made Disco."

What can’t be done on the dance floor? Not much, said the 1960s Radical Design collective Gruppo 9999, which argued that discos should be “a home for everything, from rock music, to theater, to visual arts.” Other artists and designers—including New York bad-boy painter Jean-Michel Basquiat, architect Peter Cook of Archigram, and Manchester’s “cathedral of rave” creator Ben Kelly—saw the dance floor as a more subversive setting: one where boundaries could be blurred and thresholds crossed, where partying and politics could be woven together in the dark to channel a cultural revolution. Night Fever at the Vitra Design Museum stitches together this conception of the nightclub as a social Gesamtkunstwerk.

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This article was originally published by Common Edge as "To Fix Architecture, Fix the Design Crit."

In architecture, the act of formally critiquing design is ubiquitous. The crit, as its called, is almost a rite of passage. And while the format of this practice is universal, its objective, goals and ultimate purpose are unfixed, beyond a broad and often vague imperative to make a given design better. This is a problem, because it leaves a foundation of the profession to take the form of whatever discussion happens to arise between a designer and a critic. If the expectation of empirical evidence for design decisions were introduced as the basis of a design crit, the cumulative effects of this change could improve the credibility of the entire discipline.

In the town of Moukhtara, Mount Lebanon, L.E.FT Architects have transformed a 100-square-meter structure into a symbolic, picturesque mosque. The Amir Shakib Arslan mosque is a rendition of old versus new with a white steel structure overlaid onto an existing building of cross-vaulted masonry. The angular geometry of the steel plates is a result of the structure’s alignment in relation to Mecca.

Lebanese architectural photographer Bahaa Ghoussainy has released a new series of images which accentuate the contrast that lies between the architectural design of the mosque and the traditional representation of Islamic mosques and prayers. The juxtaposition of an Islamic holy place built in a non-Islamic town is translated into the architecture’s design, merging two dissonant styles into one complementary structure.

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The Venice Biennale, one of the most talked about events on the architectural calendar, has opened its doors to architects, designers, and visitors from all around the globe to witness the pavilions and installations that tackle this year’s theme: "Freespace." The curators, Irish architects Yvonne Farrell and Shelley McNamara of Grafton Architects, described the theme as “a focus on architecture’s ability to provide free and additional spatial gifts to those who use it and on its ability to address the unspoken wishes of strangers, providing the opportunity to emphasize nature’s free gifts of light—sunlight and moonlight, air, gravity, materials—natural and man-made resources.” As the exhibition launched at the end of May, the architecture world rushed to Venice to be immersed in what the Biennale has to offer. But while the 2018 Biennale undoubtedly had its admirers, not everyone was impressed.

Read on to find out what the critics had to say on this year’s Venice Biennale.

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When the Greeks carved stone steps into the side of a hill, they were aiming to create a seated area for people to rest and from which to have an excellent view of the stage at the amphitheater's center. over two millennia later, these objectives are still key to stadium design principles, however, with an ever-increasing global reach and the need for multiple functions, the goal posts for what makes a successful arena are always being moved. As you prepare to watch the 2018 World Cup hosted in Russia, take a look at this list of notable stadium designs in World Cup history which have influenced the evolution of stadium design.

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Architecture is always evolving. The practice and business of architecture are undoubtedly evolving alongside the more obvious technological advances, but what we often forget is that there are no new ideas. When it comes to design, what we see manifested in our daily lives is the result of evolution. And at the root of that design evolution is inspiration.

A new initiative from Gianpiero Venturini and his firm Itinerant Office titled Past, Present, Future aims to open a research path based on the analysis of successful practices in the 21st Century while ultimately providing a new form of inspiration for the next generations of architects and designers. The documentary series begins with a select group of 11 international architects, including Jacob van Rijs, co-founder of MVRDV, Mario Cucinella, and Simone Sfriso, co-founder of TAMassociati. Each architect is featured in three video interviews in which they reveal the methodology behind their designs, the themes and approaches within their architectural practice, and the predictions they have for architecture in the near and distant future.

There are few things in this world better than books on architecture, especially when they're available to download for free! Following on from our ever-popular post from 2014, we've gathered up ten more books that cover a broad range of interesting topics—including advice to architecture students from Herman Hertzberger, a look at what sparks the formation and growth of a city, and even a book that offers an in-depth architectural analysis of Alfred Hitchcock's films. Check out the list below!

Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. Each of the previous eighteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 18th Pavilion, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.

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The 2018 Serpentine Gallery Pavilion, designed by Frida Escobedo, was unveiled today in London's Hyde Park. Escobedo's design, which fuses elements typical to Mexican architecture with local London references, features a courtyard enclosed by two rectangular volumes constructed from cement roof tiles. These tiles are stacked to form a celosia, a type of wall common to Mexican architecture which is permeable, allowing ventilation and views to the other side.

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