Photopolis Agrinio Photo Festival 2022 is accepting submissions from photographers from all over the world for its exhibition program. Submission period: February 1 to March 31, 2022. Photographers are asked to submit 8 – 12 photographs from a particular project/series or body of work. The theme has been left open. Submissions must be photographic and they might also make use also of texts, graphic. The selected six series – projects will be the material of the exhibition entitled “Portfolios:022” and forms part of the events organized by Photopolis Agrinio Photo Festival.
GROOF is an interdisciplinary research project funded by Interreg NWE. Its mission is to define the state of the art of the rooftop/building integrated greenhouse as part of hyperlocalising food production and mitigating built environment GHG emissions. It has launched an open call for rooftop or facade-integrated greenhouse projects which they will coach for free from March 2022-23. The open call is targeting projects in UK, Ireland, Germany, Netherlands, France, Luxembourg and Belgium.
In its 11th year and it’s 6th international edition, JDW continues to be Israel’s leading public design event, will take place between the 23rd-30th of June, 2022, at the Hansen House in Jerusalem, with over 40,000 visitors, 200 participating Israeli and International designers in over 40 events, exhibitions and installations.
Oslo Architecture Triennale 2022 spotlights the neighborhood as a place and horizon for rethinking our cities. With the working title Mission Neighbourhood—(Re)forming Communities, the Triennale explores how we form the places that we share. Mission Neighbourhood is an invitation to broaden the collective imagination regarding the spaces of everyday life.
The Alexander Thomson Society is delighted to announce the ‘Remembering Mark Baines’ Biennial Architectural Illustration Competition. The late Mark Baines was a founding member and Chair of the Society, an architect, and teacher of architecture at the Macintosh School of Architecture. He continually emphasised the importance of drawing architecture and was never without a sketchbook.
Life in a state of frenzy: the pulse uncontrolled. The city streets are getting narrower, the walls of your room are getting closer. Sleepwalking into acceleration. Your veins pound, you feel your heartbeat in your throat - don't think, how will you act? - Fight! Dance on the volcano: crises create creative souls. The pupils dilated, hands trembling. Our world, an arena: Protest becomes excessive euphoria. Flight! Danger of collapse. Are we the creators of the crisis? Hit the gas. All roads lead to a dead end, the void. You hear screams, could be yours. Freeze! Paralysis. The world turns, we don't. Buildings collapse. You catch your breath. What now?
The TECU® ARCHITECTURE AWARD opened its annual call for submissions in September, 2021. The Award seeks to recognize the best uses of copper - a natural element which is durable, recyclable and sustainable "by nature".
The deadline for submitting project documents for the TECU® ARCHITECTURE AWARD is February 28, 2022.
At ArchDaily, we are constantly exposed to the work that many organizations and architects do to help local communities worldwide. We therefore wanted to broaden our reach and use our platform to try and support NGOs that rely on architecture and construction in their mission; spreading the word and connecting them with active members of our global community.
To float is to be still. To float is to displace. To float is to decontextualize. To float is to voyage. To float is to survive. To float is to escape. To float is to relinquish a desire. To float is to exist apart from, to be outside of. To float is to venture the possibility of a thought. To float is to suspend disbelief. To float toes the line between desire and necessity.
Singapore Good Design (SG Mark) was established to set the benchmark for exceptional design quality and recognises companies and individuals who have generated significant value by focusing on human experiences and providing solutions in their products and services in order to enhance industrial development and enrich lives responsibly.
We are delighted to announce that the RSA Open Exhibition of Architecture is returning once again this spring as part of the 196th RSA Annual Exhibition. On view from 23 April – 12 June 2022, the exhibition will showcase a diverse range of contemporary art and architecture from our Royal Scottish Academicians, plus artists and architects carefully selected from online open submissions.
Archisource presents the Drawing of the Year 2021, our annual, international drawing competition - is open-to-all and completely free-to-enter for students! With over £10,000 GBP ($13,500 USD) worth of prizes, the Drawing of the Year celebrates the very best outstanding drawings created by professionals and students around the world each year. This year's Drawing of the Year competition is brought to you in partnership with Enscape to bring our biggest, most accessible and inclusive competition to date.
London/ Paris based research centre Theatrum Mundi is looking for aspiring urbanists interested in forming a transdisciplinary, intergenerational cohort focused on knowledge exchange connecting architecture and urbanism with the crafts of the stage.
I-Park is now accepting applications for its fully-funded multi-disciplinary residencies. This multidisciplinary program is open to architects, garden designers, and landscape architects/designers looking to enrich their practice in a collegial, retreat-like setting – in the company of artists working in the visual arts, creative writing, music composition/sound art and moving image/new media.
The competition is a collaboration between RESOLVE Collective, the Royal Borough of Greenwich, and Historic England's High Streets Heritage Action Zone programme in Woolwich and invites both groups and individuals to apply, prioritising 'first-time designers' and collaborations with local residents. Applicants' physical designs will be installed across a variety of available locations between the town centre and the river, while digital designs will be exhibited on the competition website.
Superscape is a biannual prize that seeks to encourage innovative and visionary architectural concepts that explore new models of living and strategies for inhabiting an urban context over a broad expanse of 30 years. Reflecting processes of change, Superscape opens a creative space for unconventional ideas meant to deliver new impulses to real-life architectural output and urban development.
Organized by the Hungarian Contemporary Architecture Centre, the festival’s mission is to present an overview of architectural issues currently affecting the world, the region, and Hungary. Furthermore, it serves as a meeting point for architects, film lovers, and everyone else interested in the festival. The organizers believe architecture and urban development are common causes, hence the goal of the carefully-selected program is to initiate a dialogue about the built and unbuilt environment and to encourage the audience to reflect and act.
From social, racial, economic inequity to virtual, immersive environments, the COVID-19 pandemic is reshaping trends and pushing societies to discuss how we will live together in the future.
In this context, architecture has been navigating through sequential changes over the last decades with the rise and latter consolidation of new technologies, tools, formats, topics, scales, and interdisciplinary approaches, along with the emergence of the Internet that led towards a disruptive decentralization of the architecture production and discussion. Architects and designers from all over the world are embracing these challenges by pondering their roles and exploring their own practical approaches.
Architecture performs through bodies. Its conceptualization entails choreographing bodily movements. Drawings are spatial scripts, to which bodies perform in conformity, transgression, re-appropriation, or indifference. Performances can be corporeal or phenomenological, planned or spontaneous, everyday or a singularity. They charge architecture with vibrant energies disrupting the exigencies and politics of built spaces. The 10th issue of Room One Thousand, “Body + Performance,” seeks for performance to expand and challenge our understanding of architecture and its impact. Performance can be understood as an object, phenomenon, commodity, or metaphor. The convergence of architecture and performance captures the corporeality, tactility, and sensuality of a space. How can architecture be read through the lens of performance? Who is the performer, the building or the body? What are the design implications of highlighting the agency and plurality of bodies? What happens when architectural practice shifts from performance to production? How can performance be a methodology in design?