It has been said that we are living through a trans-apocalyptic era. Not pre-or post-apocalyptic, but something in between: a series of interconnected crises that demand action, at a time when it’s too late to prevent the world from changing, but not late enough that all hope has been lost for a (changed, yet positive) world. Architecture is deeply involved in this process, as the transformation of the built environment and the construction industry are key to the way we live.

For ArchDaily, this means our mission rings truer than ever. After a record-breaking 2021, with over 22 million monthly visits across the ArchDaily network, we continue to ask ourselves and our readers: how can we continue to provide inspiration and tools to a new and evolving generation of architects, designers, and - increasingly - architecture enthusiasts, home-owners and anyone who is interested in how we live, where we live and how to move forward? One of the most important ways that we have of doing this is through the Building of the Year Awards.

ArchDaily exists thanks to our readers - you - and so it makes sense that you are also the ones that continue to pick the best of the year in architecture, this time for the 13th consecutive year of the Building of the Year Awards. It is your turn to recognize and reward the outstanding projects that are making a difference, as part of an unbiased, distributed network of jurors and peers that has elevated the most relevant projects over the past decade. Over the next two weeks, your collective intelligence will filter over 4,500 projects down to just 15 stand-outs for the best in each category on ArchDaily.

The 2022 Building of the Year Awards is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.

Over the last century, cars have been the dominant element when designing cities and towns. Driving lanes, lane expansions, parking garages, and surface lots have been utilized as we continue our heavy reliance on cars, leaving urban planners to devise creative ways to make city streets safe for pedestrians and cyclists alike. But many cities, especially a handful in Europe, have become blueprints for forward-thinking ideologies on how to design new spaces to become car-free and rethink streets to make them pedestrian-friendly. Are we experiencing the slow death of cars in urban cores around the world in favor of those who prefer to walk or ride bikes? And if so, how can it be done on a larger scale?

Cities are growing, and they are growing upwards. This is far from just being a contemporary phenomenon of course – for more than a century, high-rises have been an integral part of urban settlements worldwide. This growing of cities encompasses a complex web of processes – advancements in transport links, urbanisation, and migration to mention a few. This growth of cities, however, is all too often linked with governmental failure to adequately support all facets of the urban population. Informal settlements are then born – people carving out spaces for themselves to live amidst a lack of state support.

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There is so much more to know about architects and their projects when you begin to learn the stories behind their work. When you know where and how they draw their inspiration from and how an idea becomes a reality that you can touch, feel and experience, you get a better idea of why the project ended up the way it did.

Together with photographer Marc Goodwin, as part of his project Atlas of Architectural Atmospheres this time in the city of Berlin, we had the opportunity to meet with German architect Christoph Hesse, of Christoph Hesse Architects, based in Korbach and Berlin, and we spoke about all these things that make up his idea of architecture and his work. Meeting a creator on their own workspace is also an added value; we went through different projects while looking at the physical models and the narrative of his work became a beautiful story about a place, a countryside town in Germany, its people, and their lives, and a sustainable future in nature.

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'Innovation' and 'design thinking' could possibly be two of the most extensively-used phrases both online and offline during the past decade. To respond to the global need of "changing the status quo", established companies, start-ups, and even universities have used this framework to generate novel ways of solving problems and create new products, taking into account their desirability, feasibility, and viability. And with that, a new archetype was conceived: the design thinker, someone who has the creative toolkit to generate something disruptive. So what is the meaning behind design thinking and what is its relationship with architecture?

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When we started ArchDaily 14 years ago, we wanted to represent it through the archetypal image of a building, in an isometric view, blue color. After a quick sketch, we had the first version of our logo, which iterated throughout the years, adapted to diverse applications from wooden trophies to stickers, becoming a staple brand among architects.

As we continue into a new era, that started in 2020 together with Architonic and that continues today with the announcement of our new group DAAily Platforms, we thought it was time for an upgrade and we started to explore what we want to represent as a symbol, connected with our mission and views about architecture.

Today we are happy to share with you the next step into the process that we started in 2020 as Architonic ArchDaily, welcoming Designboom to our group.

When we decided to join Architonic, we saw a big opportunity to combine our expertise on curating projects and products, enriching the quality of the content we deliver to millions of professionals and enthusiasts around the world, with one vision: to help everybody who is part of architecture to do a better job, having a positive impact in our environment.

As complementary platforms we look at this big challenge from each one's lenses: project inspiration, materials knowledge, product research and specification. 

If last year we concentrated all our efforts and attention on the climate crisis and how we will live together, this second year of the pandemic was a tremendous opportunity to continue with the reflection and deepening debate on the most urgent issues in architecture. Through calls, articles, interviews, debates and projects, ArchDaily's Monthly Topics of 2021 presented a response each month, rich in research and reflection about the most relevant issues - from interior wellbeing, green architecture, adaptive reuse, migration and equity, to rendering, automation in architecture, collective design and the future of cities.

Aiming to provide inspiration, knowledge and tools, and always seeking to "empower all who make architecture happen to create a better quality of life" we summarise this year's topics by presenting the publications that most impacted our readers. Goodbye 2021, Hello 2022!

After a two-year hiatus due to the global pandemic, Architectural photographer Marc Goodwin has resumed work on the Atlas of Architectural Atmospheres, Archmospheres, starting with the city of Berlin. This project that seeks to capture architecture offices from around the world has already gathered images from Madrid, Brazil, Panama City, the Netherlands, Dubai, London, Paris, Beijing, Shanghai, Seoul, the Nordic countries, Barcelona, Los Angeles, and Istanbul.

Documenting diverse architecture and design studios, Goodwin captured 13 different office spaces in Berlin, including Hesse, LAVA, JWA, Tchoban Voss, Richter Musikowski, Barkow Leibinger, FAR frohn&rojas, studio Karhard, Jasper, Kleihues + Kleihues, Graft, Bundschuh Architekten and Sauerbruch Hutton.

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Every year, ArchDaily's curatorial team publishes thousands of new architectural projects. From this experience, we know that no one builds alone and that these projects would not have been possible without the collaboration of many other professionals that are as much involved as the architects and designers themselves. 

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