Former ArchDaily's Managing Editor. BA in Architecture from Newcastle University, and interested in how overlooked elements of architectural culture —from the media to competitions to procurement processes can alter the designs we end up with.
Throughout its eight-century-long history, Chartres Cathedral has been consistently cited as one of the world's greatest religious spaces, charming countless architects thanks to its dramatic interior combining brooding stone vaults and delicate stained glass windows. But this legacy is severely threatened, argues Martin Filler for the New York Review of Books, by a "foolhardy" restoration in its zeal for recapturing the past "makes authentic artifacts look fake."
The London Borough of Kensington and Chelsea is set to pass new legislation aimed at curbing the spate of large basement extensions in the area. The trend for these "mega-basements" is a result of the strict planning guidelines applied to the borough's many historic buildings, forcing the area's wealthy and space-hungry residents to extend downwards instead of upwards or outwards. However, with a ten-fold increase in the number of basement extension plans since 2001, work on these complex underground projects was becoming a nuisance, causing Kensington and Chelsea Council to freeze the planning applications of 220 basement proposals while it sought a resolution.
Russian practice Meganom has been announced as the winner in a competition to drastically transform the Moscow riverfront. Their masterplan proposal aims to create a series of linear green spaces, while also incorporating new cultural and education spaces along the waterfront and improving the surrounding public transport. Announced at the IV annual Moscow Urban Forum which opened earlier today, the goal of the competition was to return the Moscow river from a "barrier" into a "link" in the city, restoring its historical status as the city's heart and most important transportation route.
Read on after the break for more details of Meganom's masterplan
It may be the world's second oldest construction material, but wood is still one of the most versatile and inspiring materials available to architects today, coveted as both a structural material and as a finish on walls, floors, ceilings and facades. In recent years it's even seen a resurgence in popularity, thanks to its sustainability credentials and its increasingly popular "natural" feel. With all this in mind, ArchDaily Materials has rounded up five recent projects that prove innovation in wood is still alive and well in the architectural world: Wilkinson Eyre Architects' Maggie’s Oxford; Shigeru Ban's Aspen Art Museum; Pushed Slab by MVRDV; MARGEN-LAB's Endesa World Fab Condenser; and finally a forthcoming building that is notable for its ambitious wooden design, the Sleuk Rith Institute by Zaha Hadid Architects.
Rogers Stirk Harbour + Partners has begun construction on a new whiskey distillery and visitor centre in Speyside, Scotland. Designed for The Macallan, a core brand of the major Scottish spirits producer Edrington. The proposed building is buried into the surrounding landscape of The Macallan Estate, revealing itself as a series of grass covered mounds overlooking the river Spey.
Read on after the break for more about the design
A legal challenge against Steven Holl's design for the new Maggie's Centre at St Bart's Hospital in London has been dropped, after Holl and Maggie's agreed to change the design. The challenge was brought by the Friends of the Great Hall, a group that has been campaigning against Holl's design and arguing that it would have a detrimental effect on the adjacent Great Hall designed by James Gibb in the 18th century.
Holl's design narrowly won planning permission in July, however the Friends of the great hall launched the judicial review a month later as a final attempt to block the scheme.
The latest designer of the prestigious Serpentine Gallery Pavilion has been named as SelgasCano, the Spanish practice known for their use of the latest synthetic materials and new technology. The Serpentine Pavilion, which has grown to become one of the most visited annual architecture attractions in the world, aims to provide architects who have never built in the UK their first chance to do so. In the past, this has led to pavilions by globally-recognized names such as Frank Gehry, Zaha Hadid, Rem Koolhaas, Oscar Niemeyer, and Peter Zumthor, but in recent years the Serpentine Gallery seems to have changed course a little, instead bringing lesser-known, emergent stars to a much wider audience. This was true of Smiljan Radić and his 2014 pavilion, and will likely prove true for the duo of José Selgas and Lucía Cano.
Although designs for the 2015 pavilion will not be released until February, SelgasCano have promised "to use only one material... the Transparency," adding that "the most advanced technologies will be needed to be employed to accomplish that transparency." This coy description perhaps calls to mind the design of their own office, a partially sunken tube of a building with one side made entirely of curved glass, which won them widespread recognition in 2009.
To give a better idea of the design style that SelgasCano will bring to the 2015 Serpentine Pavilion, we've rounded up a number of their major projects for your viewing pleasure, after the break.
UK start-up company The Photon Project has announced its plan to launch the Photon Space, the world's first intelligent all-glass living unit. Motivated by the major positive benefits that natural light can have on our energy levels, sleep pattern and overall health, the goal of the Photon Space is to create a dwelling that allows its occupants a maximum connection to the outside world.
Posited as an ideal addition to hotels, spas, health retreats, medical centres, and other resorts, the skin of the Photon Space is made of smart glass supported by curving glass beams, switching from transparent to opaque in seconds with the help of an iPhone app.
The UK Government has announced £140 million in public funds will be granted to the planned "Olympicopolis" cultural quarter in East London, in the former 2012 Olympic Park. The museum and educational district is planned to feature a new outpost for the Victoria and Albert (V&A) Museum and Sadler’s Wells theatre, and a new campus for the University of the Arts London.
The site, which is just North of Zaha Hadid's Aquatics Centre, is the focus of an ongoing design competition which reportedly attracted almost 1,000 expressions of interest in the contest's pre-registration phase. The winner of the competition will be announced in March.
New York-based firm M Castedo Architects have unveiled their designs for the "Silver Pearl Hotel", a 1000-room luxury resort and conference facility for the Qatar 2022 World Cup located 1.5 kilometers off the Doha coastline. The $1.6 billion design consists of two 30-story semicircular towers connected by a full height, transparent climate controlled atrium, with unimpeded views of the sea beyond. Access to the hotel will be provided by a four lane elevated causeway over the sea - or alternatively by private yacht or helicopter, say the architects.
Almost 50 years to the day after President Lyndon B Johnson broke ground on Edward Durell Stone's design for the John F Kennedy Center for the Performing Arts in Washington DC, today Vice President Joe Biden will do the same for Steven Holl Architects' design of the Kennedy Center Expansion, a largely below-ground addition that will add an extra 60,000 square feet to the Center.
Update: Today Westminster Council approved the Garden Bridge proposals - the second of three required approvals - with councillors voting 3-1 in favour of the bridge. Though London Mayor Boris Johnson still has to officially rule on the plans, it is almost certain that he will ultimately give the go-ahead to the project as he has previously voiced his support for the idea. The following article was originally published on November 13th, after Lambeth Council granted the bridge its first approval.
Lambeth Council has awarded planning permission for the Garden Bridge, Thomas Heatherwick and Arup's planned crossing of the Thames which has been proposed and supported by actress Joanna Lumley. The approval is the first in a series that the bridge needs to become a reality, with Westminster City Council and London mayor Boris Johnson still needing to sign off on the project, according to the Architects' Journal.
On one of Qatar's many World Cup construction sites, another Nepalese worker dies. The worker is not named; their death does not make the news, and work resumes on the site as soon as possible in order to make the 2022 construction deadline. But, in the desert outside Doha, a crane driver solemnly prepares to add one more concrete module to what has rapidly, and tragically, become one of Qatar's tallest towers.
This is the vision presented by Axel de Stampa and Sylvain Macaux, of the Paris and Santiago-based practice 1week1project, with their "Qatar World Cup Memorial." Designed as one of their week-long "spontaneous architecture" projects, the monument memorializes each deceased worker in the run-up to the 2022 World Cup.
It may or may not be the tallest building in North America, but one thing's for sure: when it comes to costs, no other skyscraper comes close to New York's One World Trade Center. This is the conclusion of Emporis, whose list of the world's top ten most expensive buildings puts 1WTC way out in front at $3.9 billion. Originally estimated at just half that cost, this sets a trend in the top ten list, with many of the featured buildings suffering staggering overruns. The second-place Shard, for example, overshot it's original £350 million ($550 million) budget nearly four times over (although this is to be expected in London).
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The Royal Institute of British Architects (RIBA) has announced a major retrospective of the work of celebrated Scottish architect Charles Rennie Mackintosh, with an exhibition to be held at the RIBA's Headquarters in London from February to May 2015. Having shown talent as a draughtsman from a young age, Mackintosh started his architectural apprenticeship at the age of just 16, and the exhibition features over 60 original drawings, watercolours and perspectives spanning his entire career from the late 19th century until his death in 1928.
Read on after the break for more on the contents of the exhibition
The Guggenheim has announced the finalists in the competition to design Guggenheim Helsinki, whittling down the entrants from a record-breaking 1,715 submissions to just six. Representing both emerging and established practices with offices in seven countries, the shortlisted entries show a variety of responses to the challenge of creating a world-class museum.
The six finalists are:
Read on after the break to see all six designs in detail, as well as the jury's comments on each.
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Elevator manufacturer ThyssenKrupp has unveiled its latest technological advance, a cable free, multi-car, multi-directional elevator that has the potential to revolutionize the size and shape of future skyscrapers. Run using magnetic technology similar to that used by Maglev trains, with each cabin running its own individual motor, the "MULTI" elevator system opens up the potential for elevator cabins to move horizontally as well as vertically. This in turn offers the potential for multiple cabins to operate in a single system, with cabins going up one shaft and down an adjacent shaft.
BIG has unveiled the design for their addition to the development at Battersea Power Station, a public square that will link the power station itself with the Electric Boulevard development designed by Norman Foster and Frank Gehry. Called Malaysia Square after the Malaysian development consortium behind the plans, the design features cascading steps that link the main public space at the lower level with the entrance to the power station above. The split-level design also provides for two pedestrian bridges and a road bridge that cross above the "urban canyon" of the public square.
.jpg?1418143939 "Courtesy of The Photon Project")
.jpg?1418143950 "Courtesy of The Photon Project")
_lg.jpg?1418143987 "The Photon Space at sunset. Image Courtesy of The Photon Project")
.jpg?1418143941 "Courtesy of The Photon Project")
_RIBA_Library.jpg?1417407299 "Design for a house for an art lover, 1901. Image © RIBA Library")
_Eric_De_Mare_-_RIBA_Library_Photographs_Collection.jpg?1417407302 "Glasgow School of Art. Image © Eric De Mare - RIBA Library Photographs Collection")
_Glasgow_School_of_Art.jpg?1417407398 "Windy Hill, perspective drawing in ink, 1900, by Charles Rennie Mackintosh. Image © Glasgow School of Art")
_The_Hunterian__University_of_Glasgow.jpg?1417407247 "Daily Record, ink and watercolour by Charles Rennie Mackintosh. Image © Hunterian, University of Glasgow")
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