Ugandan Architecture

Wellness and healing spaces are shaped by cultural traditions, geographical contexts, and social structures. Across the world, certain practices have been deeply rooted for centuries, like Roman baths, Turkish hammams, and Japanese onsens, while others evolve by drawing inspiration from rituals or redefining their own concept and image of a healing environment. Europe, North America, and Oceania are characterized by a focus on personal journeys, self-care, and often luxurious wellness spaces. Asia shapes the prevailing global perception of wellness through meditation-based healing, inner reflection, and holistic retreats. In Africa, wellness is deeply rooted in ancestral traditions, integrated with nature, and centered around community and social interaction. The commonality worldwide lies in sensory engagement, relaxation, and holistic healing, often tied to nature. But what does wellness look like in Africa? What are the healing spaces that shape it, and what architectural languages define wellness from north to south?

The middle of the Twentieth Century saw the independence of most countries on the African continent. Those euphoric times brought forward-looking sentiments and a wish to break with the past. As an architectural movement, Modernism was ideal for the day, and newly independent countries had extensive building programs to assert themselves as fully functioning nations.

Religious architecture has always had a unique power to transcend the physical realm, transporting visitors to a spiritual journey. In many belief systems, it serves as a space between the earthly and the universal divine. This designed experience can often be facilitated through different choices, where light, form, materiality, and circulation play essential roles. Furthermore, architecture and design hold the power to have a profound impact on one’s lived spiritual experience.

Tropical Africa boasts vast forests that cover 3.6 million square kilometers of land in West, East, and Central Africa. These forests provide valuable timber resources that significantly impact sectors, such as the furniture, fuel, and paper industries. However, interestingly, timber is seemingly absent in the contemporary architecture of the countries in this region. While architectural taste plays a role, the main reasons for this absence can be attributed to the wood industries' inability to meet the requirements of availability, affordability, aesthetic appeal, durability, and climatic and structural performance of timber. The wood industry in tropical Africa is mainly composed of informal and small-scale operations, focused primarily on sawing logs rather than refining wood for architectural or structural purposes. Despite this, the large number of informal enterprises in the region presents an opportunity to reshape the wood industry and utilize the local forestry resources to construct timber buildings.

London Design Biennale has opened on June 1^st, 2023, at Somerset House, bringing together participants from around the world to celebrate new forms of international cooperation through design. The Biennale, now in its fourth edition, will display more than 40 installations focused on the theme ‘The Global Game: Remapping Collaborations,’ chosen by this year’s Artistic Director, the Nieuwe Instituut, Instituut, led by Aric Chen. In addition to the national participants, the Eureka exhibition will showcase cross-disciplinary innovations from UK’s leading research centers.

Doreen Adengo, Ugandan architect and trailblazer, passed away on July the 22^nd of this year, after battling a long-term illness. She founded Adengo Architecture, a studio based out of her home city of Kampala. A designer who studied in the United States, worked in firms in New York, Washington, and London, and was teaching at Uganda Martyrs University – her legacy is nothing short of extraordinary. It is a legacy that spans disciplines and geographies – but a legacy, too, that is deeply rooted in the context of Africa, Uganda, and Kampala.

Doreen Adengo, architect from Kampala, Uganda has passed away, as reported by African Futures Institute’s Instagram Account, after a long battle with cancer. Founder of Adengo Architecture in 2015, a research-based multi-disciplinary practice operating out of her hometown Kampala, Doreen, a registered architect in the United States and Uganda, had earned her undergraduate at the Catholic University (Bachelor of Science in Architecture) and graduate studies at Yale (Masters of Architecture). She has taught at The New School and Pratt Institute in New York, the University of Johannesburg’s Graduate School of Architecture, and was currently teaching at Uganda Martyrs University. In celebration of International Women’s Day 2022, Doreen Adengo was recognized by ArchDaily as one of the established practitioners implicated in change.

A few weeks ago, this year’s edition of the Serpentine Pavilion opened to the public. Designed by Chicago-based artist Theaster Gates, it’s an evocative project, its cylindrical form referencing American beehive kilns, English bottle kilns, and Musgum adobe homes found in Cameroon.

Cities are growing, and they are growing upwards. This is far from just being a contemporary phenomenon of course – for more than a century, high-rises have been an integral part of urban settlements worldwide. This growing of cities encompasses a complex web of processes – advancements in transport links, urbanisation, and migration to mention a few. This growth of cities, however, is all too often linked with governmental failure to adequately support all facets of the urban population. Informal settlements are then born – people carving out spaces for themselves to live amidst a lack of state support.

Fauzia Khanani is no stranger to challenging the status quo. Working on a range of projects around the globe, from New York and Zurich to Budapest and Geneva, she continues to rethink the process of design across the built environment. Her firm, Studio For, is pioneering new prototypes for the future of work in a post pandemic era. At the same time, she's working on a number of pro-bono conceptual community-driven projects.