Portuguese Architecture

Porto's architectural legacy has long been shaped by the weight of history and the clarity of form. From the work of Álvaro Siza to the dense network of studios emerging from the city's schools, Porto offers a unique blend of continuity and reinvention. Here, architecture is not only a matter of design but often one of endurance — of working within constraints, of drawing with precision, and of navigating a built environment marked by permanence and resistance to spectacle.

The Portugal Pavilion at Expo 2025 in Osaka embraces the theme "Ocean, The Blue Dialogue", offering visitors an immersive exploration of the ocean as a life-giving resource and a cornerstone of sustainability. Designed by Japanese architect Kengo Kuma, the Pavilion aims to reflect Portugal's deep historical, cultural, and economic connections to the sea, creating an architectural and narrative journey that bridges past, present, and future. The pavilion has recently been inaugurated in the in the "Empowering Lives" zone, next to the Bahrain Pavilion, designed by Lina Ghotmeh Architecture and the Austrian Pavilion by BWM Architects.

When we think about cities, we often assume the orthogonal grid is the norm: neat, predictable, and rational. However, many urban areas around the world, notably those shaped by hills and uneven terrain, defy this convention. In cities like Lisbon, in Portugal orthogonal grids appear only in flatter zones such as Baixa, while surrounding areas like Alfama adapt organically to topography. These areas create more layered, irregular, and visually dynamic urban forms. Yerevan in Armenia, offers another urban example of this adaptation: the Cascade Complex transforms a steep hill into a terraced public space that connects different city levels while framing panoramic views. For other countries, this response to topography becomes even more critical. Cities like Tegucigalpa in Honduras or Valparaiso in Chile are defined by steep, irregular terrain that requires architects to engage deeply with the land. Designing in these contexts, especially for residential projects, demands technical adaptation and a contextual understanding that allows the slope to become a generative element in the design process.

2025 promises to be a landmark in architecture, heralding a vibrant renaissance of creativity and exploration. As societies confront challenges such as climate change, rapid urbanization, and technological evolution, architecture is both a mirror to these dynamics and a compass pointing toward a sustainable and inclusive future. This year's architectural calendar offers abundant opportunities to celebrate the discipline's transformative power — from boundary-pushing festivals to thought-provoking exhibitions that explore pressing cultural and environmental narratives.

The World Monuments Fund (WMF) has announced its 2025 World Monuments Watch, highlighting 25 sites facing significant challenges. This biennial program, launched in 1996, aims to raise awareness and mobilize action for the preservation of cultural heritage worldwide. The 2025 list includes diverse locations across five continents and, notably, the Moon, representing the need to protect artifacts from humanity's first lunar missions. The selection process involved over 200 nominations, revealing regional trends such as climate change impacts in Sub-Saharan Africa and urbanization challenges in Asia and the Pacific.

The concept by Baile Menduiña and del medio atelier, coordinated by Luis Manuel Pereira, ranked first in the public design competition for the renovation and expansion project of the National Museum of Contemporary Art (MNAC), located in the historic Chiado neighborhood in Lisbon. Among the 29 projects submitted for the competition, the jury, composed of Carlos Bessa, Elisabete Moura, and André Caiado distinguished a total of five projects and awarded a series of honorable mentions.

Residential architecture within natural settings presents a distinct departure from urban design. Unlike the densely populated, man-made environments of cities, the context shifts to a pre-existing, often subdued, natural landscape. This necessitates a more responsive and integrated approach, prioritizing harmony with the environment rather than dominance over it. Exploration of conceptual projects in this realm can help foster a deeper understanding of sustainable building practices, material selection appropriate to the ecological context, and the sensitive integration of human habitation into pre-existing ecosystems.

Tourism in Portugal began to develop in the late 1950s, initially centered on key destinations such as the Algarve coast, Lisbon, and the religious hub of Fátima. This focus made tourism largely a coastal activity. However, rapid growth and overburdened infrastructure in these areas led to saturation and a crisis in the sector. To address this, efforts were made to promote alternative destinations, appealing to a new wave of tourists looking for more sustainable, authentic, and locally immersive experiences.

The winners of the "Europe 40under40®" program for 2023-2024 have been announced, celebrating promising talents in architecture and design. This recognition highlights projects from emerging professionals under the age of 40, including architects, landscape architects, urban planners, and industrial designers. The program, initiated by The European Centre, aims to showcase a new generation of designers who are poised to impact the future of living and working environments, cities, and rural areas.

At the turn of the millennium, the world was gripped by the looming threat of the Y2K bug, a potential failure of computerized systems that could disrupt everything from banking to aviation. As midnight approached on December 31, 1999, people withdrew their savings, major corporations issued warnings, and governments scrambled to prevent public hysteria. But as the sun rose on January 1, 2000, the feared bug had no material impact, and the crisis faded as quickly as it had emerged. However, this era left its mark in unexpected places — particularly in architecture. Amid the anxiety surrounding digital technology, one of the most iconic concert halls of our time, Casa da Música in Porto, was born. Designed by OMA (Office for Metropolitan Architecture), its origins can be traced to a much smaller project: the Y2K House. What began as an exploration of private domesticity during the digital scare evolved into a grand public structure — an architectural transition from home to a performance hall.