A lot of things happened in 2013. Zaha was in the news about every other week. She was copied in China and then accused of designing a giant vagina in Qatar. Rem’s son is producing a documentary about his dad. We lost Prentice Women’s Hospital. We almost lost the American Folk Art Museum. There were a lot of stellar exhibitions and one that took things On the Road. It was the year of high-rise after high-rise, with Rem changing the game yet again by lifting the podium off the ground and sticking to his formal guns, refusing to indulge in curvy shapes.

Things at Architecture for Humanity were shaken up with the departure of co-founders Cameron Sinclair and Kate Stohr. Resiliency became the new sustainability. China suddenly became defined less for its adventurous architecture and urbanism and more for its darker, smoggier flipside. My hometown, Los Angeles got a few more bike lanes, some big plans for its concrete river, plus a new Bloomberg-esque mayor with attendant sustainability tsar. There were people complaining about architecture and telling us why they left the profession. Kanye got attacked for daring to tell us why he likes architecture, and then architecture loved talking about Kanye for weeks on end until we just wanted architecture to shut up about Kanye. Poor Kanye. There are so many things we could say were key in 2013. It’s been a great year. And there were also a lot of fantastic buildings.

In this article, originally posted on Grasp as "We Are All Ethical Hackers!", Kasper Worm-Petersen demonstrates how design has the ability to make the abstract tangible and create desirable activities. When that ability is used to promote sustainability and improve the state of the world great things happen and we all get a chance to become ethical hackers.

There are enough big issues to tackle in the world today. The financial crisis and the climate crisis seem almost insurmountable. And as our old habits are keeping us from adapting to the new circumstances there is a need for viable alternatives to our current way of living. At the Design for Smart Growth event held by the Global Agenda Council on Design and Innovation some interesting and promising solutions were presented. And they all had design as a key component.

The Danish Minister of the Environment Ida Auken set the scene when she discussed her engagement in environmental policies, “I was so frustrated with the image of environmental policies. That green was someone who hated life... I really want to flip it around and see how we can get people to actually want to live in a sustainable way. How can we make them desire it? And that is where designers come in. It is as easy as that.”

Read on to find out how we can be "ethical hackers" after the break.

Gautam Bhatia is an architect based in New Delhi and one of the most well-known architectural writers in India, having written for The New York Times, Outlook magazine and Indian Express.

We live today the way we do because we know no other. Our lives fit the defined patterns of homes, streets, neighborhoods, cities. As an architect I try to understand and explore - through drawing - different possibilities of building and landscape. More and more, drawing has taken me away from the conventions of architecture, into more abstract realms. Drawing has helped define space as it doesn’t exist, and perhaps as it should. Not in a utopian way, but one that tries merely to describe a different way we may live.

New information has been released — along with a series of renders — seven months after the New York City Council approved Cornell University's two million square foot technology campus in Roosevelt Island. Envisioned as "a campus built for the next century," Cornell Tech's first set of buildings has tapped into the talent of some of the most respected architecture firms in the city: Morphosis' Pritzker Prize-winning Thom Mayne, Weiss/Manfredi Architecture, Handel Architects, and Skidmore Owings & Merrill.

New images of the buildings, after the break...

Francesco Veenstra, one of six partners at the Dutch practice Mecanoo and Lead Architect on a number of major projects in the United Kingdom, recently spoke to Mies. UK about the practice's approach to design and their unique take on sustainability. Having recently completed a major public building in Birmingham (which was put to the vote and won the AJ's 2013 Building of the Year), and with more in the pipeline, the practice's international outlook is growing. How has the practice's design methodology and core ideas influenced this success? Read more after the break.

Foster + Partners has unveiled a scheme that aims to transform London’s railways into cycling freeways. The seemingly plausible proposal, which was designed with the help of landscape firm Exterior Architecture and transportation consultant Space Syntax, would connect more than six million residents to an elevated network of car-free bicycle paths built above London’s existing railway lines if approved.

"SkyCycle is a lateral approach to finding space in a congested city," said Norman Foster, who is both a regular cyclist and the president of Britain's National Byway Trust. "By using the corridors above the suburban railways, we could create a world-class network of safe, car free cycle routes that are ideally located for commuters."

ArchDaily recently spoke to Ben van Berkel, co-founder and principal architect at UNStudio, an international network of specialists in architecture, urban development and infrastructure based in the Netherlands. The office, which was founded in 1988, has completed projects around the world ranging from Rotterdam’s Erasmus Bridge to the Mercedes-Benz Museum in Stuttgart. With over 81 built projects, and 54 currently in progress (including Raffles City in Hangzhou and Scotts Tower in Singapore), London’s Canaletto Tower (which is due to be completed in 2015) marks the practice’s first major project in the UK.

Dear readers,

The following 20 articles are what we at ArchDaily consider the Best of 2013. They may not have received the most traffic, but they posed fascinating theories about the state of architecture and urbanism today, they gave us insight into the creative processes of innovative architects (from Bjarke Ingels to Peter Zumthor) and, most of all, they provoked us to question: What does architecture mean? For us architects, and for the world?

Our mission is to provide inspiration, knowledge and tools to the architects who will have the challenge to face the urban growth of the next 40 years.

We understand that each of the thousand of projects that we feature every year can transfer knowledge from the firms to other architects around the world, through the photos, details, diagrams and their own descriptions.

But we feel that there is a very important structural layer in these projects that can only be understood by actually knowing the architects behind them. And that’s why we started our interview program when we launched ArchDaily in 2008.

During this year we have had the opportunity to interview an incredible group of architects, ranging from Toyo Ito -an exclusive interview the same day he was announced as the 2013 Pritzker Laureate-, Wolf D. Prix, Iñaki Ábalos and Reiner de Graaf, to young upcoming firms from all over the world. But we have also interviewed business men who influence cities, synthetic biologists who are thinking in the future of architecture, sociologists analyzing the future of the urban world, and curators of the most influential museums of the world.

Here you will find the list of the ten most watched (or read) interviews of 2013.

And be ready for 2014, as we have some great interviews lined up for next year!

It's that time of year again! The time when we round-up what you, our dear readers, most enjoyed this year. The following ten articles - from fun lists (30 Architecture Docs to Watch in 2013) to thought-provoking looks into the state of the architecture profession (Are Renderings Bad for Architecture?) - caught your attentions and provoked some great comments. See them all - including our record-breaking #1 article - after the break.

Mies. UK recently spoke to Roger Stephenson OBE, Managing Partner at Manchester based stephenson:ISA Studio, about his award winning practice's approach to "using craft in a contemporary way". The office most recently completed an addition to Chetham's School of Music, winning the 2013 RIBA Regional Building of the Year Award, RIBA National Award, and the RIBA Regional Award. This project is the latest in a long list of innovative buildings that are part of a "rigorously coherent, contextually progressive architecture" that has made the practice one of best known regionalist design offices in the UK.

Read the interview in full, and watch a three minute tour of Chetham's School of Music, after the break.

ArchDaily is in need of an architecture-obsessed, history buff to delve into the world of ArchDaily Classics for Spring 2013 (January 15th – May 15th)! If you want to spend your days researching/writing about the best architecture around the globe – and work for the world’s most visited architecture website – then read on after the break…

Videos

Every year architects from around the world share their holiday greetings with us, applying their architectural creativity to an e-card format. Here we share some of our favorites from this year.

Happy holidays from all of us at ArchDaily to you!

Interiors is an online film and architecture journal, published by Mehruss Jon Ahi and Armen Karaoghlanian. Interiors runs an exclusive column for ArchDaily that analyzes and diagrams films in terms of space. Their Official Store will carry exclusive prints from these posts.

The Yeezus Tour, Kanye West’s solo tour, which coincides with his sixth studio album, Yeezus, kicked off in Seattle, Washington on October 19, 2013 and ends in Toronto, Canada on December 23, 2013.

The show is theatrical, cinematic and operatic in its structure. It merges together all of Kanye West’s interests in the the visual and performance arts, creating a powerful experience that transcends the concert format.

This article by Fred A Bernstein originally appeared in Metropolis Magazine as "Worth Preserving". Bernstein tracks the preservation battles fought, won and lost in 2013, unearths their root cause (money), and questions: was preservation better off in recession?

“It’s the old adage: location, location, location,” says Linda Dishman, executive director of the Los Angeles Conservancy. Dishman isn’t talking real estate, but historic preservation. In California, a midcentury house on a modest lot may find a buyer willing to maintain it. But the same modernist house on a large lot in Brentwood or Pacific Palisades, is practically wearing a “tear me down” sign. (How does a 1,200-square-foot house stand a chance in a neighborhood where 12,000 is the new normal?) “Small houses on large lots are the greatest concern,” says Dishman.

The Conservancy won a victory this year when ten of the surviving Case Study Houses—including the celebrated Stahl House by Pierre Koenig—were added to the National Register of Historic Places. But listing doesn’t stop the houses from being demolished—it simply triggers additional reviews before bad things can happen to good buildings, the kind of red tape that doesn’t always deter the super-rich. Money, especially big money, can be the enemy of preservation.

Read on about preservation's fight with big money after the break.

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The winners of 2013 Urban Living Awards, a joint effort between the Senate Department of Urban Development and the Deutsche Wohnen AG, have been announced.

The competition aims to inspire architects to improve the quality of urban life through design, while also stimulating urban cooperation. Though it was only founded in 2010, it has already become one of the most respected competitions in the world. Indeed, the 240 contributions in 2013 hailed from over 20 European countries - a huge expansion from previous years.

Read more for the winners...

In this article, originally published in Indian Architect & Builder, architect and writer David Robson pens an intimate and personal account of the life and work of Geoffrey Bawa – an incredible architect with an un-paralleled legacy in Sri Lanka and south-east India.

Ten years have rolled by since Geoffrey Bawa’s death and fifteen since ill-health forced him to hang up his tee-square. It's time to take stock: what was his legacy? How were his ideas disseminated? What influence has he had? What were his qualities? Who was Geoffrey Bawa?

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