This week’s curated selection of Best Unbuilt Architecture highlights private villas submitted by the ArchDaily community. From a Mediterranean retreat in Greece to a one-person residence in Iran, this round up of unbuilt projects showcases how architects design private villas that combine contextuality and functionality in structures that promote comfort, privacy, and connection to nature. The article includes projects from Indonesia, Greece, Iran, and Jordan.
With the onset of the 2020s, Gen Z is noticeably claiming their place in the world with bold perspectives and even bolder aesthetics. Gen Z proudly experiments with their identities, having grown up on an opinionated internet and through confusing lockdowns. They're bringing in a culture shift with organic shapes, colorful elements, and clashing patterns dominating art, media, fashion, and interior design. The trend is pushing away once-reigning minimalism, shouting Venturi's Less is a Bore.
In a time where housing prices are unattainable and residents are looking to downsize their homes more than ever, enter the concept of Accessory Dwelling Units (ADUs). These small and highly customizable homes are taking backyards across the United States by storm, enabling homeowners to build homes on their land, and rent them out to tenants.
Flexibility within a space emerges as an architectural concept that follows society’s transformations. As the American architect Frank Lloyd Wright said, “Architecture is life, or at least as it was lived in the world yesterday, as it is lived today or ever will be lived.” In that sense, changing a kitchen’s layout goes further than its aesthetic adjustments; it reflects the way people are living. Opening the traditional closed kitchen creates a more flexible space in which different activities share a visual connection without structural barriers.
The withdrawal of kitchen walls allows for increased interaction within areas and gives way to fluidity throughout the space. The design of an open kitchen involves using specific types of products - each with their own material, style and use - that adapt to a home’s dimensions and needs. In this article, we provide a selection of products which can be found in Architonic’s ‘Kitchen’ category.
The tiny home trend has been hard to ignore over the last several years. There's an increasingly saturated market of TV shows and Pinterest pictures dedicated to the topic of exploring micro-dwellings where your home is reduced to the size of a walk-in closet and each room takes on a triple-duty programmatic role has only increased its popularity. What looks enticing on reality TV is often much less desirable in real life, and as people continue to long for a lifestyle that frees them of material goods and the ability to travel, what does this mean for the actuality of tiny home construction? Is it just a wanderlust fantasy that no one actually lives and was there ever any promise to its realization in the mainstream world?
This article was originally published on Common Edge.
Jim Polshek, who died at 92 last week, was an award-winning architect (AIA Gold Medal, 2018), designer, public advocate, and educator (architecture dean at Columbia, 1973–1987). He was a Midwesterner, born in Akron, Ohio, who went on to open his own practice in 1963, when he founded James Stewart Polshek Architects. Ultimately, the practice became internationally recognized as Polshek Partnership Architects. In 2010, the partners renamed the firm Ennead Architects, and he remained involved as a design consultant.
There is an unusual story involving railings during World War II. To meet the demand for ammunition, ships and vehicles for battle, various fences and railings in the city of London were removed for repurposing. The real fate of these pieces, however, is unclear: some say they ended up being dumped into the Thames river or became ballasts for ships, as they couldn't be recycled. The reason was that they were all made of cast iron at the time, making them difficult to reuse; unlike the large amount of materials and designs available today. Their functions, however, have not changed: railings provide protection to occupants and can be prominent elements in architecture. In this article, we explain how to specify and design different types of railings, according to the different materials available.
The marquee-busting title says it all: Joseph Giovannini’s Architecture Unbound is an ambitious attempt to explore the wilder shores of design and explain how and why maverick architects have dared greatly. It’s also a wide-ranging introduction to artists who laid the groundwork for architectural innovation a century ago; to the philosophers and theorists who mapped new ways of thinking, and to the complexities of chaos theory, parametric and software programs that have shaped exceptional buildings over the past few decades.
Jean-Luc Godard, through his films, talks about architecture almost as easily as he talks about cinema itself. In honor of the nouvelle vague icon, who passed away today at the age of 91, we revisit How Architecture Speaks Through Cinema.
There are several ways of making films. Like Jean Renoir and Robert Bresson, who make music. Like Sergei Eisenstein, who paints. Like Stroheim, who wrote sound novels in silent days. Like Alain Resnais, who sculpts. And like Socrates, Rossellini I mean, who creates philosophy. The cinema, in other words, can be everything at once, both judge and litigant. — Jean-Luc Godard [1]
Next to a wall or in the corner of a room, most sofas seem relegated to lean against the only available wall in a space, preferably with a TV in front. As they are usually very large pieces of furniture, they can be complicated pieces to integrate into a room. In consequence, a sofa might end up "stiffening" a space, restricting movement and compromising flexibility – an increasingly important aspect for interiors – in a room. This is why the sofa can be considered an anchor piece in interior design; an element whose placement will probably not change throughout time, and that will certainly have an impact on the other elements within a space.
Modular sofas, however, give flexibility and versatility to an otherwise rigid piece. Made of separate parts, they can adopt several shapes and sizes, creating different ambiances and completely changing the layout and distribution of an environment. In this article, we showcase some modular sofa options – and how they can add dynamism to interior spaces – with product examples from the Architonic catalog.
The real estate industry moves fast. It wasn’t so long ago that potential buyers narrowed their searches by driving around with a sheaf of printed listings, and designers and builders relied on CAD drawings and artist renderings to show yet-to-be-built spaces. Nowadays, advances in graphics technology have brought us interactive 3D renderings, making it easier for investors, buyers, and other stakeholders to truly understand the designs they’re looking at.
Following on from these advances, we’re also seeing technology that can excite and entice buyers, like sales configurators and interactive tours, where visitors can choose finishes and design their own spaces right before their eyes; virtual reality experiences, where architects can get feedback from investors on design at key stages of the process; shadow studies, where potential occupants can see how a space will be affected by sunlight at various times of day; and digital twins, where cities can get a true idea of a building’s usage, which leads to new ways to optimize efficiencies and design better spaces for residents.
At sunrise and sunset, the low sun bursts into interior spaces to flood them with joy like no ceiling or wall fixture can. Those times, however, are fleeting and difficult to catch amongst a heavy schedule.
The great debate wages on: how do we design and build a modern city in a way that everyone will benefit? Traditionally, you’re on one side of the urban war. You’re either a NIMBY, which stands for “Not In My Backyard”, meaning you oppose new development in your neighborhood, or you’re a YIMBY, who says “Yes In My Backyard”, and are pro-development, for one reason or another. But these blanket acronyms don’t describe the real issues that cause people to position themselves on one side of the never-ending tug-of-war between “No! Don’t build that!” and “Yes! Build that!”
Boston architect Brian Healy moved around for his early career, before settling and building in New England. He had studios in Florida, California, and New York, eventually opening his office in Boston. Healy acquired his bachelor’s degree in architecture at the Pennsylvania State University in 1978 and continued his studies at Yale where he encountered such influential professors as James Stirling, Vincent Scully, John Hejduk, Aldo Rossi, and Cesar Pelli, among others.
Healy graduated with a Master of Architecture in 1981 and then used traveling scholarship money from Yale, the Van Allen Institute, and the American Academy in Rome to travel around the world for a year, exploring ancient ruins in Ireland, Italy, Greece, Sudan, Egypt, India, Nepal, and Thailand. Prior to the trip, he had worked at the offices of Charles Moore and Cesar Pelli. Upon his return, he designed and built homes in Florida before working for Richard Meier in New York. In 1985, he started Brian Healy Architects. Parallel to that he taught at over twenty universities across North America, including Yale, Harvard, MIT, and the University of Pennsylvania. Healy was the 2004 president of the Boston Society of Architects and, from 2011-2014 he served as Design Director at Perkins + Will.
Building performance is a hallmark of architecture in the 21st century. With buildings and the construction industry being significant contributors to carbon emissions, designers must do everything to reduce their buildings’ energy consumption and carbon footprints. Moreover, buildings need to contribute to a positive occupant experience, improving the health and productivity of their users through enhanced visual and thermal comfort and air quality. Today’s buildings are also expected to perform outside their physical boundaries and positively impact surrounding communities; by reducing their contributions to local heat islands and stormwater runoff, and supporting local green economies and sustainable systems.
With high-performance design goals becoming a standard benchmark for buildings, designers must identify the high-performance aspects they want to design for and set targets for key performance metrics. By tracking a building’s performance at each design stage through various simulations, building performance analyses provide a road map that gradually connects its predicted performance to its target values.
After two years of disrupted cycles of architecture events, due to the pandemic, 2022 has been witnessing a resurgence: biennials, triennials, design weeks, and festivals are back in the picture, with bigger interrogations and larger thematic approaches, aligned with the challenges of the world.
Relevant today more than ever, these happenings scattered around the globe are tackling climate-related issues, urban problems, as well as concerns engendered by covid-19 such as resilience, models of living, future of design, and the unknown.
Sheltering is a fundamental issue in Architecture. The ways of living and interacting with the space in which we spend our daily lives is an everlasting debate in the field, which is committed to providing a better quality of life, but also to developing new ways of living. By adding other aspects such as real estate speculation, high housing density in urban centers, the pursuit of nomadism, or even the sheer desire to follow a trend, the debate around small-scale houses becomes even more relevant. And so, we ask ourselves, what is the smallest area required to live in?
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by architect and entrepreneur Matthias Hollwich, Founding Principal of HWKN and Co-founder of Architizer, to discuss his upbringing in Germany; working for high-profile offices such as DS+R, OMA, and Eisenman Architects; taking a break from architecture; co-founding Architizer during the 2008 recession; HWKN’s beginnings, ups and downs, and milestone events; and more.
Bees are perhaps the insects that most arouse our fascination and curiosity. With the exception of Antarctica, they are found on all continents, in all habitats that contain insect-pollinated flowering plants. Representations of humans collecting honey from wild bees date back to 15,000 years ago, and pots of honey have even been found in the tombs of Egyptian pharaohs like Tutankhamen. Although we generally have a fixed idea about what cartoon bees look like, there are thousands of species around the world, with different sizes, colors and behaviors. There are even several examples of solitary bees, many without stingers, and even some species that survive by plundering other weaker colonies. But something that has consistently impressed researchers is the organization of their hives, which are truly highly populated cities with an efficiency to make any urban planner envious.
Some of the most characteristic features of city squares are related to the presence of people in the space and the purposes they are given, such as places for socializing, sports, tourism, and demonstrations. These different uses, often not foreseen in the project, are closely associated with the ground level, where people can walk around and experience the space. Viewed from an aerial perspective, on the other hand, squares can reveal other aspects related to their architectural design and their placement in the urban context.
As a response to this rapidly changing world, flexibility has become a top priority in contemporary interior design. That explains, for example, the growing demand for spacious and multifunctional spaces over rigid, enclosed floor plans –as is the case of the open kitchen trend. This shift in spatial needs suggests that designing for the present and the future is about creating spaces that can easily adapt to many uses: one day, a room may be destined for a big event; another day, it may be needed for smaller, more private environments. Therefore, materials, products and other interior design elements must respond accordingly, integrating technology and innovation to create flexible, yet functional spaces.
This article was originally published on Common Edge.
The passage of the Biden Administration’s climate change package, the so-called “Inflation Reduction Act,” has predictably split along partisan lines, with Republicans characterizing the bill as an act of reckless government spending, certain to raise taxes and fuel further inflation. But does this act really represent reckless spending? The legislation authorizes $430 billion in spending, the bulk of which—more than $300 billion—is earmarked for tax credits; other spending, and initiatives aimed at stimulating the clean energy economy; and reducing carbon emissions. (The bill also allows Medicare to negotiate prices with drug companies for certain expensive drugs.) The bill is funded in part by a 15% minimum tax on large corporations and an excise tax on companies that repurchase shares of their own stock. Given the scope of the problem, and the escalating future costs of climate inaction, this legislation is an exceedingly modest, but very necessary, first step.
Every year, the Concéntrico festival in Logroño, Spain, brings together architects and designers from all over the world with the hope of employing creativity to create a better city. During this year's event, a few overarching themes could be observed as critical points of interest for the participating architects and designers. Many urban installations hoped to help citizens rediscover places of interest in their city and beyond, while others challenged the often-fixed ideas of what a home can and should look and function. Many designers saw opportunities in the concept of unstructured play, as the exploratory activity can activate unused public spaces and engage people of all ages.
Since 2015, the Concéntrico festival has presented 91 installations and pavilions during its seven editions. The festival is primarily known for bringing together emerging architects and designers who are given the freedom to experiment with new fields of environmental design. The festival is organized by the Cultural Foundation of the Architects of La Rioja together with Javier Peña Ibáñez, promoter of the initiative, in collaboration with the Logroño City Council, the Government of La Rioja, Garnica and Bodegas LAN, and 30 other supporting institutions.
