Nigerian Architecture

Through the post-war 20th century, the Global South saw much influence from foreign architects, often invited by local governments to bring their expertise and visionary thinking. Sought as a symbol of modernity, buildings designed by "starchitects" elevated the image of nations. Decades later, as local industries advance in capabilities, the desire for foreign talent continues to exist. Is this a natural result of globalization or is the continued presence of international architects in the Global South a persistent dependency?

In late 2024, an important addition was made to the growing literature on Modern architecture in Africa. "Modernism in Africa: The Architecture of Angola, Ghana, Mozambique, Nigeria, Rwanda, South Africa, Sudan, Tanzania, Uganda" was published by Docomomo International and Birkhäuser, shedding light on multiple previously unpublished buildings. The book has a focus on education, although other building types are included. Amongst these are several university buildings in Nigeria which are explored here. Like other Modern buildings on the continent, they illustrate historical narratives of independence, decoloniality, international relations, and architectural education.

The World Monuments Fund (WMF) has announced its 2025 World Monuments Watch, highlighting 25 sites facing significant challenges. This biennial program, launched in 1996, aims to raise awareness and mobilize action for the preservation of cultural heritage worldwide. The 2025 list includes diverse locations across five continents and, notably, the Moon, representing the need to protect artifacts from humanity's first lunar missions. The selection process involved over 200 nominations, revealing regional trends such as climate change impacts in Sub-Saharan Africa and urbanization challenges in Asia and the Pacific.

Architecture is a discipline where theory and practice meet, transforming abstract ideas into spaces that shape and respond to human lives and identity. For Nigerian architect and curator Tosin Oshinowo, this dynamic is at the core of her work. As the founder of Oshinowo Studio and curator of the 2023 Sharjah Architecture Triennial, she has carved a unique path in contemporary architecture by blending cultural specificity, climate consciousness, and global relevance.

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"It's a long journey, but it's a valuable journey, and it's a journey that does reap rewards in the end". 

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"We think we are diverse, and we think we have equality, but is that really the case?"

Traveling on land through vast regional areas of African countries has been an inefficient ordeal, particularly in West Africa. Google Maps optimistically estimates it would take 53 hours to drive nonstop from Lagos, Nigeria's largest city, to Dakar, Senegal's capital. However, this estimate doesn't account for the poor road infrastructure, complex border crossings, and socio-economic challenges that realistically extend the journey to about a week.

A recent report from Nigeria’s Ministry of Agriculture predicts that at least 31.5 million citizens may experience a food and nutrition crisis between June and August of this year. This alarming data highlights the severity of the food crisis that has progressively escalated over the last few years. The high prices of fruits and vegetables and their dwindling supply in local markets are already evident, as major staples disappear from food tables. This situation portends a bleak future for Nigeria as most people struggle to make ends meet, even in better times.

There is an increasing character of abandoned buildings in many African cities and Limbo Accra; a spatial design practice, roots itself in the experimentation of their repair, reuse, and transformation. The practice views these buildings as a unique architectural typology that includes key city landmarks, from the abandoned Independence house in Lagos to the incomplete airport tower in Accra, amongst others. They see them as major opportunities for modern public space and as symbolic sites for spatial justice. Through techniques such as photogrammetry, Limbo Accra has been creating a digital archive of these buildings and collaborating with artists and designers to propose new prospects for them. ArchDaily had the opportunity to speak with Dominique Petit-Frère, the co-founder of Limbo Accra, about the collective character of these buildings, Limbo Accra’s approach to their transformation, and navigating challenges in the adaptive reuse of these structures.

British-Nigerian multi-disciplinary artist and designer Yinka Ilori MBE has designed a pavilion as part of Haus der Kulturen der Welt’s (HKW) festival in Berlin. The festival, titled Ballet of the Masses - On Football and Catharsis, initiated an annual pavilion in 2023, and this year’s pavilion dresses intricate questions of coexistence through its materiality and form. Part of the Shaped to the Measure of the People’s Songs architectural series, Yinka Illori’s pavilion crafts a spatial proposition that explores complex themes of racism in sports and personal accountability.