The global landscape of today has been moulded by centuries and centuries of human migration. This movement of people, of individuals and communities travelling far away from their place of origin to eke out better lives for themselves, has seen the evolution of the architectural and urban character of cities – moulded by the diverse influences fuelled by migration. This has meant that around the world, enclaves have popped up in cities, migrants carving out spaces for themselves which have a different character to other areas of a city.
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Invasive Aesthetics: A Manifesto for Reviving Architectural Identity in Developing Nations
We have entered an era of ‘modernization’, led by the Western world. In our times of unprecedented demographic expansion, infrastructural development is racing to meet demand with supply. As architects and designers, we have been pressured to embrace consumerism. Globalization has been adopted as a solution to the problem. Developing countries have equated economic prosperity and success to the adoption of ‘contemporary architecture’ in a bid to demonstrate leadership and innovation. And voila, we have a palette of sleek buildings to meet the population’s needs, as well as to “modernize” our landscape. Surely, mimicking the formula of technologically advanced countries will project us into the public eye.