With frames and surrounding waterproof panels in any colour to match or contrast the surrounding decor, shower enclosures like Eterna from Samo are a useful tool in bathroom design. Image Courtesy of Samo
I’ve written before about my preference for showers over baths in the sanitation stakes. An instant hit of hygiene therapy, they’re quicker, cleaner, more energy efficient, and use less water than their horizontal siblings.
Thankfully, I’m not in the minority. Shower popularity means there’s a huge range of shapes, sizes, and types on the market. However, bathroom planning can be exhausting with so many to choose from. Here are six simple questions to ask when looking for the perfect shower enclosure to fit any type of space, lifestyle, or preference.
When people describe the modernist movement as a whole, they broadly reference the steel and glass skyscrapers which dot many of our cities’ skylines, or more specifically, the International Style that once emerged from Europe after World War I. The International Style represented technological and industrial progress and a renaissance of social constructs that would forever influence the way that we think about the use of space across all scales. Often designed as politically charged buildings seeking to make a statement towards totalitarian governments, many architects who influenced the style moved to the United States after World War II, paving the way for some of the most iconic buildings and skyscrapers to be built in the 20th century.
As farmers water crops by moonlight, undocumented children head to school and villagers scan the sky for surveillance airplanes—these are glimpses of a complex culture that emerges in south Lebanon after dark. In collecting some of these nightly practices, Mohamad Nahleh—lecturer in architecture and urbanism at MIT—journeyed across the landscapes of Jabal ‘Amil hoping to build a new alliance between architecture and the night. His "Path of Nightrise" research has turned into a construction to revive a forgotten river path and was published by Places Journal. The interview with Nahleh argues for a new nocturnal imagination in design and reveals, not only how the night has changed in Lebanon over time, but also how he has changed alongside it.
When streets lay empty, sidewalks untouched, and shutters hung heavy, the city seems lost of life. When businesses close, offices go remote and economic activity declines, the mechanisms that operate a city are idle. Vacant space and land are often perceived as “failed”, reflecting urban decline and economic blight. Emptiness, however, holds hope for possibilities and change. When urban voids are at the brink of transformation, what happens in the meanwhile?
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AXOR Citterio E I AXOR Starck Shower Column. Image Courtesy of AXOR
Hadi Teherani approaches his architecture and design projects holistically. Born in Teheran and raised in Hamburg, he is a prolific and versatile designer whose works can be found in Germany and all over the world. His projects have been recognized with internationally renowned awards for their ecologically-sound sustainability and holistic approach. Maybe that’s the reason for his constant stream of ideas: he sees the process of creation as a reaction to what he sees, senses and feels.
Designing from personal perception and inspiration, Teherani's bathroom concept for the AXOR DISTINCTIVE project was born. When asked by the brand how he would define his very personal “bathroom with personality”, the architect answered with a design that reflects an individual idea of this space, derived from this self-image — in its daily use, its design and its furnishing.
The banker Orozimbo Roxo Loureiro created the 500 Club in the early 1950s. It followed the lines of the former 200 Club, founded by President Washington Luís to bring together influential politicians and businessmen away from the spotlight of capital cities. The initial idea of a social club did not prosper, and Orozimbo decided to develop a commercial and tourist enterprise in the area, which is well positioned between the two largest Brazilian cities.
Sustainability needs to go further beyond inspiring speeches and promises, with visible, concrete actions. In order to see this change, it is essential for individuals, companies and governments to take responsibility and act in a sustainable manner in their daily lives and practices. By taking into account the environmental and social impacts of their decisions and seeking more conscious and responsible alternatives, they can take steps to ensure a sustainable future for the next generations. In the construction industry this is even more urgent. Responsible for a large amount of solid waste and greenhouse gas emissions, it is essential for this industry to adopt sustainable practices, such as recycling, to minimize environmental impacts.
However, even though product recycling processes have significantly advanced in recent years, there are still certain challenges associated with the use of recycled materials. This is due to a variety of factors, such as performance and durability, or even due to the difficulty of obtaining suitable raw materials. But there are also successful examples that show the possibilities of recycled materials.
Walking through the streets of Mumbai, India, is an experience unmatched anywhere else. The energy of India’s largest and most populous city is palpable through the people, their activities, and most importantly, the built environment. The city’s dynamic culture is evidently expressed through the structures that dot its landscape.
Mumbai is an eclectic mix of buildings large and small, old and new, and traditional and modern. The city of contrasts boasts an architectural legacy that goes back over 2000 years. Located in the state of Maharashtra along the west coast of India, Mumbai hosts a variety of architectural styles such as Victorian, Gothic, Art Deco, Indo-Saracenic, Modern and Post-modern. The city is characterized by its old charm and liveliness, a diverse stage for people to pursue their dreams.
Kampung Admiralty / Ramboll Studio Dreiseitl and WOHA. Image Courtesy of WOHA
A heavily cited fact within the architecture industry is that the built environment accounts for 40% of global carbon emissions. The concerning statistic puts immense responsibility on construction professionals. The idea of sustainability in architecture urgently emerged as a way of bandaging environmental damage. A wide range of sustainability practices aims no higher than making buildings “less bad”, serving as inadequate measures for current and future architecture. The problem with sustainable architecture is that it stops with ‘sustaining’.
In order to maintain the current state of the environment, the architecture community has been working towards greener means of production. Conventionally, a green building employs active or passive features as a tool for reduction and conservation. Most sustainable designs view buildings as a vessel of their own rather than integrated parts of their ecosystem. With the planet’s current needs, this approach is not enough. It is not enough to sustain the natural environment, but also restore its processes.
Taking care of a plant is not always easy. There are species that must be watered daily, while others can go for a longer period without any contact with water. By looking for the latter, it is possible to design landscaping that considerably reduces maintenance - including the amount of pruning and watering, for example - and water consumption, making it easier for greenery to exist without major headaches: a dry garden.
Country houses usually are found in remote areas, therefore, they often demand placement strategies that respect the context and dialogue with the landscape while bringing more thermal comfort and natural lighting. Most of the time, these solutions bring passive strategies that, along with the choice of materials and construction techniques, can provide an even more sustainable project. Get to know seven Brazilian residences that are examples of this theme.
Over the last few years, bike share systems experienced a renaissance as the pandemic forced a hard decline in other forms of public transportation like trains and commercial flights where people wanted to avoid close contact with strangers. While ridership is now on a slow decline, since much of the “normal life” aspects have returned, many people continue to see bike shares as a viable means of transportation, lured by the ease and affordability of getting from place to place.
The roof is one of the most essential structural elements of nearly every construction. It is the element that allows a delineated space to transform into one that feels protected. Strongly related to the climatic conditions of the context, the roof's variations in aesthetic and structural design have allowed architects to indulge their stylistic preoccupations to convert roofs not only into elements of closure and climate protection but into a character-giving feature that lends identity and flair – especially when the roof becomes a wall.
Following this opportunity, we want to highlight great examples of roofs that also become walls: 13 houses in which the roof completes the façade, delineating not only the interior in its vertical sense but also in the horizontal one.
In the 1956 competition to design the city of Brasilia, Lucio Costa's proposal differed significantly from his competitors'. In contrast with the detailed plans and well-designed perspectives of the other competitors, the winning proposal presented the minimum required by the tender: a drawing of the pilot plan and a report. In the report, a few simple drawings supported the text, demonstrating the architect's ability to synthesize ideas in a few lines.
Having the ability to express an idea through drawing facilitates the design process for an architect or designer, whether it is to develop the concepts, or even to represent the building. A good sketch should be easy to understand, even for those without technical knowledge, and provides a visual representation of the important elements of a project, such as spaces, dimensions, circulation and relationships between elements. Although most architects now master three-dimensional tools and hand sketches are no longer indispensable, there are tools that combine several new functionalities with the good old act of drawing.
There are several constructive technologies to configure the structural system of a building. From the 1960s onwards, the adoption of techniques that enabled the interaction between different materials became increasingly common, diversifying the design language and seeking the main advantages each element has to face certain situations. Over the years, some mix concrete, wood, stones or steel.
For the past year, I have been in conversation with architects and designers who are involved in the creation of immersive environments. They see themselves as naturally responsible for leading the construction of these environments, and this should serve as a reminder that architects have the potential to take on this role.
Despite how obvious it might sound, the metaverse has mostly been designed by developers and graphic designers, Therefore, it should work as a wake-up call for architects to be involved since they have skills particularly apt for it.
Whether the metaverse can be utilized as a narrative to claim a changing role for architects remains to be seen, but 2023 could be the year.
In 2018, the Roman neighborhood of San Lorenzo hit the headlines when a young girl was found dead in a derelict building. The media focused on the area’s decline, ignoring its long political and cultural history. Known as a “red” territory, San Lorenzo was one of the few districts to resist Mussolini’s 1922 March on Rome. Built in the late 19th century to house a working-class population of artisans as well as rail and factory workers, there’s a gritty feel to the neighborhood, defined by remnants of its industrial past and buildings that still bear the scars of Allied bombing in World War II. This small, centrally located neighborhood is wedged between Termini, the main train station, Verano, the monumental cemetery opened in 1812, and the Città Universitaria La Sapienza (La Sapienza University).
https://www.archdaily.com/997358/romes-possible-city-and-the-gentrification-battle-in-san-lorenzoMarina Engel
Artificial lighting offers a range of strategies for interior design. Widely used in commercial projects and restaurants as an aesthetic device to attract customers and to create environments that stimulate the senses, it can transform rooms and create cozy and well-lit places in residential projects.
In the contemporary context, as has been said a multitude of times, we seem to be living in what is classified as a digital age. A worldwide pandemic has enhanced the popularity of digital avenues to communicate — such as Microsoft Teams and Zoom, and the multiplatform messaging app WhatsApp is reported to have over 2 billion active users. From an environmental standpoint, we see the migration of businesses to the “cloud” heralded as a sustainability win. In simplified terms and to pick out a specific example, companies can refrain from storing data on external hard drives, opting instead to store their data on online file hosting services.
Form and function. Terms that accompany several definitions that belong to architecture, but more is needed to summarize the practice in 2023. Nowadays, building involves understanding the cycles of materials and how each action can be linked to the extraction of natural resources and their damage to the environment. We live in an urgent need to review the way we produce built space. In this search for models that move away from linear systems and provide a constant process of transformation and redistribution of matter, strategies arising from the circular economy emerge as a possible path. Its application in architectural heritage – for maintenance or restoration – can incentive the necessary changes toward a more sustainable society.
No topic permeates more areas of society today than concerns about the global climate in the coming decades. How extreme will it become and above all how can we adapt as quickly as possible to better cope with and manage the situation? Because one thing is certain: The last hundred years could be characterised with the words 'too much' – in relation to emissions, resource consumption and imbalance in nature. Driven by the internationally declared motivation to limit climate change, the industry is reacting with determination and recognising the crisis as an opportunity.
HeartFelt® Linear. Image Courtesy of Hunter Douglas & Inteco
Every day, architects and designers tackle an ambitious task: crafting spaces that not only captivate the eye but that also nurture the health and well-being of those who inhabit them. A key part of this mission involves implementing design strategies that foster a pleasant indoor climate, as temperature, humidity and air quality all have a significant impact on users’ mood, productivity and overall health. Humans simply operate better if they are comfortable and content in their home or working environment. Although air-conditioning, ventilation and heating systems have conventionally served as popular solutions to regulate indoor climate, they often carry with them undesirable consequences –the presence of dust and bacteria, the need for regular maintenance and a cluttered, unappealing look. There is, however, an alternative solution.
Better for sight, better for eyes, better for health, and better for moods, natural light is understandably the majority’s favored method of illumination, but it’s an uncontrollable resource. It can be increased with larger windows, open-plan interiors, and reflective or light-hued surfaces, but ultimately, when those cold winter nights draw in, the majority of our time is spent fumbling around in the dark.
It’s not all doom and gloom, however. Well-thought-out lighting concepts can entirely transform an interior environment. This home in Japan, for example, highlights its architectural features with hidden lighting, bringing them to life at night, while this small-scale showroom cinema also uses indirect lighting strips to graphically define its interior.
The International Placemaking Week, presented by Project for Public Spaces (PPS) is an inspiring and engaging event designed as a global gathering of placemakers from different sectors to discuss thoughts and share strategies in order to push forward the concept of placemaking in the host city and on an international level. Previous editions took place in Vancouver in 2016, Amsterdam in 2017, and Chattanooga, Tennessee in 2019.
PPS, the nonprofit organization behind Placemaking Week, helps people create and sustain public spaces that build strong communities. In 1999, they elaborated “How to turn a place around”, a book that defined the placemaking movement, creating a guideline of 11 principles to follow in order to create vibrant community spaces.
