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The United Arab Emirates has won the Golden Lion for Best National Participation at the 2021 Venice Biennale, with its contribution entitled Wetland curated by Wael Al Awar and Kenichi Teramoto. Selected by a jury that consists of Kazuyo Sejima (president-Japan), Sandra Barclay (Peru), Lamia Joreige (Lebanon), Lesley Lokko (Ghana-Scotland), and Luca Molinari (Italy), the winning contribution at the 17th Venice Architecture Biennale explores the local geography of the United Arab Emirates to find alternatives to cement, one of the key emitters of the world's carbon dioxide.

The award ceremony, broadcasted live on the Biennale’s official page also presented the Golden Lion for Best Participant in the International Exhibition How will we live together? to RAUMLABORBERLIN- Instances of Urban Practice while the Silver Lion for a promising young participant in the International Exhibition How will we live together? went to Border Ecologies and the Gaza Strip- Foundation for Achieving Seamless Territory (FAST). Other recognitions included a special mention for the national participation of the Philippines and Russia, and to Cave_bureau for the Anthropocene Museum: Exhibit 3.0 Obsidian Rain.

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Beyond "experience tourism" and light entertainment, temporary architecture is a fertile ground for testing ideas, examining places, popularizing new concepts and technologies. Taking a wide array of forms, from disaster relief projects and utilitarian structures to design experiments, architectural statements and playful installations, transient structures showcase alternative visions for the built environment, opening up new possibilities and questioning established norms. As temporary architecture now seems at odds with sustainability imperatives, the following discusses the value of temporary architecture as a vehicle of experimentation, advancing design and engaging communities.

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Videos

The art of building a shelter made from blocks of ice is passed on from father to son among the Inuit, native peoples who inhabit the northernmost regions of the planet. The circular plan, the entrance tunnel, the air outlet and the ice blocks form a structure where the heat generated inside melts a superficial layer of snow and seals the gaps, improving the thermal insulation of ice. In a storm, an igloo can be the difference between life and death and perhaps this is the most iconic and radical example of what it means to build with local materials, few tools and lots of knowledge. In this case, ice is all you have.

Taking advantage of abundant resources and local labor are key concepts for sustainable architecture, which are often overlooked at the expense of solutions replicated from other contexts. With new demands and technologies, the globalization of building materials and construction techniques, is there still room for local materials? More specifically in relation to 3D printed constructions, are we destined to erect them only in concrete?

"Demolition is a waste of many things – a waste of energy, a waste of material, and a waste of history," says Pritzker-winning architect Anne Lacaton. In recent years, refurbishment and adaptive reuse have become ubiquitous within the architectural discourse, as the profession is becoming more aware of issues such as waste, use of resources and embedded carbon emissions. However, the practice of updating the existing building stock lacks consistency, especially when it comes to Brutalist heritage. The following explores the challenges and opportunities of refurbishment and adaptive reuse of post-war architecture, highlighting how these strategies can play a significant role in addressing the climate crisis and translating the net-zero emissions goal into reality while also giving new life to existing spaces.

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A form of artistic expression mediated by a technical apparatus, photography has conquered its place among the arts, being, together with cinema, the one that can most faithfully register reality and, therefore, architecture. From large wooden boxes carrying silver emulsion plates to digital cameras and finally our smartphones, there is no doubt that photography has become more accessible to people, who step by step went from spectators to authors of images.

To celebrate World Photography Day, we invite our readers to share with us their photographs of works of architecture and cities. Without distinguishing between enthusiasts, amateurs, or professional photographers, you are invited to send photos that showcase the built space in the most varied scales. Images selected by our Content Team will be featured in an upcoming article.

Too often buildings end up as waste at the end of their lifecycle. How can the built environment move towards a circular economy, and in turn, reimagine how valuable materials are tracked and recycled? Looking to address this issue, material passports are one idea that involves rethinking how materials are recovered during renovation and demolition for reuse. The result is when a building is ready to be demolished, it becomes a storage bank for useful materials.

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Zero kilometer materials can be purchased locally, do not need to be transformed by large stages of industrial processing or toxic treatments and, at the end of their service life, they can be returned to the environment.

For example, wood from a nearby forest eliminates the need for long transfers, valuing local resources, and allowing architecture to lessen its environmental impact while committed to the landscape and context.

The Intergovernmental Panel on Climate Change, the UN's body for assessing the science related to climate change, has recently published a comprehensive report documenting the extent of global warming. The paper provides new time estimates for crossing the 1.5 degrees Celsius threshold, urging immediate and large-scale action to reduce greenhouse gas emissions. Following the publication of the report, UK Architects Declare has issued a statement inviting decision makers to a dialogue on how to collectively address the climate crisis while at the same time calling for the design professionals to re-evaluate their practice to support meaningful change.

In his 1983 now-classic essay Towards a Critical Regionalism, Six Points of an Architecture of Resistance, Kenneth Frampton discussed an alternative approach to architecture, one defined by climate, topography and tectonics, as a form of resistance to the placeness of Modern Architecture and the gratuitous ornamentation of Postmodernism. An architectural attitude, Critical Regionalism proposed an architecture that would embrace global influences while firmly rooted in its context. The following explores the value and contribution of Frampton’s ideas for contemporary architecture.

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