Why do we build? How do we build? Who do we ultimately build for? These have been questions that have dominated the worlds of both practice and pedagogy since the early ages of architecture. On a basic level, those questions can be answered almost reflexively, with a formulaic response. But is it time to look beyond just the simple why, how, and who?

In a world where the physical processes of architecture are becoming increasingly less important and digital processes proliferate through all phases of architectural ideas and documentation, we should perhaps be looking to understand the ways in which architects work, and examine how we can claim the processes—not just the products—of our labors.

With the mission of providing tools and inspiration to architects all around the world, ArchDaily’s curators are constantly searching for new projects, ideas and forms of expression. For the past three years, ArchDaily has showcased the best discoveries of each year, and in keeping with tradition, we would like to share the best architecture drawings published throughout 2018.

What is the role of contemporary drawing in architecture? We approach the definition of drawing as design itself. Drawings are used to explain principles, to deliver ideas, to construct new architecture, and to document creative processes.
Below you will see the selection of drawings arranged under six categories: Context, Architectural Drawings, Sketches & Hand-drawn, Digital Collages, Conceptual Drawings & Diagrams and Animated Gifs. Each chosen drawing strengthens the proposed construction or enhances the built work.

We also invite you to review collections from previous years here or other drawing-related posts selected by our editors in the following link.

With more than 4000 different projects published during the year, our editors want to close an exciting year for architecture with a selection in a typology near and dear to us all: houses.

From remote landscapes to urban infills; vernacular design to high-tech automation, this selection of 80 houses highlights 2018's most exciting moments for architectural design, material and construction innovation, challenging topography, and client desires - all in the home. See the best houses from around the world here.

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This article was originally published on CommonEdge as "African Architecture: Ornament, Crime & Prejudice."

Emporis has announced the results of its annual Emporis Skyscraper Award, recognizing the best new supertall buildings completed in the previous year. This year, the top prize was given to the Lotte World Tower in Seoul, South Korea, designed by Kohn Pedersen Fox Associates and Baum Architects. The tapered tower, South Korea’s tallest, also houses the world’s highest glass-bottomed observation deck, for architects who can handle the 1820-foot (555-meter) drop.

'Tis the season of holiday cheer, and with that comes the creative greetings from offices, museums, photographers and collaborators around the world! See our favorites below (or check out our best reader-submitted cards).

Here’s to a joyful, exciting, and architecture-filled 2018! See the best projects and articles published this year, here.

Happy Holidays from the ArchDaily team!

Whether it be the overly-dainty posture of scale model figures or the assumptions of being the in-house decorator, the portrayal of women in architecture is often one of subservience. Despite Despina Stratigakos' hands-on efforts behind Architect Barbie or the global impacts of the legacy of starchitect Zaha Hadid, there continues to be a lack of visibility of women in the profession.

In a recent article in the New York Times, writer Allison Arieff poses the echoed question that the architectural community keeps asking itself, "Where are all the female architects?" No longer an issue of uneven gender ratios in architectural schooling, the persistence of dwindling numbers of women principals at the top of firms simply does not resonate. She postulates, that perhaps more significant than the statistics, the real problem lies in the definition of success.

This article was originally published on Metropolis Magazine as "In His Latest Residential Building, OMA's Reinier de Graaf Doesn't Practice What He Preaches".

Last month in Stockholm, OMA partner Reinier de Graaf took a not-so-sly swipe at Bjarke Ingels: “I’m not a reincarnation of Harry Potter,” he said to a packed lecture theater at Stockholm’s KTH University.

ArchDaily is happy to announce our Media Partnership with @Oslo Architecture Triennale 2019! Throughout 2019 we will be sharing stories, interviews, and content related to the Triennale, which this year revolves around the theme of Degrowth. The interview below introduces Degrowth in the context of practice today - and hints at how this radical idea could irreversibly change how we value architectural production.

The world faces some significant challenges. The UN climate change report, which explained that we may have just 12 years and need “unprecedented changes” to avoid devastating effects from climate change, was released into a world that seemed to be plenty busy processing other things, such as rising economic inequality, increasingly partisan politics, escalating conflicts, and refugee crises, to name a few.

While the holidays bring with them a well-earned break for most architects, the creativity doesn't stop when the studio doors close. From gifts to greetings, designers bring their talents to the full range of holiday trappings - and we're here to share. This annual challenge, now in its fourth year, is our way of celebrating the inventiveness, originality, and artistry of ArchDaily readers from around the world. Below, our 50+ favorites from our readers: 

Today the Board of la Biennale di Venezia named appointed Hashim Sarkis as the Curator of the 17th International Architecture Exhibition. Held bi-annually in the capital city of Italy's Veneto region, the 2020 edition of the Biennale will take place from May 23rd to November 29th.

Sarkis is the director of his practice Hashim Sarkis Studios (HSS), with offices in Boston and Beirut, and currently the Dean of the School of Architecture and Planning at the MIT. Sarkis was a member of the international jury of the Biennale Architettura 2016 curated by Alejandro Aravena, and participated with his firm in the Pavilion of the United States (Biennale Architettura 2014) and Albania (Biennale Architettura 2010).

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With the exhibition »Balkrishna Doshi: Architecture for the People« (30 March to 8 September 2019), Vitra Design Museum presents the first international retrospective about the 2018 Pritzker Prize laureate Balkrishna Doshi outside of Asia.

The renowned architect and urban planner is one of the few pioneers of modern architecture in his home country and the first Indian architect to receive the prestigious award. During over 60 years of practice, Doshi has realized a wide range of projects, adopting principles of modern architecture and adapting them to local culture, traditions, resources, and nature. The exhibition will present numerous significant projects

Labeled as "vandalism" and "murder" of an icon of postmodernism, Oslo-based firm Snøhetta's redesign proposal for Phillip Johnson and John Burgee's AT&T Headquarters was received with instantaneous backlash across the architectural community last year. Architect Robert A. M. Stern, marched alongside a protest outside 550 Madison Avenue, and even critic Norman Foster, who never claimed to have any sympathy for the postmodern movement, still vocalized his sentiments that "[the building] is an important part of our heritage and should be respected as such."

A rejection of the bland and cold functionality of Midtown's crystal skyscrapers, the AT&T building was intended to encourage a more playful approach architecture in the corporate world; the crazy socks beneath a three-piece suit. It was not without controversy. Upon its completion, the building was derided for its decorative and outsized pediment and occasionally dark interior spaces. Indeed, the building's arched entry spaces were among the only architectural elements to be met with praise from both critics and the public. 

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The holiday season may be one of joy, but there's always a little panic involved as well. You want to treat your loved ones to a gift they'll treasure and appreciate, but where to start?

Readers, ArchDaily has you covered. This year we've separated our choices in sections to help you find that perfect gift for the picky (budding) architect in your life. Our choices - and links to where you can find them - after the break: 

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This article was originally published by Autodesk's Redshift publication.

In East London, The Trampery on the Gantry is doubling down on the “creative” aspect of creative reuse. Part of the massive broadcast center used during the 2012 Olympic Games, the former HVAC gantry structure has been retrofitted by architecture firm Hawkins\Brown as an arts and media innovation hub.

This extract was originally published on Common Edge as "The Legacy of Christopher Alexander: Criteria for an Intelligent Architecture."

In his monumental four-volume book, The Nature of Order, Christopher Alexander talks about an intelligent architecture, responsive to human needs and sensibilities through adaptation to existing buildings and nature. This is a new way of viewing the world—a way of connecting to it, and to ourselves—yet it is very much the same as the most ancient ways of connecting.

On a small strip of land between the Emscher River and the Rhine Herne Canal in Germany sits a rest stop whose colorful appearance belies its radical purpose. The structure’s artful design consists of pipes leading from two toilets and the Emscher (the most polluted river in Germany) that converge at a small community garden and drinking fountain. The garden is, in fact, a manmade wetland that collects, treats, and cleans the effluence from the toilets and river—making it drinkable.

This article was originally published by Autodesk's Redshift publication as "Respect: Architect Zaha Hadid, Queen of the Curve."

In March 2016, when world-renowned architect Zaha Hadid died of a heart attack at age 65 in a Miami hospital, the news sent shockwaves through the architecture community.

The flamboyant British designer—born on October 31, 1950 in Iraq, educated in Beirut, and known as the “Queen of the Curve” for her swooping, elegantly complex designs—was a legend in her time. She had design commissions around the world, been awarded the Pritzker Prize in 2004 and the Royal Institute of British Architects’ gold medal in 2016, and transcended the old-guard strictures of a staunchly male-dominated profession.

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