When applying for an architecture job, you need to make sure you have the perfect portfolio. While a clever and attractive business card might help you initially get a firm's attention, and a well-considered résumé or CV might help you prove your value, in most cases it will be your portfolio that makes or breaks your application. It's your portfolio that practices will use to measure your design sensibilities against the office's own style and to judge whether you match up to the talents claimed in your résumé.

After launching a call for our readers to send us their own portfolios so that we could share the best design ideas with the ArchDaily community, this selection below shows the best of the nearly 200 submissions we received, which were judged not on the quality of the architectural design they showed (though much of it was excellent) but instead the design quality of the portfolio itself. In making the selection, we were looking for attractive graphics, a clear presentation of the work itself, the formulation of a visual identity which permeated both the architectural designs and the portfolio design, and of course that elusive and much-prized attribute: "creativity."

The search has begun for the world’s best building, as the World Architecture Festival launches its annual global awards programme. The 12th edition of the festival will take place in Amsterdam from the 4th to 6th December, where more than 550 architectural and design practices from over 68 countries are expected to compete for category and overall prizes.

Alongside the World Architecture Festival sits its sister festival; INSIDE - World Festival of Interiors. INSIDE is a feast of creativity, inspiration and knowledge for the interiors industry and is now open for awards entries. Comprising the most original and exciting interiors from the last 12 months, projects can be entered across nine diverse categories.

The prolific and varied career of 2019 Pritzker Laureate Arata Isozaki, which includes more than 100 works built on virtually every continent, gives us a huge amount of facts that are relevant to understanding his life and architecture. Considered the first Japanese architect to develop his work on a truly global scale, Isozaki took special care to respond to the context and the specific requirements of each project, expanding the heterogeneity of his work and resulting in a variety of styles from vernacular to high tech.

See below 20 fascinating facts that illuminate his particular genius:

2019 Pritzker Laureate Arata Isozaki has been designing for more than half a century; several of his works are considered architectural classics due to their influence and impact on international design.

His work combines a number of styles, from vernacular to high tech  and organic to brutalist, giving his projects a sculptural and undeniably photogenic appearance. With such richness in design, it is perhaps no wonder that people around the world are excited to photograph his work.

We've selected 23 of the most beautiful photos of Isozaki's work posted to Instagram by users across the globe. Our selection, after the break:

2018 marked a banner year for ArchDaily. Our global audience has continued to grow in leaps and bounds, taking advantage of the nearly 40,000 new articles and 4300 projects added to our site. We are proud and excited to reach readers in every corner of the world, and we savor the opportunity to continue sharing the inspiration, knowledge, and tools needed to design a positive urbanizing world.

We recently shared with our readers the trends that will define the field of architecture in 2019. We are able to confidently identify these trends, not just because of our experience in reporting on them but also due to our data-driven approach. We are committed to listening to and sharing the interests of our readers - and no effort exemplifies this better than our annual Building of the Year awards.

The 2019 edition of BOTY, presented in partnership with Unreal Engine, is a particularly exciting one for ArchDaily, as it marks ten consecutive years of our flagship award program. With the Building of the Year award, we ask you, the reader, to share in the responsibility of recognizing and rewarding the projects making an impact in the profession. In sharing your opinion, you become part of an unbiased and representative network of jurors and peers that have been dedicated to elevating the most relevant projects in the profession of the past decade.

Over the next three weeks, your collective wisdom will whittle the more than 4,000 projects published in the last year to just 15 stand-outs––the best project in each category on ArchDaily.

This is your chance to reward the architecture you love by nominating your favorite for the 2019 Building of the Year Awards!

Opening in the late 1980s after more than ten years of construction, the Slovak Radio Tower is an unmissable feature in the landscape of Bratislava. The building, an inverted pyramid of steel frame construction, was designed by Štefan Svetko, Štefan Ďurkovič, and Barnabáš Kissling during the height of socialist realism.

+ 14

It's a new year, and as we inch closer to February speculation has begun to swirl around who will be named next laureate(s) of the Pritzker Prize. What used to be a somewhat predictable award has become less so in recent years, and if you look at who has won you will realize that anything is possible. Will the jury honor a member of the "old guard," as when they awarded the late Frei Otto? Or will they recognize a young architect, as when they selected Alejandro Aravena?

We want to hear from our readers - not just about who probably will win the prize, but about who should win the prize, and why.

Cast your vote in the poll below  - or add in the dark horses you think deserve the honor in 2019. 

In recent years, solar energy has become a very popular method to power electric vehicles. This emerging technology has motivated the development of new architectural typologies. An evident evolution of traditional gas stations, it could be foreseen that solar-powered charging stations will begin to significantly grow in numbers in our cities in both public and private spaces.

After years of construction, the world's first underwater hotel has officially opened in the Maldives. The hotel, part of the Conrad Maldives Rangali Island, will allow guests to relax within the waters of the Indian Ocean and is touted by the developers as "an ambitious display of architecture, design, and technology."

Airport architecture is a complex typology in which to innovate. Restrictive technical, security, and circulatory requirements force designs along limited (and precedented) paths; little budget is left over to create space for respite, let alone beauty.

Which makes the central space of Safdie Architect's design for Singapore's Changi Airport all the more unusual. Jewel Changi Airport reinvents the public concourse not just as an in-between space for travelers, but as a major public attraction. Public transit form the city passes through the city and the large garden and shopping space within the central dome establishes it as a node for public gathering. In the future, an event space on the north side of the park will host public events for up to 1000 people.

+ 1

To our readers,

As we approach the end of the year, we would once again like to thank you all for making 2018 our best year yet. With your continued support, we are now reaching more architects around the globe than ever, and inspiring them in the creation of better urban environments for all.

Architecture has long proved an inspiration to musicians, with artists as diverse as Art Garfunkel and Kanye all drawing (so to speak) from the field. Some musicians even began their professional careers as architects - Weird Al, Ice Cube, and three of Pink Floyd's founding members among them.

Videos

A month after the event, the various nominees of 2018's World Architecture Festival have returned to their home cities, leaving the fanfare of the year's event in Amsterdam as a memory. But that's not to say it's not left a lasting impact.

If asked about comfort, what is the first thing that comes to mind? Luxurious finishes, plush chairs and sleek interiors? Few would think of their office, and the likely culprit is a fundamental ignorance of an alternative definition of comfort. When defined as a state of physical well-being derived from the provisions that are necessary for occupants to perform space-specific tasks, it’s apparent that architects play a key role--and that comfort is not just about spaces that are comfortable for leisure activities.

Architects and designers are responsible for the visual, thermal and acoustic qualities of spaces, not to mention the indoor air quality of our offices and homes. This is fundamental considering that the typical 21st century urbanite spends an average of 90% of time indoors. We constantly experience physical, psychological and physiological consequences of the balance (or imbalance) of indoor environmental design .

With this in mind, thermal comfort seems obvious (and it is) but unfortunately comfort as a holistic goal of architecture has not been taken seriously enough. Beyond measuring the acoustic and visual aspects of a built space, architects must have a solid understanding of the underlying concepts that drive the best practices. A solid grasp on how material selections will affect qualitative assessments of conferences rooms, homes, theaters, etc. can improve basic tectonic decision making that can, in turn, create more comfortable spaces.