Taiwan

The inspiration behind the name "游人如織" (Interweaving Travelers) is derived from a Chinese idiom, symbolizing the countless travelers as intricately woven pieces of brocade, layer upon layer. The exhibition's concept expands upon this metaphor with the aim of exploring the interconnectivity and complexity of global mobility. Especially in the post-pandemic era, as people once again regain the "freedom" to move, this exhibition, on the one hand, examines the co-constructive relationship between mobility and contemporary globalization, and, on the other hand, seeks to critically reexamine the fundamental essence of "mobility," exploring its potential to transcend national governance, geopolitical conflicts, and the influence of capitalist expansion.

The 2023 Green Island Human Rights Art Festival – Listening to the Overtones of Fissures is themed on the seemingly passive, gentle gesture of “listening,” hoping to embrace different political, economic and systemic experiences of individuals. These experiences have created wounds, which are like “fissures” that have separated people. At the same time, “fissure” also denotes incongruences and divergencies. Like barriers or differences between individuals and the society produced by the White Terror, these incongruences and divergencies are largely overlooked and await our re-understanding as life progresses. “Overtones” refers to the voices or sounds constantly echoing or emitting from the fissures. An “overtone” is a different frequency that shares the same basis with a fundamental tone; and in this case, it becomes a metaphor for the outcast existences that have been ignored by mainstream opinions.