Havana seems to be frozen in time by centralized economic and political controls. Its inhabitants face constant material challenges in their lives. Cuban society responds by thriving with idealism, stoicism, and resilience. This dynamic interplay between myriad limitations and boundless creativity is the subject matter of our programme.
Cuba
B House / Infraestudio
-
Architects: Infraestudio
- Area: 366 m²
- Year: 2022
Tower House / Albor Arquitectos
Instalación Tres Esencias / Albor Arquitectos
-
Architects: Albor Arquitectos
- Area: 19 m²
- Year: 2019
-
Manufacturers: Eupinca, Metunas, Plycem, Vitral
Street Photography Tour of Havana, Cuba with Pratt Institute
Havana has often been referred to as a time machine — a city that transports its visitors to a distant moment and time in history. The capital city’s colorful Spanish colonial-style architecture has made it a go-to destination for photographers, architects, and people seeking life in a bygone era. From classic cars to “its overall sense of architectural, historical and environmental continuity makes it the most impressive historical city center in the Caribbean and one of the most notable in the American continent as a whole,” remarks UNESCO.
Casa Soporte / Albor Arquitectos
-
Architects: Albor Arquitectos
- Area: 117 m²
- Year: 2017
AD Classics: United States Embassy in Havana / Harrison & Abramovitz
The United States’ diplomatic presence in Cuba is housed in a severe, early-1950s office building perched on the shoreline over Havana Bay. Walled off from the city and pulled back from the street, the building has the uneasy presence of a haunted castle – shunned and maligned by its neighbors, but subjected to the unending scrutiny of suspicious eyes and intrigued gossip of the locals. With its regimented orthogonalities and the unmistakably foreign imprint of modernist efficiencies, both the embassy's architecture and the optimistic political spirit it embodies seem to belong to another era, a cooperative past no longer conceivable in the wake of a half century of underhanded diplomacy, calumnious propaganda, and failed attempts to restore relations between the embattled countries.
AD Classics: The National Art Schools of Cuba / Ricardo Porro, Vittorio Garatti, Roberto Gottardi
In 1961, Fidel Castro said: “Cuba will count as having the most beautiful academy of arts in the world." The Cuban National Schools of Arts, originally imagined by Castro and Che Guevara, are perhaps the largest architectural achievements of the Cuban Revolution. The innovative design of the schools, which aimed to bring cultural literacy to the nation, encapsulated the radical, utopian vision of the Revolution.
Unfortunately, the nation’s idealistic enthusiasm lasted for a fleeting moment in time and the Schools quickly fell out of favor; they were left to decay before even being completed. Today, following nearly four decades of neglect, the architects have returned to try and bring these derelict schools back to their intended glory.