ArchDaily is continuing our partnership with The Architectural Review, bringing you short introductions to the themes of the magazine’s monthly editions. In this post, we take a look at AR’s September 2014 issue, which includes an examination of the sometimes difficult relationship between architecture and disability. Here, AR Editor Catherine Slessor argues that we should adapt our understanding of Le Corbusier's Modulor Man to be more inclusive, asking "What happens when disability is not seen as a problem for architecture to solve, but as a potential generative impetus?"

From Vitruvius to Le Corbusier, the mathematical proportions of the human form have historically been used to shape and define architecture. Man is, essentially, the ultimate measure of all things. The famous Modulor Man was originally based on the height of the average Frenchman (1.75 metres, or 5 feet 9 inches) but was later increased to a more strapping 1.83 metres (6 feet) because of Corb’s penchant for English detective novels in which (literally) upstanding characters such as policemen, were always 6 feet tall.

The 2014 World Architecture Festival (WAF) has culminated with A21 studio’s The Chapel being named the Building of the Year. Each winner of the categories from day 1 and day 2 had the opportunity to present their projects in front of WAF’s ‘super-jury’, comprised of Richard Rogers, Rocco Yim, Julie Eizenberg, Enric Ruiz Geli and Peter Rich. Following all of the presentations, the jury selected the Building of the Year. The winners of the Small Project of the Year, Landscape of the Year and Future Project of the Year were also announced today, in addition to two new prizes: The Colour Prize (sponsored by AkzoNobel) and the Wood Excellence Prize (sponsored by American Hardwood Export Council).

Read on after the break for more information on the winning projects…

This weekend, the first planning session of the Global Parliament of Mayors took place in Amsterdam: a platform for mayors from across the world, triggered by Benjamin Barber’s book: If Mayors Ruled the World: Dysfunctional Nations, Rising Cities.

In this book the current political system and its leaders is dismissed as dysfunctional. Defined by borders and with an inevitable focus on national interests, they are not an effective vehicle to govern a world defined by interdependence. Mayors, presiding over cities with their more open, networked structure and cosmopolitan demographics, so the book argues, could do it better.

It is of no surprise that this book has been welcomed by the same political class as the one it praises: mayors. As was apparent during the first planning session of the GPM: a conference about mayors, for mayors, attended by mayors, moderated by mayors and hosted by a mayor, all triggered by a book about mayors.

I recognize many of the book’s observations. Many mayors are impressive figures and time appears to be on their side. Nation states (particularly the large ones) have an increasingly hard time and, in the context of a process of globalization, cities, and particularly small city-states, increasingly emerge victorious. Cities have first-hand experience with many of the things that occur in globalization’s wake, such as immigration and cultural and religious diversity, and are generally less dogmatic and more practical in dealing with them.

So far so good.

Rotterdam’s very own, MVRDV has completed the Netherlands’ first covered market: the Markthal Rotterdam. Unlike any other market in the world, the Markthal presents a new urban hybrid that unites a market hall with housing.

Within the hollow core of the 228-unit, “horseshoe-shaped” residential building is an expansive, 40-meter-tall public market, offering 96 fresh food stalls, 8 restaurants and supermarket. Colorful murals cover the arch’s vaulted interior, peering through the largest single glazed cable net facades in Europe, which enclose the market. 

This sense of transparency and openness was key, as the Markthal is the driving force to the rejuvenation of the Laurenskwartier area and hopes to attract thousands of visitors each year.

A look inside, after the break.

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The 2014 World Architecture Festival (WAF) officially kicked off in Singapore today, and the first group of award winners were unveiled, with Vo Trong Nghia Architects and AECOM among the 16 announced winners.

The winners of the remaining 11 categories will be announced tomorrow, and the festival will culminate on Friday with the World Building of the Year and Future Project of the Year awards, which will be selected by the festival’s ‘super-jury’: Richard Rogers, Rocco Yim, Julie Eizenberg, Enric Ruiz Geli and Peter Rich.

The winners of day 1 were selected from a shortlist that included practices from over 50 countries, and among the judges was ArchDaily’s very own David Basulto.

This year’s festival is taking place from October 1-3, featuring three days of talks, key-note speakers and networking opportunities.  With “Architects and the City” as the overarching theme for this year’s main conference sessions, the festival will focus on the contributions architects can make to cities and how they affect – and are affected by – politics, infrastructure, planning communities and technology. 

Click here to view the full shortlist and read on after the break for the full list of WAF's day 1 winners.

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In their sixth Beyond the Building video, “Design That Heals,” MASS Design Group explores how architects can improve the lives and health of people everywhere. The video reveals how the work of MASS operates on various scales from everything to designing better furniture to influencing national policies. Their approach to humanitarian architecture begins by empowering the local community to take ownership of new projects, and in turn, bring about significant improvements in the quality of life in places that have previously been overlooked.

For example, talking about MASS Design Group's Butaro Hospital, Rwanda's Minister for Health Dr. Agnes Binagwaho says: "There's this idea of equity to put a hospital, state of the art, in the middle of nowhere. It was not nowhere for everybody, because there are 300,000 people living there." Watch the video above and get involved in the conversation on how architecture can go #beyondthebuilding.

Using information collected from the US Census Bureau’s American Community Survey, the Hamilton Project at The Brookings Institution has created a set of interactive infographics comparing the lifetime earning potential of graduates of 80 majors. With so much debate over the earning potential of architects, the tool provides us with an invaluable insight into the long-range outlook for members of our profession, charting the both the total lifetime earnings of architects and their average earnings per year over a 42-year career.

Read on after the break for analysis of what the infographics tell us

When we evaluate the work of architects and other designers, we often treat it as if the design was created in a vacuum. It's easy to forget that the vast majority of designs emerge from a collaboration between the designer and their client, and when it comes to the design's success the input of the client can often be as important as the work of the designer. This creative relationship can be a difficult one to navigate, yet it is usually held together by a single document: the brief.

Released today, this half-hour documentary by director Tom Bassett entitled Briefly takes a long hard look at the brief, with architects Frank Gehry and David Rockwell, industrial designer Yves Béhar, illustrator and author Maira Kalman, marketing executive John C Jay and creative executive John Boiler all pitching in their experience with creative briefs, and recounting stories where, for better or for worse, the brief had a major effect on their work.

More on the documentary after the break

ArchDaily is continuing our partnership with The Architectural Review, bringing you short introductions to the themes of the magazine’s monthly editions. In this post, we take a look at AR’s August 2014 issue, which examines the tension between the often idealised world of the architecture media and the messy complexity of real-world buildings. Here, AR Editor Catherine Slessor meditates on "the uneasy relationship between reductivist beauty contests and architecture’s nuanced narratives and complexities."

The recent announcement of the RIBA Stirling Prize shortlist has stoked up the usual feverish debate about what constitutes ‘good’ architecture and what should or shouldn’t win. But an awards scheme that can pit the Shard against the Everyman Theatre, thus perilously straddling an engorged spectrum of style, scale, client, context, user and urban contribution, is a fundamentally impossible proposition when you get down to it. One former editor of The Architects’ Journal despairingly remarked that judging the Stirling was like trying to compare a cookery book with a slim volume of poetry. Apart from both being printed on paper, they have nothing else in common. So do you plump for cookery or poetry?

About one month ago, three major figures in Portuguese architecture - Pritzker Laureate Álvaro Siza, architect Carlos Castanheira and one of today’s most prominent architectural photographers, Fernando Guerra - began an uncommon adventure.

During 22 days the architects traveled through many Asian countries inaugurating buildings, visiting new projects and meeting other architects like Pritzker Laureate Whang Shu. At the end of their trip, the trio visited the "Shadow of light - a portrait of Álvaro Siza" exhibition opening and vernissage, in Macau, realized by Fernando Guerra.

We were able to follow this intimate journey through the images taken by Guerra and published every day in his Instagram – a careful, spontaneous and delicate photographic narrative that shows a little bit of what were these weeks with Siza and Castanheira were like. Back in Portugal, Fernando Guerra published an interesting report on those last weeks and generously shared with us both his writings and his beautiful pictures.

Read the text and enjoy Guerra's photographs after the break.

BIG has unveiled plans for Bassin 7 (BSN7), a new civic-minded, mixed-use neighborhood in Denmark’s second largest city. The phased development will “breathe life into the harbor front,” placing importance on the public realm by organizing the site’s seven residential buildings with a series of recreational and cultural activities, including a beach zone, swimming pools, theater and cafe, along a public promenade.

Among the vast coverage of 3D printing in the media, the technology is frequently cited as the 'future' of production, focusing on its ability to bring new things into existence quickly and cheaply. But does 3D printing have to be all about the future? As this article originally printed by Metropolis Magazine as "3D Printing Saves a Frank Lloyd Wright Treasure" attests, 3D printing also has something to offer to the past; specifically, to a deteriorating Frank Lloyd Wright building whose 'textile block' was simply too complex to restore through any other modern techniques. Read on after the break to find out how this high-tech rescue mission is being achieved.

The Basilica of the Sagrada Família in Barcelona have laid out their planned milestones for the forthcoming year, visualising it in a short film that begins to piece together Antoni Gaudí's incredible vision. The Sacristy and Raking Cornice will be constructed between this year and next, while new stained glass windows will be installed flooding the interior spaces with evermore coloured light.

Videos

This year at the Venice Biennale, not all of the exhibitions are visible. Ozel Office of Los Angeles have "hacked" the Venice Biennale with the help of some major architecture firms: Asymptote Architecture, Greg Lynn Form, Neil M. Denari Architects, Murmur, and Oosterhuis Lenard. Together, these firms have created a rogue digital addition to the Biennale only accessible through a virtual portal revealing a world of levitating models, movable objects, and much more, activated by physical components of the Koolhaas-curated central pavilion.

Find out how you can hack the Biennale after the break.

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The last episode of Al Jazeera’s Rebel Architecture series tells the story of Ricardo, an informal builder in Rocinha, Brazil’s largest favela. “A foreign architect would not get into this hole and dig. He would hire someone or would hire machines. But here in the favela, we are hands on,” he says in the episode. Ricardo has built over one hundred houses in Rocinha despite not having any formal training. Yet as Brazil prepares for the World Cup and the Olympic Games, life in Rocinha is changing. This 25-minute episode follows Ricardo as well as Luis Carlos Toledo, the architect behind the government’s regeneration of Rocinha, as the two seek to incorporate their solutions into the future of the country's favelas.

Watch the full episode above and read on after the break for a full episode synopsis and a preview of upcoming episodes…

In Residence: Ricardo Bofill on Nowness.com

You’ve seen it before, Ricardo Bofill’s captivating transformation of Spain’s oldest cement factory into his own stunning, Brutalist residence. Now, tour through the home’s most unique spaces with the Spanish architect himself as he shares his story about The Factory in the latest of NOWNESS’ In Residence series.

"Architecture is much more than art. And it is by far more than just building buildings" says award winning Burkina Faso architect Diébédo Francis Kéré. In the latest video from Louisiana Channel, Berlin-based Francis Kéré deliberates on the purpose of architecture in a changing society and the influence exerted by his home nation, Burkina Faso. For Kéré, context and medium are key: "I try to use local material: mostly clay and wood, to create buildings that are modern," he says. Kéré's clay modernism represents a new Burkina Faso, using natural and renewable materials as shown in School Library Gando. "If we build with clay we will have a better future, because we will use the resources we have," he adds.

"My people are proud, and that can deliver a lot of energy," says Kéré, optimistic for the future of architecture in Burkina Faso. Watch the video above to find out more about Kéré's approach to his European-based African practice, and read on after the break for ArchDaily's own Interview with Kéré from July.

Cloud Citizen, a proposal for a new high-rise typology by Urban Future Organization and CR-Design, in collaboration with a team of experts at Chalmers Technical University, has been jointly awarded the highest prize in the Shenzhen Bay Super City Masterplan Competition. Their futuristic design features a singular mega building complex that aims to create a hyper dense urban center that gives back to the environment. Read on after the break to learn more about the proposal.

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