United States

Presenting 40 images by Boston photographer and trained architect, Steve Rosenthal, this exhibition showcases rural New England churches of the eighteenth and nineteenth centuries. From the early meetinghouse through the changing patterns of Greek and Gothic revivals, Rosenthal’s black and white depictions will trace the evolution of church styles in New England and capture what remains of these architecture gems around the region. The exhibition is organized by Historic New England.

The J. Irwin Miller Symposium, “A Constructed World,” is convened by Joyce Hsiang and Bimal Mendis in conjunction with the exhibition, “City of 7 Billion,” at the Yale School of Architecture. The philosopher and cultural critic, Peter Sloterdijk, will deliver the keynote address, and Hashim Sarkis, Dean of the School of Architecture and Planning at MIT, will deliver the concluding address.

Richard Meier & Partners is pleased to announce Richard Meier: Process and Vision at Mana Contemporary Chicago in partnership with the inaugural Chicago Architecture Biennial.

Richard Meier’s international body of work is acclaimed for its timeless, classic design from the Museum of Contemporary Art in Barcelona to the Getty Center in Los Angeles to Rome’s Jubilee Church. Each project throughout Richard Meier’s decades of architectural practice has posed its own set of inherent challenges, whether social, environmental, technological, or economical.

The Newark Museum presents The Shape of Light: Gabriel Dawe, featuring large-scale, site-specific installations, sculptural works and works on paper by internationally known multi-media artist Gabriel Dawe. Born and raised in Mexico City and now based in Dallas, Dawe creates site-specific environments from colored thread that explore connections between textiles, architecture and the human body. For The Shape of Light, he will create two temporary large-scale installations, Plexus no. 30 and Plexus no. 31, which will engage with the Newark Museum's historical architectural spaces, taking over the main galleries for the run of the exhibition.

“Reading Images: After Belonging” reflects on a group of images that frame new objects, spaces, and territories that define our transformed condition of belonging under global regimes of circulation.

The increasing movement of people, information, and goods in a global context has destabilized what we understand by residence, undermining spatial permanence, property, and identity. Circulation brings greater accessibility and more diverse goods to remote territories, transforming the way we own, exchange, and share them, but simultaneously grows inequalities for large groups, who are kept in precarious transit. These transformations concern both our attachment to places—where do we belong?—, as well as our relation to the objects we own, share, and exchange—how do we manage our belongings? Being at home has a different definition nowadays, both within domestic settings and in the spaces defined by national boundaries.

This Archtober, join over one hundred architects and design professionals in making an impact in their local communities through AFHny’s annual city-wide service day.

Participants will work alongside some of the region’s leading community­-focused organizations through hands-on painting, planting, and rebuilding projects, all of which will improve New York's neighborhoods on both physical and social levels.

License can bind and it can liberate. A fantasy of disciplinary finitude, a professional architectural license bestows liability and autonomy in equal measure. In an abstract sense, to take license is to disregard established limits, to undermine the very idea of a closed and comprehensive disciplinarity that sustains licensure.

If licentiousness is derived from license, how do architects leverage this polemical condition to balance - or not - responsibility and invention? How does architecture's periphery change when license ceases to be a telos/terminus? What kind of authorities, criteria, and protocols emerge to determine whether an architect is fit to practice?

The world is constructed. It is the product of material realities, philosophical concepts, and imaginary ideals. No part of the world remains unaffected by the cumulative impact of human activity. Through complex processes of exploration, habitation, cultivation, transportation, consumption, and surveillance, the world has become increasingly interconnected. According to ongoing scientific research, the world appears to have crossed the threshold of a new geological epoch: the Anthropocene. Scientists, geologists, and environmentalists acknowledge that humans are transforming the world at an unprecedented scale. This assertion begs the questions: How is the world constructed? What is the role of design?

An award-winning anthropological case study by designer Stephen Fan, SUB URBANISMS explores the controversial conversion of suburban single-family homes into multi-family communities by immigrant Chinese casino workers in Connecticut. Addressing the norms, cultural values, and public policies that determine how most Americans live, the exhibition juxtaposes immigrant cultural beliefs and pragmatism with suburban American social, aesthetic, and financial codes. With a regional focus and global reach, it also provides insight into the long-term effects of 9/11 on the New York Chinatown service industry as a significant factor behind the influx of Chinese labor seeking employment at the region's casinos, and the formation of this satellite suburban Chinatown. With creative implications for the future of housing design and habitation in response to cultural, social, and ecological challenges, SUB URBANISMS offers a powerful inquiry into the ways in which culture shapes our lives and homes.

For their most ambitious exhibition to date – artist duo DABSMYLA presents Before and Further, a 4,000 square foot installation takeover of a stand-alone 1930 built Spanish Revival workplace building, located on the Modernica factory property. DABSMYLA have fully transformed its interior and exterior with their newest paintings, sculptures, installations and exclusive furnishings from limited-edition fiberglass shell chairs and hand painted ceramics to custom-built lighting installations, all designed and created exclusively for their collaboration with Modernica. The already rich history of this building and Modernica create a fitting compliment for DABSMYLA’s spectacular experience. This long awaited solo show will be