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This fall the Pulitzer Arts Foundation gleans insights into pressing issues of the built environment by way of building artifacts, the architectural salvage left in the wake of urban renewal and accelerated material change in St. Louis. Urban Archaeology: Lost Buildings of St. Louis presents more than 25 objects—from a theater façade to a hand-pressed clay brick—drawn from the National Building Arts Center (NBAC), the nation’s largest collection of architectural, structural, and industrial artifacts, located in a former steel foundry 10 minutes from St. Louis’s downtown.

Matsue City is steeped in history, from carefully preserved samurai residences and tea houses to the majestic fortress of Matsue Castle. Completed in 1611, Matsue Castle is one of only a few castles in Japan to retain its original castle keep and is designated a national treasure. At this talk, Matsue Mayor Akihito Uesada illuminates the city’s fascinating samurai history, rich cultural heritage and culinary treasures. The program includes an exclusive viewing of a historical reenactment video of the construction and establishment of Matsue Castle. Previously only available on-site at the Matsue City Museum, this video is being shown for the first time outside Japan—at Japan Society. Attendees will also discover Matsue’s culture first-hand through special on-stage demonstrations by some of the city’s highly skilled craftspeople.

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The Los Angeles Design Festival returns Thursday, June 22-Sunday, June 25, 2023, with the theme, “Design for the People.” Join global and local creatives in celebrating art, design, culture, and community at ROW DTLA, Helms Bakery District in West L.A., and the Downtown Long Beach Design District, along with a variety of independent events hosted throughout the city. From talks and studio tours to exhibitions, installations and block parties, the 2023 Los Angeles Design Festival is free to attend.

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For nearly 30 years, fiber artist Sonya Clark’s work has explored the histories and legacies of racism and oppression in America and the potential of a collective approach to questions of equality for the future. “We Are Each Other” will be the first survey of the artist’s work in Atlanta, New York City and Detroit and will bring together the artist’s largest, community-centered and participatory projects, which will be activated with each city’s respective communities. The exhibition will feature projects including the additive, room-sized installation “The Beaded Prayers Project” (1998-ongoing), inspired by African amulet traditions; “The Hair Craft Project” (2014), which pairs photography and fiber art, documenting the work of Black hairdressers; and the “Monumental Cloth” series (2019), which recreates at massive scale the flag of truce used to help broker the end of the Civil War. In her work, she intertwines craft and community and incorporates handwork in her projects to promote new collective encounters across racial, gender and socioeconomic lines and to address difficult questions of exclusion in American society, as part of her commitment to one of the most pressing issues of our day — equality and the difficult work we all must do to realize it. This exhibition is co-organized by the High Museum of Art, Atlanta, the Museum of Arts and Design and Cranbrook Art Museum

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