Former ArchDaily's Managing Editor. BA in Architecture from Newcastle University, and interested in how overlooked elements of architectural culture —from the media to competitions to procurement processes can alter the designs we end up with.
This year, the Schelling Prize's "indigenous ingenuity" theme was inspired by the 2012 Theory winner Kenneth Frampton's theory of Critical Regionalism, with the prize asking "how can inventive and directly comprehensible architecture satisfy human needs in an appealing way?"
By now, when the design competition for the Guggenheim Helsinki is mentioned, one number probably comes to mind: 1,715, the record-breaking number of submissions which the competition received. But how can this number be put into perspective? Why, with more numbers of course. Take 5,769 for example, which is the total height in meters of all the A1 presentation boards arranged vertically. Or take 18,336,780, the estimated value in Euros of all the work submitted.
If ever architects needed a little vindication in their work, this might just be it: a team of neuroscientists have found evidence that good architecture can positively affect the human brain. Testing a highly susceptible group of subjects (i.e. architects), the team demonstrated that so-called "contemplative architecture" can have similar effects to meditation - except with much less effort on the part of the person experiencing it. This article in the Atlantic discusses the team's work at length, delving into the science behind the discovery, but also uncovering an interesting oddity in the world of architectural neuroscience: it seems not much is being done because "it’s difficult to suggest that people are dying from it." In the case of the current study, the team "totally loaded the deck" by only selecting architects as their subjects, apparently not aiming to prove anything but simply to secure further funding. Read the full article here for more on the latest in architectural neuroscience.
With the rising success of electric cars and the highly anticipated introduction of self-driving cars, it is beginning to look like the 'end of the automobile age' which many predicted just a few years ago may never come. This was the sentiment presented by Audi CEO Rupert Stadler at the presentation of the Audi Urban Future Award last night: "The car has to be seen once again as a desirable object of progress," he demanded. "To achieve this, we have to tear down the walls between infrastructure, public transportation and individual traffic." Audi's New Urban Agenda therefore sets its sights on "solutions in which individual transportation makes a positive contribution in an overall system of different forms of mobility."
Nadau Architects, the winning team of the Reanimate the Ruins international ideas contest, have shared with us their proposal to revive Detroit's historic Packard Automotive Plant, the former factory which has become an icon of the city's post-industrial decline. By developing a proposal which frees the land from unwanted structures and knits the colossal 1 kilometer-long building back into the urban landscape, Nadau Lavergne Architects have created a design which returns both a sense of community and some economic hope back to the building.
View from Guy's Hospital Quad. Image Courtesy of RPBW
Renzo Piano Building Workshop has been awarded planning approval for Feilden House, a 26-storey residential building at London Bridge Quarter, directly adjacent to the Shard. Designed to complement the Shard and Place Buildings, the third piece of Piano's London Bridge Developments will add "generous public realm amenities" to the area at ground level.
ArchDaily is continuing our partnership with The Architectural Review, bringing you short introductions to the themes of the magazine’s monthly editions. In this editorial from AR’s November 2014 issue, AR Editor Catherine Slessor uses the opening of Frank Gehry's Fondation Louis Vuitton as occasion to examine the split that has developed within the architectural profession, musing "On how architecture can be either manifestation of vanity or source of social transformation."
One of the most depressing illustrations of how far architecture has lost its grip on reality is Frank Gehry’s new handbag. Along with other selected ‘iconoclasts’ from the world of fashion, art and design, Gehry was tasked by French luxury goods purveyor Louis Vuitton to design a bespoke limited edition ‘piece’. Gehry’s new Fondation Louis Vuitton has just opened in Paris and he is the man of the hour, so it seems obvious that after designing a monumental repository for contemporary art, he should turn his hand to the trifling matter of a fashion accessory. The handbag is yours for £2490. The art museum is yours for around £100 million, though some speculate that it cost much, much more.
The inaugural Chicago Architecture Biennial now has an official name, with co-directors Joseph Grima and Sarah Herda announcing "The State of the Art of Architecture" as the biennial's theme last week. Taking its name from a 1977 conference organized in Chicago by Stanley Tigerman, which focused on the state of architecture in the US, next year's Chicago Architecture Biennial will aim to expand that conversation into the "international and intergenerational" arena.
In addition to the new name, the Biennial also announced its first major project, a photo essay of Chicago by Iwan Baan, which will contextualize the many landmarks of the Chicago skyline within the wider cityscape and within the day-to-day life of the city.
Read on for more about the biennial theme and more images from Iwan Baan.
Collège Mixte Le Bon Berger. Image Courtesy of Architecture for Humanity
Architecture for Humanity has announced the end of their program in Haiti, effective from January 2015. The charitable organization, which has its headquarters in San Francisco, set up offices in Port-au-Prince in March 2010 in order to better help the people of Haiti after the 2010 earthquake. Through almost five years in Haiti, they have completed nearly 50 projects, including homes, medical clinics, offices, and the 13 buildings in their Haiti School Initiative. Their work has positively affected the lives of over 1 million Haitians, with their schools initiative alone providing education spaces for over 18,000 students.
Read on after the break for more on the end of Architecture for Humanity's Haiti program, and images of their completed schools
A plan by Stephen Brooks Architects to build the first Frank Lloyd Wright-designed home in the UK has been blocked at the appeal stage by a planning inspector, reports the Architects' Journal. Based on a 1947 design by Wright for the O'Keefe family in California, the project was the brainchild of Dr Hugh Petter, a Frank Lloyd Wright enthusiast who negotiated for eight years with the Frank Lloyd Wright Foundation before gaining permission to build the unrealised design in Tyntesfield Springs near Bristol, thousands of miles from its intended location.
Santiago Calatrava's much maligned design for the Chicago Spire has finally met its end, thanks to a lapsed payment deadline from the site's developer, Grant Kelleher. The project, which would have been the tallest building in the USA, began construction in 2007 but was halted at the onset of the global financial crisis, leaving nothing more than a large hole in the ground for over six years.
Despite numerous attempts to revive the Spire, Grant Kelleher's Shelbourne Development Group never overcame its financial troubles. Shelbourne Development Group and its partner Atlas Apartment Holdings received a court order to pay $22 million to one of their creditors, Related Midwest, who had bought $93 million worth of debt from the project. However, the Chicago Tribune reports that within minutes of the October 31st deadline lapsing with no sign of payment, Related Midwest filed papers in a Chicago court requiring that the deeds for the property be passed to them.
The problem of homelessness challenges city governments all over the world, one which, despite many attempts by governments to curb the problems that lead to homelessness, does not seem to have a simple solution. What's more, with many countries still deep in the global economic crises, many governments and non-profits struggle to provide an adequate amount of temporary shelter for the homeless population.
But what if we could make temporary accommodation for the homeless pay for itself? And what if we could provide it by leveraging structures that would be built anyway? This is exactly the approach taken by Michal Polacek, Matej Nedorolik and Martin Lee Keniz of Project Gregory, whose design for small roadside accommodation built into an advertising billboard is currently on Kickstarter.
Many groups are working on innovative 3D Printing technologies, such as Emerging Objects' designs for a 3D printed house made from locally harvested salt. Image Courtesy of Emerging Objects
Autodesk has announced a new program which aims to invest up to $100 million in 3D printing companies over the next several years. The Spark Investment Fund will invest in innovative entrepreneurs, startups and researchers in the 3D printing field who "push the boundaries of 3D printing technology and accelerate the new industrial revolution."
The investment fund has been developed alongside Autodesk's recently released Spark software, a free and open 3D printing platform which connects a wide range of 3D printing hardware and design software, and can work with any material. The company hopes to encourage the 3D printing community to build upon and improve this software.
Last night, thousands in Chicago turned out to cheer on tightrope walker Nik Wallenda, as he performed two tightrope walks involving some of the Windy City's most famous buildings: Bertrand Goldberg's Marina City Apartments and Kevin Roche John Dinkeloo and Associates' Leo Burnett Building. Wallenda set two Guinness World records, the first for the steepest ever tightrope walk as he climbed from the 588-foot Marina City to the 671-foot Leo Burnett Building, and then for the highest blindfolded tightrope walk as he crossed between the two Marina City towers. The stunt was covered live by Discovery, whose footage comes replete with dramatic sweeping shots of a mid-walk Wallenda, made miniscule against the backdrop of Chicago's famous Skyscraper Canyon.
The design for Chicago's Lucas Museum of Narrative Arts has been revealed, with MAD Architects unveiling their plans for a sculptural white "mountain," rising from the site to be topped by a metallic crown. Designed as a landscape that can be approached from all sides, with the main entrance located on a 'floating' public plaza accessed via a network of ramps and steps, the building is organized around a central domed lobby and events space, with four stories of gallery spaces, a set of four theaters, and at the top of the building an observation deck and glass-encased restaurant. In a connected, smaller "mountain" are the building's educational functions, with classrooms, lecture theaters and a library.
Speaking to ArchDaily from Chicago, director of MAD ArchitectsMa Yansong explained how he wanted the design "to be futuristic but at the same time to be natural," connecting with the landscape of the waterfront site.
More about the design from Ma Yansong after the break
The City of Kyiv has launched an international design competition aiming to commemorate the lives lost in Ukraine's Maidan Revolution, both through a memorial to their memory and through implementing the ideals of the revolution in the urban space surrounding Maidan Nezalezhnosti. The competition, honed through months of public discussions and consultations, is being organized by the Kyiv City State Administration and Ukraine's Ministry of Culture. More details after the break.
The City of Cardiff has unveiled plans by Foster + Partners to redesign the city's Central Square, close to the Millennium Stadium, adding over a million square feet of office, retail and residential buildings organized around a new civic square. Explaining that it is "the key gateway to Cardiff" for many visitors, City Council leader Phil Bale said that Central Square's "role in providing a positive image for Cardiff and Wales cannot be underestimated," adding that Foster + Partners' design is "reflective of the City’s ambition to be amongst the most ‘liveable’ cities in the world."
If you read a lot of articles about cities and urbanism, you're probably familiar with the words "half of the world's population now lives in cities." For a number of years, these words have been frequently used in the opening sentences of articles, hoping to convince readers in just a few seconds of the importance of the subject at hand. In fact, according to the World Health Organization these words are no longer even true: in 2014 the urban portion of the world's population has already reached 54%. In other words, every nine months the world adds enough new urbanites to fill a city the size of Tokyo, with an increase of nearly 300 million new urban dwellers since we reached the tipping-point in 2008.
.jpg?1415468294 "École Ceverine. Image Courtesy of Architecture for Humanity")
