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Architects: Stephane Paumier Architects
- Area: 6635 m²
- Year: 2017
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Manufacturers: Acor, Goldbach Kirchner, Guidotti, Hormann, Ligman, +2


The 2016 edition of DAS takes place from 5–8 February at the Bangladesh Shilpakala Academy, showcasing some of the most extraordinary art from South Asia. Led by Samdani Art Foundation Artistic Director and DAS Chief Curator, Diana Campbell Betancourt, the Summit brings together artists, curators and thinkers to explore and share artistic work and practices from the region, provoking reflections on transnationalism, identity and time.

What will workshop participants learn?
We are happy to announce that Building Trust will be working with a community in Kuakata, Barishal, Bangladesh and local Architects to design and build a cyclone resistance low cost house for a family in need. Bangladesh is a river-based country whose coastal areas are frequently affected by natural disasters such as cyclones.1000's of houses are destroyed annually; entire villages are eradicated during such disasters. It is due to this problem that our team has been requested to organise a workshop to find a new housing solution.


The Bengal Foundation has begun work on its Contemporary Arts and Crafts Museum, Bangladesh's first private museum of its kind. The ambitious complex will house multi-media works from the organization's founder Abul Khair's private collection, pieces by local artists, a sculpture garden, and a boat museum to celebrate the various cultural arts of local residents.
Learn more about the museum's design, after the break.


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Modernist architecture is traditionally understood to be utilitarian, sleek, and most of all without context, such that it can be placed in any context and still stay true to aesthetic principles and its functional requirements. However, Louis Kahn’s National Assembly Building of Bangladesh in Dhaka is an extraordinary example of modern architecture being transcribed as a part of Bangali vernacular architecture. The National Assembly building, completed in 1982, stands as one of Kahn’s most prominent works, but also as a symbolic monument to the government of Bangladesh.