Bolivian Architecture

How many stories are hidden behind every line and every wall? Each project serves a purpose, and its creation leaves a lasting impression on the environment it inhabits. ArchDaily's AD Narratives series seeks to uncover the fascinating—and often unexpected—stories that breathe life into selected projects. Through in-depth research, the series delves into the unique details of the design and construction processes, exploring the cultural, social, and political contexts that have shaped each work.

Santa Cruz de la Sierra is located on the eastern plains of Bolivia, on the banks of the Pirai River. Being the most populous city in the country, it reveals an extreme social and cultural complexity surrounded by extensive pampas and plains. Additionally, it represents one of the most developed cities in Bolivia, with a high municipal indicator of sustainable development. Delving into the importance of community architecture, popular appropriation, the character of urbanity, and other concepts, this article explores the history behind the Summit of the Americas Monument through a series of narratives, documentations, drawings, and images captured by Pino Musi.

In the highlands of the Central Andes, one finds the "bofedales." Known by some as 'high Andean wetlands,' bofedales are ecosystems and landscapes crucial for water regulation and storage in the Andes. Moreover, they are natural infrastructures that constitute a material and immaterial heritage to address contemporary climate crises and to sustain local Andean communities, which have nurtured them for generations.

Being one of the first construction methods developed by humans, earth has proven its resilience and durability over time. While construction techniques have evolved and been updated over the years, there is still a long way to explore where the understanding of climate, geographic location, sustainability, structural requirements, and other factors determine its degree of application.

Not only is L35 Architects currently renovating Real Madrid's Santiago Bernabeu stadium in Spain, it has also designed a new stadium in the capital of Bolivia. Selected through an international competition organized in 2021 by Club Bolivar and its partner City Football Group, construction is about to begin and completion is expected in 2025.

Rivers have long been considered as Earth’s arteries, serving as the essence of urban communities as human settlements developed their shelters and crop beds around them. Centuries later, riverside architecture remained vital as these areas expanded beyond residential typologies, and harnessed dynamic mixed-use developments and public functions. As valuable as they may seem though, these landscapes come with the risk of unexpected floods, increased water levels, or complete droughts, which has forced architects to design built environments that are able to respond to these abrupt changes. So how were these settlements built in the past, and how has today’s urban densification and technological advancements influence the way they are built?

The media outbreak for architect Elisabetta Andreoli and artist Ligia D'Andrea’s book "Andean Architecture of Bolivia", which focuses on the work of Freddy Mamani - ex-bricklayer turned engineer and constructor- has become the excuse to talk about everything else related to the highland country of Bolivia.

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Soon you will be able to satisfy your wanderlust free from altitude sickness; on Wednesday October 4th, the Architecture Film Festival Rotterdam will see the world premiere of the documentary Cholet: The Work of Freddy Mamani. From director Isaac Niemand comes the story of Bolivia's unlikely architectural phenomenon, and one of ArchDaily’s 2015 leaders in architectural design and conceptualization.

Despite not having an office, using a computer or drawing on paper, Bolivian architect Freddy Mamani Silvestre and his firm have completed over 60 projects in El Alto, the highest city in the world. Like most of his clients and fellow citizens, Mamani is an Aymara and his work is typified by its highly detailed, colourful facades, inspired by Aymara dress. In light of his visually exciting, daring work, The New Yorker has released a stunning photo portfolio by Peter Granser, with an introduction by Judith Thurman, showcasing some of Mamani's colourful projects.

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La Paz, the historic de-facto capital of Bolivia, is widely renowned for its incredible setting, colonial architecture, and cultural buildings. El Alto, on the other hand, is not. It was, in fact, La Paz's rather dismal satellite city, all low rise brick and commuting. Yet El Alto has become the centre of an entirely new, independently evolved architectural style that is rapidly catching on across South America.