museum of a rainforest. Image Courtesy of Ralph Appelbaum Associates
This article is the sixth in a series focusing on the Architecture of the Metaverse. ArchDaily has collaborated with John Marx, AIA, the founding design principal and Chief Artistic Officer of Form4 Architecture, to bring you monthly articles that seek to define the Metaverse, convey the potential of this new realm as well as understand its constraints.
Artificial Intelligence is at the genesis of creating fundamental changes in the way we design and construct buildings and cities. Some of these changes will be abrupt and disruptive to normative practice. Others will take more time to feel the effect of this new technology, but the change will be pervasive. When combined with the Metaverse, AI will also offer vast opportunities for the profession to expand and grow. The kinds of spaces and environments we design in the Metaverse will be, in some aspects, very different from what we currently design in the physical world alone. AI evolves every day, and we are compelled to learn while we innovate. AI has proven it is a powerful tool to assist designers and offers the potential to challenge us to alter our design process. Combining AI with narrative design is one of those challenges.
Humanity has become obsessed with breaking its limits, creating new records only to break them again and again. In fact, our cities’ skylines have always been defined by those in power during every period in history. At one point churches left their mark, followed by public institutions and in the last few decades, it's commercial skyscrapers that continue to stretch taller and taller.
The Council on Tall Buildings and Urban Habitat (CTBUH) has developed its own system for classifying tall buildings, stating that the Burj Khalifa (828 m.) is the world’s tallest building right now. Read on for the 25 tallest buildings in the world today.
The city of Mendoza, Argentina, hosted the international event known as the "Feria de América," an industrial and continental exhibition that took place from January to April 1954. To provide a suitable setting for the exhibition, 30 hectares of land were allocated around the perimeter of Lake Parque General San Martín. Here, 93 pavilions and nearly 20 facilities were set up, including the Allegorical Tower, an open-air theater, and bars. The American countries represented with their own pavilions were Brazil, Chile, Ecuador, and Paraguay. There was also a large pavilion that housed various Latin American countries such as Colombia, Cuba, Bolivia, El Salvador, Honduras, and Mexico, along with stands for Chilean and local Mendoza-based companies and provincial pavilions for Mendoza, San Juan, Misiones, La Rioja, Eva Perón (now La Pampa), Juan Domingo Perón (now Chaco), Córdoba, Corrientes, Santa Fe, Tucumán, and Buenos Aires. Additionally, there were stands and premises for various trade chambers (Quiroga, 2012). The fair embodied the government's aspiration to showcase a thriving, prosperous Argentina that was connected to regional countries and at the forefront of industrial development.
https://www.archdaily.com/1008478/modernity-in-mendoza-pavilion-24-at-the-feria-de-america-international-exhibitionPablo F. Bianchi
Recent statistics suggest that if someone lives until they are 80, around 72 of those years will be spent inside buildings. This makes sense if we bear in mind that, when not at home, humans are working, learning or engaging in fun activities mostly in enclosed, built settings. Contemplating current events, however, this number is expected to grow. In an increasingly chaotic and uncertain world, marked by the ongoing effects of climate change and the global pandemic, the desire to stay indoors in a protected, controlled and peaceful environment is stronger than ever. Architects face an important challenge: to create comfortable, productive and healthy interiors with well-regulated parameters, considering factors like indoor air quality, daylighting and biophilic features from the initial stages of design. Of course, this involves choosing materials sensitively and accordingly, whether it be by avoiding certain health-harming components or by integrating non-toxic products that soothe and promote wellness.
Image created using AI under the prompt: An expressive illustration of an urban environment with a lush landscape that exemplifies the decarbonization of architecture. Image via Via DALL.E 2
Architecture encompasses multiple processes, starting with identifying needs and transforming them into habitable structures through thoughtful design. Historically, construction-related processes like resource extraction and end-of-life disposal were often overlooked. However, it is essential to recognize that buildings have a lifecycle with significant impacts on carbon emissions. Emphasizing sustainable practices is vital to minimize our ecological footprint and positively impact the planet.
https://www.archdaily.com/1004300/how-to-reduce-the-carbon-footprint-through-architecture-three-approaches-across-the-building-lifecycleEnrique Tovar
The world has just witnessed the hottest months in recorded history, and the outlook is far from optimistic. Rising temperatures are driving greater cooling demands, threatening to trigger a vicious cycle of higher electricity use and carbon emissions. In a planet simultaneously facing unprecedented urbanization and a climate crisis, the intersection of building energy efficiency and cooling technologies has never been more crucial.
Throughout history, architecture has always been associated with the elite and the wealthiest echelons of society, who commissioned sumptuous buildings to satisfy their aesthetic and functional needs. This trend dates back to ancient civilizations: Egyptian pharaohs built pyramids and impressive temples, Roman emperors erected magnificent amphitheaters and palaces. Architecture was, and often still is, a symbol of power and prestige. Over time, the profession expanded to encompass various types of buildings and audiences, from simple residences to public and commercial structures, and the advancement of technology and construction techniques made it more accessible in terms of costs. However, inequality in access to high-quality architecture still prevails, especially in underdeveloped countries or socially vulnerable contexts. Many regions face serious housing, infrastructure, and urban planning problems due to a lack of resources and adequate investments, with poor construction conditions, slum areas, a lack of basic sanitation, and unsafe buildings.
Brick is a traditional building material that enhances durability, versatility, and the aesthetic appeal of building design. Used in construction for thousands of years, contemporary architecture explores creative ways to incorporate brick into design, combining it with different materials to seamlessly integrate the old and the new. Traditionally composed of clay, these rectangular-shaped elements are also heavy-duty materials suitable for use in both load-bearing and non-load-bearing walls.
Delving into lighter alternatives, thin brick –with minimum thicknesses of approximately 1/2 inch (13mm)–combines the technical and aesthetic qualities of traditional brick with the advantages of being lightweight and space-efficient. In various colors, sizes, and textures, thin brick can be applied to diverse surfaces, such as walls and facades, without additional structures. The Brick Industry Association showcases interior and exterior projects, developing practical guides and solutions for achieving the classic, timeless look of brick masonry, along with design flexibility and easy installation.
Exhibition Center of the Administrative Center of Bahia / João Filgueiras Lima (Lelé). Image: Gabriel Fernandes from São Paulo, Brasil, CC BY-SA 2.0 , via Wikimedia Commons
Tie rods are integral in structural engineering, primarily for transmitting traffic loads and alleviating compression forces within a structure. These slender components, resembling cables or metal bars, offer seamless integration into a space, lending themselves to visually appealing designs through repetition. They have applications ranging from furniture design to large-scale urban infrastructure projects, including suspension and cable-stayed bridges.
At 23.5 degrees north and 23.5 degrees south of the equator respectively, sit the Tropics of Cancer and Capricorn. The 3,000-mile-wide band between them that wraps around the Earth is affectionately known as the ‘bean belt’. The tropical and sub-tropical climatic conditions inside the belt, as well as the high percentage of land over 1,000 meters above sea level, create the perfect conditions for the coffee plant to thrive.
In these regions across Central and South America, Africa, and Asia, coffee is one of the main national exports, becoming a large part of many national identities. So the interiors of the countries’ home-grown coffee shops can be just as rich and well-balanced as the coffee beans they grow. For people living in the bean belt, coffee is more than just a drink, it’s literally a life source. And at these coffee shops, it’s treated as such.
Violent cities result from social and economic inequality, which also affects the urban landscape and the way we live. In honor of International Cities Day, we have selected a series of projects to reflect on non-violent ways of using public space.
East Los Angeles Interchange. Image Courtesy of The Dirt
Highways, in their inanimate state, cannot be racist. However, the forces that located them and the consequences of their placement are inextricably connected to race. Deborah Archer, a law professor and civil rights lawyer, captures the central concept: “Highways were built through and around Black communities to entrench racial inequality and protect white spaces and privilege.”
In the new book, Justice and the Interstates: The Racist Truth About Urban Highways, editors Ryan Reft, Amanda Phillips du Lucas, and Rebecca Retzlaff explore racial injustice and the interstate highway system. They collect essays that address the dislocation caused by interstates. The book came out of a series of articles in Metropole, a publication of the Urban History Association.
https://www.archdaily.com/1009056/confronting-the-racist-legacy-of-urban-highwaysDiane Jones Allen
How do we create buildings that use energy efficiently? Traditionally, efforts to green the built environment have centered on the physical infrastructure, often overlooking the relationships between people and space. The emergence of the technological era has ushered in "Smart Buildings." that employ machine learning and automation. These innovative structures are designed to operate with impressive energy efficiency, however, they are largely disconnected from their occupants. What if buildings could be made smarter and more sustainable by engaging with their occupants?
There’s something about the saturated hues of blossoming springtime flowers and the fiery, warm tones of a sunset descending upon a cityscape that brings us joy. Humans crave color. In fact, we’ve been fascinated by them since the beginning of our existence. So much so that everything from the color of our clothes to the brightly illuminated pixels on this screen is an attempt to recreate –and enhance– the vibrant shades present in nature, finding in them a source of inspiration and vitality. Our brains are wired to link colors with sensations and experiences: the lush greens of a forest evoke feelings of tranquility and renewal, while the deep blues of the ocean stir a sense of mystery and adventure. It is this ability to elicit emotion that makes colors an invaluable tool for architects and designers –and which also explains why trends are moving away from the once-reigning neutral minimalism towards a more maximalist aesthetic that embraces pops of color, dimension and playful texture.
There are several reasons why Colima is a Mexican state of relevant cultural wealth, one of them is due to its climate and orography where beaches such as Manzanillo and the Colima volcano are sheltered, facilitating tourism in this region. Moreover, the rich pre-Hispanic history signed on archaeological sites such as "El Chanal", "La Campana" and "Meseta de la Hierbabuena", as well as some important haciendas (farms) such as the Hacienda de Nogueras, Hacienda del Carmen and Hacienda San Antonio.
Sub-Saharan Africa is home to an enormous number of religious adherents – within which there is extraordinary diversity in religious expression. Iconic buildings serving a religious purpose are found throughout the continent, such as The Cathedral Basilica of the Holy Family in central Nairobi or the Hare Krishna Temple in South Africa. What is evident is that architecture that hosts religious gatherings makes up a key part of the urban fabric of sub-Saharan African cities and that in a lot of cases, religious structures go against the grain – leaving aside or tweaking classical models in favor of a unique architectural approach.
The ample supply, durability, and affordability of brick makes it one of the most widely used and iconic materials in Spanish architecture, especially within the Mudejar tradition. Throughout history, they have added both beauty and function to the spaces that use them, offering protection from the elements while also permitting the entry of natural light and air flow.
In recognition of brick's impact on Spanish architecture throughout history, we have created a compilation of contemporary projects that highlight its aesthetic and functional benefits along with advice from their creators about how best use this tried and true material.
Design of the ventilation system at the Sarah hospital / João Filgueiras Lima (Lelé). Image via Concrete
Architecture is a transdisciplinary field. It incorporates principles and knowledge from several other disciplines to ensure a built structure functions as intended. This fundamentally involves considering the context in which a building is placed, including its immediate surroundings, such as neighboring structures, local biodiversity, and climate. Essentially, architecture only exists within a particular context. When we expand this context to a broader scale, it becomes what we commonly refer to as the "environment."
With a diverse and highly distinctive portfolio of projects, particularly notable for their innovative representations, the architecture office fala is marked by a bold, refined, and dynamic creative process. Established in 2013 by architects Filipe Magalhães, Ana Luisa Soares, and Ahmed Belkhodja, fala is headquartered in Porto, Portugal, and typically engages in projects across various scales, ranging from territories to birdhouses.
Minotti’s Dylan seating system and Raphael family of seats have different identities yet harmonise elegantly in a variety of different spaces, whether private or hospitality areas. Image Courtesy of Minotti
Upholstery is at the heart of every living space, providing comfort both physically and visually. It’s the basis for an interior to grow and evolve, setting the tone for a wider 360-degree landscape. To create a truly dynamic foundation, it usually takes a few different sofas or armchairs, but pairing them up to create the desired harmony between color, texture, form and function can be a challenge without experiencing them side by side in space.
The Copenhagen Harbour Ring – “Kronløbsringen” / Third Nature. Image Courtesy of JJO By Tredje Natur
Through urban renewal projects, architects, urban planners, and designers can infuse new life into dilapidated urban landscapes by upgrading the infrastructure, introducing new functions into the urban fabric, and reimagining the character of open public spaces. These types of projects present interest due to their dual character: on the one side they offer an opportunity for reimagining the potential of the city, but the areas they affect are already well-ingrained within the urban fabric, raising challenges of integration and contextual adaptation.
This week's curated selection of Best Unbuilt Architecture highlights projects submitted by the ArchDaily community that enhance functionality, aesthetics, and sustainability of urban areas while respecting and embracing the existing fabric of the city. From a residential neighborhood that prioritizes self-sufficiency and circularity in the Netherlands, to a highway ramp transformed into productive spaces in California, United States, or a new elevated path designed to alleviate urban congestion in the harbor of Copenhagen, his selection features projects that highlight the ever-changing character of our cities. Featuring projects from both emerging and established architectural offices such as Benthem Crouwel Architects, Space&Matter, and Vincent Callebaut Architectures, the projects demonstrate the variety of approaches needed to adapt urban environments to the needs of their residents.
Façade colors are closely linked to place identity and help influence the surroundings and inhabitants of an area; they make it easier to safeguard and correct the use of color in urban areas. During the launch of their new color collection, STENI worked in collaboration with Scandinavia's leading expert in color and architecture, Kine Angelo, Associate Professor at NTNU, Department of Architecture and Technology, who has been working with color for over 12 years.
Martinelli Building. Photo: Wilfredor, CC BY-SA 4.0 , via Wikimedia Commons
World Tourism Day is observed every year on September 27th. Tourists create itineraries based on a wide range of interests, such as architecture, gastronomy, or natural beauty, which are the most common choices. However, some travelers seek out hints of mystery and places with haunting histories. In a city as rich in stories as São Paulo, it's not hard to discover locations with a past marked by unsettling events, which have now been repurposed into cultural attractions, enriching the tapestry of the city's society.
