The late British architect Will Alsop was noted for his exuberant and irreverent attitude that took material form in his expressive, painterly portfolio of educational, civic, and residential works. At the ripe age of 23, he was awarded second place in the 1971 Centre Georges Pompidou. From there, he went on to work for the ever humorous Cedric Price before establishing his practice with John Lyall, and eventually many others, in the early 1980s. With a career spanning almost fifty years, here are ten iconic works from an architect who never missed an opportunity to play.

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Which building is better, the duck or the ornamented shed? More importantly, what kind of architecture does the average American prefer? In their landmark 1972 publication Learning From Las Vegas, Denise Scott Brown and Robert Venturi probed these questions by turning their back on paternalistic modernism in favor of the glowing, overtly kitsch, and symbolic Mecca of the Las Vegas strip. From a chance encounter during a meeting in the Library of Fine Arts at the University of Pennsylvania and shared trips to the strip to critically shaping a new generation of architects, discover the hidden details of the romance and city that defined postmodernism in this latest episode from 99% Invisible.

Have you ever thought a building looked suspiciously similar to a futuristic tank? Or, perhaps a gothic spire was eerily reminiscent of a matchstick? You’re not alone. Rich McCor, aka paperboy, has been traveling the world since 2015 filling his Instagram account with whimsical photographs of black paper cut-outs that transform often serious works of architecture into playful cartoon-like images.

Taking Christoph Niemann’s surreal account abstractsunday as a starting point, McCor was inspired to disrupt the norms of architecture and embellish the everyday. Though the account originally began while McCor was exploring the UK “it's taken me way beyond London to corners of the world I never thought I'd see,” he says. It’s easy to see why his humorous images of golf ball domes, beach-side creatures, and a pyramid-turned-magic trick have garnered McCor over 350k followers.

Recently, long-standing architecture critic for the LA Times Christopher Hawthorne announced that he was stepping down to take up the position of chief design officer for the City of Los Angeles in Mayor Eric Garcetti’s administration. According to Hawthorne, the role will involve raising “the quality of public architecture and urban design across the city — and the level of civic conversation about those subjects.” This dramatic shift from the question: what is the role of the critic and architecture criticism in shaping civic architecture?

While Moshe Safdie may be more well known for the bold forms defining his portfolio of built projects—ranging from the National Gallery of Canada and the horizontal Raffles City Chongqing to the iconic Habitat 67—the architect considers his unbuilt works as important, if not more. Safdie ponders the role of these projects and more in PLANE-SITE’s latest addition to the series Time-Space-Existence.

As hundreds of refugees continue to arrive in Paris, France, the city faces an ongoing struggle to find safe and suitable housing for the influx of migrants. As a result, many end up sleeping in underused urban spaces or on the side of the road with almost no access to water, sanitation, and food.

In response, Paris- and Santiago-based firm 1week1project in collaboration with Sophie Picoty unveil their design for a speculative public park titled “Illuminate Paris!” beneath an elevated railway bridge to provide additional support for organizations handling the influx of refugees. This modular “field of experiences” features a series of lantern-like environments forming a canopy along the underside of the bridge that allows for much-need space for migrants who are currently forced to sleep in encampments under similar infrastructure and in parks.

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We’ve all seen them: cringeworthy designs and abysmal construction fails. For architects and designers, it's difficult not to hone in on the details of every space we encounter. And, it’s even harder not to laugh at doors incapable of opening, plaster jobs that could have been completed by a 4-year old, and an overly liberal use of caulking to solve any construction mishap. 

Inspired by this guilty pleasure, the Instagram account of “Certified Caulk Installer” Trevor Lahey aka greaseball1987 has collected the best of the worst home improvement disasters for your viewing pleasure. See more of Lahey's plethora of hilarious tragedies below.

London-based AL_A, spearheaded by Amanda Levete, have revealed their design for two new buildings at the Wadham College site of the historic Oxford University in England. The Dr. Lee Shau Kee Building and William Doo Undergraduate Centre will provide much-needed space for undergraduate services to support the University's access programs as well as new gathering places for the student body. The firm has been developing the expansion since securing the project after an invited design competition in the summer of 2016.

How can we plan a better city? The answer has confounded architects and urban planners since the birth of the industrial city. One attempt at answering came in the form of a spectacular modernist proposal outside of Amsterdam called the Bijlmermeer. And, as a new two-part episode by 99% Invisible reveals, it failed miserably. But, like all histories, the story is not as simple as it first appears.

Sou Fujimoto and Coldefy & Associés Architects Urban Planners’ proposal for a pale sweeping canopy enclosing a stacked glazed volume was among the four finalists for the new Palais de justice in Lille, France organized by the Public Agency for Justice’s Real Estate (APIJ). Though the competition drew 139 international proposals, from which OMA was ultimately selected, Fujimoto and Coldefy & Associés' graceful structure was designed to house the high and district courts as well as public spaces within a facility in dialogue with its natural surroundings.

See the full proposal below.

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As part of our 2018 Venice Architecture Biennale coverage we present the proposal for the UAE Pavilion. Below, the participants describe their contribution in their own words.

The National Pavilion UAE will present “Lifescapes Beyond Bigness,” an exhibition exploring human-scale architectural landscapes, at the 2018 Venice Biennale. The exhibition aims to highlight the role of architecture and urban design in forming the choreography of people’s daily routines. It particularly investigates the role of ‘quotidian’ (every day) landscapes in accommodating, enhancing, and facilitating social activities across different places in the UAE.

An “Ice Breaker” is a colloquial term used to connote something that relieves inhibitions or breaks the tension between people. In Toronto, Ice Breakers is an annual international design competition for innovative public works that break up the dreary, seemingly endless winter with engaging, colorful, and humorous installations along the city’s waterfront that encourage spontaneous interaction.

Now in its second year, the 2018 exhibition is produced in partnership between Ports Toronto and the Waterfront BIA to bring five unique structures to life around the theme of “Constellation.” Proposals from enlarged bears inspired by the Ursa Major constellation to giant wind chimes were among those selected from hundreds of entries from all around the world, now on view until February 25.

See all five winning installations below.

OVO Grąbczewscy Architekci's stacked garden-like proposal has been awarded third place in a competition for the new Małopolska Science Center in Krakow, Poland. The competition brief asked for the design of an innovative cultural institution with an iconic architectural form that would represent creativity, openness and independent thinking. As a reflection of both the city and the region, the center is also intended to provide a model for sustainable construction, energy efficiency, and education that inspires immersive visitor engagement.

See the complete design below.

From the greystone of Montreal to the limestone of Jerusalem, every city has its own iconic identity read through the city’s urban fabric. Scanning the architecture of the 1,110-year-old German town of Nördlingen, the timber frame homes, red pitched roofs, and winding streets appear identical in almost every regard to many quaint medieval communities populating the European countryside.

While the town’s appearance in the 1971 classic Willy Wonka and the Chocolate Factory may seem like its most notable claim, there is something entirely unique about the architecture of this south German locale. Nördlingen is literally made of diamonds—millions of microscopic diamonds to be exact—with the town itself constructed within an ancient impact crater.