The architectural practice has always been rooted in what people now call “human-centered design”. The term, coined by Irish engineer Mike Cooley in his 1987 publication “Human-Centred Systems” describes a design approach around identifying people’s needs and solving the right problem with simple interventions. Architecture balances between being aesthetic art and practical design. With multiple collaborators and goals for the project, the needs of the end-user often get compromised in the design process. To help architects better design for people, new methodologies may be inspired by human-centered design techniques developed by user experience (UX) designers.

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Videos

The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.

This week David and Marina are joined by Architect Greg Faulkner, founder & director of Faulkner Architects to discuss his background as a design engineer in the aircraft industry; his tools and process; working with the site; his design philosophies and architectural truths; running and maintaining a small-sized practice; collaborating with Tom Kundig to design his house; and more.

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In almost every Indian language, a colloquial term for “family” - ghar wale in Hindi, for example - literally translates to “the ones in (my) house”. Traditionally, Indian homes would shelter generations of a family together under one roof, forming close-knit neighborhoods of relatives and friends. The residential architecture was therefore influenced by the needs of the joint family system. Spaces for social interaction are pivotal in collective housing, apart from structures that adapt to the changing needs of each family. The nuanced relationship between culture, traditions, and architecture beautifully manifests in the spatial syntax of Indian housing. 

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When developing a project, an architect needs to deal with numerous decisions: Does the building correspond with the client's requirements? Can the contractors build it without problems? Are the costs what were initially expected? Does the project have a good relationship with its surroundings? How will it age? To figure all of this out, the professional must take into account several issues that will both influence each other and directly affect the final product. Among these, the chosen materials and constructive techniques play an essential role, as these elements are what give shape to the designer's vision and can influence factors such as the accessibility or the environmental impact of a building.

However, being well-versed in all the options, advantages and disadvantages of each decision is a herculean task that demands resources, research and time - factors that are usually scarce in our profession. Under the motto “What is good architecture”, we have compiled a series of articles that exemplify best practices in the use of constructive materials and techniques, seeking to cover as much ground as possible for all types of questions:

This article was originally published on Common Edge.

Theodore Prudon, the founding president of Docomomo US, recently stepped down as the organization’s head. (Robert Meckfessel is the new president.) “Docomomo” is shorthand for the group’s mission: the documentation and conservation of buildings, sites, and neighborhoods of the Modern movement. Prudon has had a storied career as a preservationist, architect, and educator, heading his own practice and teaching at Columbia University. In October, he was presented with the Connecticut Architecture Foundation’s Distinguished Leadership Award at the newly reborn Marcel Breuer building in New Haven, which began its life in 1970 as the Pirelli Tire Building and is now the Hotel Marcel (designed, planned, and developed by architect Bruce Redman Becker).

The World Health Organization defines health as “a state of complete physical, mental and social well-being.” If one or more of these aspects are compromised, quality of life and happiness can be severely affected. In recent years, and particularly during the COVID-19 pandemic, this has proved to be especially challenging. Commuting restrictions forced many to stay indoors and businesses to pause in-person operations, aiming to prevent the virus from spreading but inevitably sacrificing psychological, emotional, and even physical health in the process. As a result, people’s lifestyles shifted to find new ways to address their well-being, including adapting their living spaces accordingly. Home gyms, for example, became a popular initiative.

Combining high style with low maintenance, Corian® Design’s Solid Surface aids designers and architects to create healthy spaces for complete peace of mind. designboom and ArchDaily continues its three-part webinar series with the material producer, this time to explore the future of healthcare facilities. Including Studio Fluid, Operamed and NOAS Sweden, leading architectural and design experts join the conversation which can be watched live – register here.

Design for assembly (DFA) is hardly new. Thonet’s 1859 No. 14 chair, when disassembled, could be shipped in batches of 36 per 40-square-inch box.

Those cost savings tied to DFA are still valuable. And as it helped revolutionize shipping in the industrial era, it now carries prestige as a powerful carbon-reduction tool. In fact, DFA is currently the distinguishing feature of at least six highly visible product launches among commercial furniture manufacturers in just the past year.

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Windows and doors dictate the relationship between interiors and exteriors in buildings, helping to either integrate or separate them. They are also important components in architecture that can add to a façade's composition, balance and rhythm, while fulfilling its main function: to protect the interiors and serve as a barrier to the weather. While the first windows were composed of reduced spans and small glass panes with heavy frames, today there are almost invisible options that easily adapt to any type of project. It is up to the designers to choose among the various possibilities of materials, operations, colors and finishes.

Low Hammond Rowe is an architecture firm from Victoria, Canada who are discovering that switching to a new design software can provide them with amazing results. You’ll read about how the firm continues business operation during the switch as well as how they’re realizing undeniable efficiencies that save them time and money.

In the complex trade of architecture and construction, you are never alone. And behind every great building there is a strong team of professionals combining their expertise. 

Hanif Kara OBE is a structural engineer and one of the founders of AKT II, one of the top engineering firms in the world. Based in London, he has been closely collaborating with some of the world’s most innovative architects, including Grafton Architects, David Chipperfield, Norman Foster, BIG, Zaha Hadid, Thomas Heatherwick, and many more.

Notable projects include the Kingston University Town House by Grafton Architects, the Bloomberg HQ by Foster + Partners and the Peckham Library by Will Alsop, all recognized with the RIBA Stirling Prize, and the recently completed Twist Museum by BIG, LSE Marshall Building by Grafton Architects, and 404 One Park Drive by Herzog & de Meuron.

With different shapes, sizes, and styles suiting different locations, functions, and personalities, mirrors can be used as points of self-reflection for dressing and beautifying, but also for multiplying light and space in naturally dark or narrow environments, or simply as strikingly decorative objects. Here are the right questions to ask when lost.

Many associate bathrooms with small, simple and practical rooms with no defining design characteristics. Historically, they have been conceived as merely functional environments strictly programmed for hygiene, privacy and ease of maintenance –often with no room for creativity. But as lifestyle changes have placed health and wellness as a top priority, contemporary bathroom design has been reimagined accordingly, shifting towards spacious personal retreats intended for comfort, relaxation and recuperation; an escape from a chaotic outside world. Because we tend to spend most of our time inside the home, many recent discussions naturally revolve around residential bathrooms, overlooking another setting where we also spend a significant number of hours in (around one third of our lives to be exact): the workplace.

Few materials offer the design flexibility of high-performance glass to help achieve energy efficiency, and often without compromising aesthetics. It can be beautiful yet versatile, innovative yet timeless, able to inspire but also help save energy and promote well-being. Guardian Glass's new eBook introduces some important topics that begin to demonstrate how glass can do this.

Historical buildings are both a connection between the past and the present, and a way to preserve local memory and culture. They are witnesses of a past era and living examples of specific constructive techniques, styles and materials from another time. Maintaining them is therefore essential in making local communities feel a sense of belonging and shared history, especially if the building is a meeting place in itself, like a church. This is the case of Calvary Episcopal Church – located in the city of Burnt Hills, New York –, a wooden frame construction completed in 1849 that survived a large fire in 1967. In the prominent bell tower, severe leaks became so common that it was feared the structure and 1,000-pound bell were on the brink of collapse. To remedy the situation while maintaining its familiar, signature look, the decision was to use PVC materials, known for their durability. 

Imagine the daily life of an architect today. There is a demand for a new project, a blank canvas full of countless possibilities. The creative delight is about to be started. The main constraints are established: brief, analysis of the terrain and surroundings, solar orientation and prevailing winds. The first sketches are created, always combined with structural knowledge, even if basic, fundamentally determining for those who live in the gravitational acceleration of 9.807 m/s².

But what if only the brief remains among these basic premises?

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Thinking about woodworking in wet areas is one of the key parts of interior design. In the case of bathrooms, besides creating spaces for storing toiletries or towels, woodworking can serve as an element that composes the space by bringing different possibilities of decoration or even hiding pipes.

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This week’s curated selection of Best Unbuilt Architecture highlights projects submitted by established firms. From a museum dedicated to Jewish history to a high-speed railway hub and a university student center, the following selection showcases a variety of concepts, design approaches, and programs developed by global architecture offices.

Featuring firms like KPF, Aedas, Fala Atelier, ADP Architecten, and Peter Pichler Architects, this week's selection of unbuilt projects explore architectural and urban interventions at different scales and at varying stages of their development. Whether conceptual works or ongoing, planned for execution, and even under construction, each project aims to offer an appropriate response to the spatial, functional, social, and environmental needs of its context.

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It’s an essential component of the design process, where spatial ideations are translated into built form – the design of the prototype. Architectural projects, throughout history and in contemporary practice, have been prototyped to carry out both technical and aesthetic tests, where further insight is gained into the integrity of the design. It’s the blurred line between the experimental and the practical.

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The Great Wars of the early 20th century brought several social transformations, including the introduction of women into the labor market. Decades later, work dynamics are different, but the market continues to reinforce the division of labor by gender and to explore the triple shift. However, there are gaps for possible transformations.