Studio Monnik, 'Alles Komt Goed', 2023. ‘Poreuze Stad’, Illustratie van Jan Cleijne. Een toekomstscenario voor Amsterdam in 2089. Image Courtesy of Het Nieuwe Instituut
Still, the country faces expected and unexpected challenges, from an acute housing shortage to raising concerns regarding climate change and shifting ideas of ecology. In the words of curator Suzanne Mulder, the country is “once again on the drawing board,” as architects, urban planners, and designers are reopening conversations about the future by looking at past lessons. To come to their help, Rotterdam’s Nieuwe Instituut is organizing the exhibition ‘Designing the Netherlands: 100 Years of Past & Present Futures.’
BIG unveils "Mindfulness City", which unites historical heritage and the future of Bhutan. Courtesy of Bjarke Ingels Group
Recently, the renowned Danish office BIG announced the launch of its project for the city of Gelephu in Bhutan. This masterplan is inspired by the country's culture and its principles of happiness. The "Mindfulness City" aims to offer numerous possibilities for public engagement, fostering investments in infrastructure, education, and sustainable technologies—all aligned with the precepts of Gross National Happiness (GNH).
About two weeks ago, I received an intriguing email from Jeff Speck, the author of two of the most influential books on urban planning in the past two decades: Suburban Nation (2010; co-authored by Andrés Duany and Elizabeth Plater-Zyberk) and Walkable City (2012; reissued in 2022 with new material). The press release it contained announced the formation of a new partnership, SpeckDempsey, “a new planning and design firm serving government, non-profit, and private clients.” Prior to this, Speck was a potent and highly visible one-man band spreading the gospel of walkable cities. After spending a decade as director of town planning at Duany and Plater-Zyberk’s firm, Speck served as director of design for the National Endowment for the Arts before setting up Speck & Associates in 2007. Now he has joined forces with Chris Dempsey, a Boston-area transportation advocate, with the joint goal of bringing walkable city practices to scale. Last week, I talked to them about their new partnership, their methodology, and their plans for the future.
The relocation of a capital city is a complex urban decision with various dimensions and consequences for both the old and new capital. It can be driven by political, economic, societal, and other factors, and has urban and architectural implications for residents. These include factors such as location, planning, building design, the purpose of the old capital, climatic conditions, and separating the political/administrative hubs from cultural and economic cities.
In light of the ongoing urban discourse, countries like Egypt are constructing a new capital city to alleviate population and urban stress on Cairo. Similarly, Indonesia is planning a new capital in response to challenges faced by Jakarta, such as pollution, traffic congestion, and rising sea levels. It is valuable to examine other countries in the global south that have relocated their capital cities, noting the architectural and urban lessons learned from their experiences.
pixel application. Image Courtesy of Rieder Group / Florian Voggeneder
Nowadays, the concepts of reducing waste and upcycling have experienced a remarkable expansion in various fields of architecture, driven by the need to change the paradigm of consumption habits in both society and industry. This wave not only responds to sustainable approaches but has also demonstrated significant benefits in economic terms. Today, the transformation of various resources, from excavated earth to agro-waste and plastics, is being carried out to create new materials, thus consolidating the efficiency and feasibility of more environmentally friendly practices.
Within this context, technology and data have contributed significantly to a better understanding of materials and to exploring new processing methods. In this regard, artificial intelligence has become a valuable ally. In addition, innovations in software have made it possible to maximize the potential of what was previously considered waste. Correspondingly, Rieder has introduced a product innovation named pixel, aimed at minimizing waste in the production of facade elements constructed from glass fiber-reinforced concrete.
https://www.archdaily.com/1012597/transforming-waste-into-pixels-of-glassfiber-reinforced-concreteEnrique Tovar
The unique language employed by each architect serves as the foundation for analyzing their work. Over time, this distinctive style becomes more evident, allowing for the identification of past influences and references. Simultaneously, it showcases a continuous evolution of this language, manifesting as a formal progression that aligns with the contemporary context. The projects by Studio Guilherme Torres serve as exemplary instances of this developmental journey, spanning from its inception to the present day.
Give your bathroom a fresh look with a modest investment, avoiding the hassle of extensive construction. Transform the space by adding plants, reconsidering lighting, or experimenting with new colors. If opting for a color change, explore painting the walls or tiles to revitalize the environment. To assist you in this endeavor, we present the perfect paints for the job along with inspiring projects to spark your creativity
Whatever religion we classify ourselves as – or even if we actively renounce or denounce organized religion in all its forms – the one aspect of Christianity those in predominantly Christian countries are touched by at some point in their lives, is the classical aesthetic of church architecture.
Whether we actively attend church multiple times a week, begrudgingly once or twice a year, or once every ten years for one of life’s trinity of events: births, deaths, and marriages, while there we’re struck by the soaring arches, intricate stonework, and, on a sunny day, the spiritual beauty and colorful rainbows of light that stream through stained glass windows.
Welcome to the latest edition of the ArchDaily Building of the Year Awards, celebrating over 15 years of architectural excellence and innovation. This award has evolved into the pinnacle of democratic recognition within the architectural community, with an unprecedented participation of over 4,000 projects annually. Powered by the collective voice of our passionate readers worldwide, ArchDaily’s annual award stands as a beacon of impartiality, showcasing the most outstanding projects that shape our built environment.
As we embark on this journey once again, we invite you to join us in honoring the diversity, creativity, and ingenuity showcased by architects and designers across the globe. Through the democratic process of voting, our readers become integral participants, contributing to a shared vision of architectural greatness. Together, we continue to redefine and elevate the standards of excellence, ensuring that the most deserving projects receive the recognition they deserve.
"If the cement industry were a country, it would be the third-largest emitter of carbon dioxide in the world, with about 2.8 billion tons, surpassed only by China and the United States." This statement in Lucy Rodgers' BBC report on the ecological footprint of concrete stands out as quite shocking. With more than 4 billion tonnes produced each year, cement accounts for around 8 percent of global CO2 emissions and is a key element in the production of concrete, the most manufactured product in the world. To give you an idea, about half a ton of concrete is produced per person in the world every year, enough to build 11,000 Empire State buildings. With these huge numbers, is there any way to reduce this impact?
Within a city, various factors are taken into account when it comes to housing, such as location, proximity to services, mobility, access to natural light, view, and noise levels. These considerations are particularly crucial in densely populated areas, with a stronger relevance to apartments in high-rise buildings. In contrast, when designing a house, specific factors are inherently addressed. It is assumed that a single-family residence is situated away from busy city centers, leading to longer commutes for services. The availability of natural light is influenced by the location of the building on the land, and noise is minimized because residential areas are usually away from bustling urban environments.
Women-led community planning session in Kibera, Nairobi, Kenya / Kounkuey Design Initiative (KDI). Image Courtesy of The Dirt
"We are focused on creating a just public realm," said Chelina Odbert, Hon. ASLA, CEO and founding principal of Kounkuey Design Initiative (KDI), at the National Building Museum in Washington, D.C. And by just, "we mean free, inclusive, accessible, unbiased, and equitable". A "just public realm is open to everyone.” There is unlimited access to streets and public spaces so people can travel to school and work and be full members of their communities.
Unfortunately, the public realm is instead often “intimidating, exclusionary, inaccessible, unjust, and inequitable” for many women, LGBTQIA+ people, people with disabilities, and people of color. Landscape architects, planners, and others need to understand who feels safe and comfortable in public spaces or there is a risk of perpetuating inequalities, Odbert argued.
https://www.archdaily.com/1012717/designing-spaces-that-are-good-for-women-and-everybody-elseJared Green
The Indian built environment constantly negotiates ancient traditions, diverse population, and globalized ambitions. When it comes to heritage preservation, these forces often converge to create a distinctive approach to conservation efforts in the country. Beyond the conventional models seen in many parts of the world, India's conservation projects intertwine historical practices, community engagement, and a reverence for the living essence of buildings.
Courtesy of New Murabba Development Company | Riyadh
Saudi Arabia, a country going through a tremendous transition, is not only changing its skyline but also redefining its identity on a global level. As part of their 2030 Vision serving as the compass, the kingdom is moving toward new developments, aiming to revive culture and diversify the economy. In fact, the capital, Riyadh, is leading the transformation by hosting the 2030 World Expo. Representing the country’s dedication to advancement, several mega projects are taking place and transforming the kingdom's fabric.
Amidst the various projects, many world-renowned firms are working on these mega projects at many different scales. For example, the cultural renaissance is shown through Snøhetta’s Opera House in Diriyah, while the Jeddah Tower is on a trajectory that will overtake the Burj Khalifa. In the meantime, Heatherwick Studio’s conversion of a Jeddah desalination plant into a thriving cultural center showcases their repurposing of industrial spaces. From coastal projects by Foster + Partners to city center skyscrapers that are redefining the skyline, the country is undergoing significant transformations in its built environment.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss their stay at the Lighthus, a vacation rental home designed by Peripherie Design Studio's William Liow, AIA. The two cover the design of the home, the value of architecture, communicating to clients, what architects do, and more.
https://www.archdaily.com/1012125/the-second-studio-podcast-value-of-architectureThe Second Studio Podcast
Previously we have published an article about how laundry rooms, or utility rooms, are an unnecessary luxury in a modern home. However, this space is undeniably an important part of Brazilian homes and is used not only for washing and drying clothes but also for storing cleaning products and other items. Since these spaces are usually quite small, it is not always easy to keep them organized to ensure maximum functionality. So, here are some tips for those who want to optimize this environment for a better routine in everyday life.
Weaving is not only a technical craft but also a way to design material experiences. Engaging in the process of weaving allows us to structure, communicate, reflect on, and connect with our designs. By experimenting with different fabric structures, we gain insight into how materials behave under tension and compression. This understanding helps us push the boundaries of textiles and their limitations, resulting in designs that stretch and test the properties of the materials.
In architecture, the construction mechanism of weaving centers the shelter to the building process. In this sense, shelter becomes a direct manifestation of material production. Additionally, weaving offers numerous environmental and social benefits by creating shelters that actively engage with materials, tools, technologies, and creative potentials, thereby supporting placemaking.
As we confront the critical reality of climate change, the construction industry stands at a pivotal point. With the industry responsible for nearly 40% of global carbon emissions and substantial material waste, a shift towards sustainable practices is imperative. In the case of Europe, adherence to the Paris Agreement and the ambitious European Green Deal guide the sustainability trajectory. European cities, with their rich historical architectures blended with modern infrastructures, face unique challenges in sustainable urban development, making the integration of eco-friendly practices essential.
The relationship between architecture and the environment is multifaceted. It involves a dynamic interaction between built spaces and the surrounding natural context. It shapes how buildings and cities function, impacts ecosystems, and influences the well-being of inhabitants.
Many factors link architecture and the environment. They span from practical considerations such as natural materials and renewable energy sources to broader aspects like integrating and appreciating local culture. Within this wide range of possibilities, we have selected five interviews that showcase different approaches to this theme. These interviews stimulate essential reflections on the contemporary architectural context.
Science Forest / ADAT Studio. Image Courtesy of ADAT Studio
In the contemporary context, museums face contradictory sets of ideas: becoming attractions on and of themselves but presenting an understated image that shifts the attention to the exhibits, creating a safe and protected environment for the artifacts, yet opening them up to the public, becoming repositories of history yet catalysts for innovation. Searching for the balance between all of these constraints has resulted in the flourishing of diverse types of museums and cultural institutions, from those dedicated to the remembrance of a single event or persona to temporary homes for cultural events or spaces that expand their cultural offering beyond exhibition areas.
This curated selection of Best Unbuilt Architecture highlights projects submitted by the ArchDaily community that demonstrate the fusion of art, technology, and innovation within the realm of museums and cultural centers. Among the featured designs are works from renowned architectural offices, including CAA architects, NextOffice – Alireza Taghaboni, and Fentress Architects, along with several emerging firms. Ranging from a sculptural art museum in Dubai to a local cultural and recreational complex in Senegal, or an immersive science museum in Rome, Italy, this diverse compilation strives to showcase the spectrum of scales and purposes of cultural institutions.
In Norway, the Medieval Churches, known as "StavKirker" (in Norwegian, "Stav" refers to a type of wooden column, and "Kirker" means church), stand out as iconic structures. They emerged in the 11th century following the country's conversion to Christianity, reflecting Norwegian expertise in ship carpentry inherited from the Vikings. This expertise transformed wooden construction, innovating woodcraft techniques and turning these buildings into aesthetically significant compositions.
The living space of a brand-new timeshare apartment located in the centre of London, entirely designed and conceptualised by award-winning designer Karim Rashid. Image Courtesy of BoConcept
Contemporary and fresh, luminous and colorful, intriguing and surprising; the interior design of a newly finished apartment project in London speaks the visual language of its maker, award-winning designer Karim Rashid. Having spent the past four decades in the field of design and architecture, Rashid has manifested both his talent and approach with an always recognizable design DNA.
via Unsplash | Street fair in Tepoztlán, Mexico. Photo by Karo Kujanpaa
Usually defined by their open-air settings, diverse offerings, local and independent sellers, temporary nature, and acting as social hubs, street markets have been around for thousands of years. From the days of the Roman Forum to the Silk Road and the markets of ancient Greece, they are undoubtedly essential parts of urban life, or “the center of all that is unofficial.” Mostly categorized under the informal economy due to lack of regulations and authorization, street markets in the global south have often been seen as a threat to urban development. However, these erratic and adaptive urban spaces serve core functions in any developing city, acting as pillars of community in many different facets of society.
Policymakers and city officials have long struggled with informality, considering it the “antithesis of modernity.” Conventionally, the informal economy consists of activities with market value but are not formally registered, often unregulated, undocumented, and operating outside the incentive system offered by the state. Street vendors, specifically in the global south, constitute a substantial portion of the informal economy. Moreover, as cities grow and approach development, public spaces become more contested and privatized, leading to an overall mission to remove street markets or push them into formalization.
