Understanding a discipline from multiple perspectives and intersections is essential for acquiring a deep understanding of it. In architecture, the diversity of approaches to its study enriches our perception by allowing us to appreciate its complexity from different angles. For students and professionals alike, exploring aspects such as history, sources of materials and products, construction processes, implementation of new technologies, and contemporary social challenges is crucial. These aspects intertwine and expand the conventional notion of "architecture," transcending the mere creation of buildings or the definition of spaces.
Ronald Rael, an architect and the Eva Li Memorial Chair in Architecture at the University of California, Berkeley, exemplifies this vision through his practice, which spans from research to connecting indigenous and traditional material practices with contemporary technologies and issues. As an activist and designer, Rael's research interests explore additive fabrication, border-wall studies, and earth construction. Co-founder of Rael San Fratello, Emerging Objects, and Forust, his practice shows an approach to architecture that is highly relevant in contemporary times.
https://www.archdaily.com/1016555/we-can-transform-the-profession-by-rethinking-how-we-might-serve-society-a-conversation-with-ronald-raelEnrique Tovar
This article was originally publishedon Common Edge in 2021 to celebrate Venice's 1,600th birthday.
"We native Venetians and long-term residents number just over 50,000. We are dying out. Soon, we will disappear. The city prefers to be inhabited by someone else: not so much by other categories of human beings but by another way of being in the world.” – Tiziano Scarpa
March 25, 2021, dawned quietly in Venice. The city was still in full lockdown, a Zona Rossa. The Piazza was empty, the calli were eerily still. It was a subdued day to celebrate the birth of Venice. According to 16th century Venetian historian Marin Sanudo, the city was founded in 421 AD. In a city brought to a halt by the pandemic, the joyful clamor of bells ringing out across the city commemorating 1,600 years of existence was a welcome respite from the dreaded silence.
The world has changed, and accepting this fact is no longer a matter of choice but survival. Our rainfall patterns, periods of drought, average temperatures, sea levels—everything is in constant flux. The denialist stance of many countries, including Brazil, has led to catastrophic situations like the one we are facing now.
The floods that devastated the southern region of the country in recent days cannot be considered isolated incidents. Due to global warming, climate events like this will become increasingly frequent. In other words, unfortunately, we cannot prevent them from happening, but we can—and must—make our cities more resilient to these situations.
There's something quite exciting about imagining how a particular space within an existing built form can dictate its use and vice-versa, how the function of a determined space can shape the space's appearance, and the endless possibilities that this entails. This reciprocal process is a concept we often find in the works of the experimental architecture duo Davidson Rafailidis, whose projects evidence a thorough understanding of the existing form that results in a careful and thoughtful ensemble of dynamic architecture.
In a new collaboration, Trimo and Pininfarina have introduced the Qbiss Notch Wall System, setting a new standard in architectural design. This partnership marries Trimo's expertise in engineering with Pininfarina's legacy of design innovation, presenting a prefabricated modular metal wall system that promises to redefine the aesthetic and functional landscape of modern architecture.
In 1956, when car ownership and the suburban development that this enabled were just being embraced as American cultural ideals, pioneering urbanist Jane Jacobs wrote that the U.S. was becoming “an unprecedented nation of centaurs. … Our automobile population is rising about as fast as our human population and promises to continue for another generation.” She continued, “the car is not only a monstrous land-eater itself: it abets that other insatiable land-eater—endless, strung-out suburbanization.”
https://www.archdaily.com/1016717/jane-jacobs-cyclistPeter L. Laurence
For three years now, Villeroy & Boch has been implementing the TwistFlush vortex flush technology in selected toilets. This innovative flushing technology harnesses the physical force of the swirl to optimize flushing performance and toilet hygiene. Two nozzles generate a powerful water vortex, which cleans nearly the entire inner surface of the toilet and pulls all dirt residue into the drain with its strong suction. Coupled with the conical geometry and extra-smooth walls of the bowl, this makes repeated flushes and the use of the toilet brushes practically unnecessary. Compared to conventional flushes, this innovation is also particularly water-saving, making a significant contribution to resource conservation.
More realistic visuals and expedited as-built modeling workflows (directly on iPad with Scan-to-Design [Labs]) are part of the latest release of SketchUp architectural design software. The 2024 version includes performance upgrades to boost productivity, ranging from a new graphics engine to easier ways to share ideas with stakeholders.
For designers seeking to evoke a sartorial expression of "quiet luxury" through an interior, a necessity to a minimalist palette is the addition of a sculptural object—one that catches the eye, glints like a jewel, and nods towards understated refinement. For kitchens and bathrooms where functionality reigns, how about capturing that moment of chic tension—that je ne sais quoi—with a radical faucet?
In the quest to promote a more sustainable construction where the use of natural materials contributes to the transmission of local traditions and cultures, an increasing number of architecture projects are exploring different resources and techniques to address environmental, economic, or social concerns. Understanding the benefits and qualities of materials such as color or texture influences the final experience of those who inhabit, walkthrough, or visit spaces. Therefore, understanding their technical, constructive, aesthetic, and functional properties should be part of the design process from the beginning.
The A' Design Award and Competition was established to promote and recognize the best in design worldwide, in all creative disciplines. The award is aimed at designers, innovators and companies that wish to stand out and attract the attention of the media, editors and buyers. These aspects are especially important in the world of design, where millions of products and projects are launched, and often end up being swallowed up and not receiving due recognition. To address this, hundreds of projects are submitted every year with a focus on innovation, technology, design and creativity. It offers a chance for recognition, with the valuable curatorship of a renowned jury and the possibility of a successful international launch. The A' Design Award contains a series of public relations, advertising and marketing services to celebrate the success of its winners. In addition, and unlike other design awards, it is completely free of charge.
Step into the realm where the minimalism of the 1960s Light and Space movement intertwines with contemporary high-tech algorithms and sensors. Back then, light artists like James Turrell, Dan Flavin, and Robert Irwin captivated audiences with the bare essentials, using precisely daylight or lamps to heighten visual perception. Fast forward to today, Chromasonic takes this synergy of light and color but augments it with sound and algorithms. Envisioned as a global network to experience the harmony of body and mind, Johannes Girardoni's team unveiled the first satellite of perception in the heart of Venice Beach, California. Through a collaboration with Google, Milan Design Week showcased how the interplay of light and color can go on tour as a walk-in installation on a larger scale.
Throughout history, the undeniable interrelationship between sound and architecture has shaped users' experiences. From auditoriums to offices, cultural centers, and schools, acoustics in architecture can manifest itself in two ways: as a determining element of a structure's shape and as a material. When discussing aesthetics, the latter aspect is particularly relevant, as any material that forms part of a composition aims to have a cohesive design with the rest.
Integrating acoustics through materials presents a significant challenge, as certain attributes such as color, texture, or dimensions may hinder harmonization with the overall design of the space. This can unbalance the experience of the environment, since, although the acoustics are improved, the interior atmosphere is negatively affected. This situation highlights the importance of selecting the right material that can enhance acoustics while maintaining the coherence of the design.
https://www.archdaily.com/1015929/acoustics-that-blend-performance-with-aesthetics-why-material-choices-matterEnrique Tovar
It's fundamental that architects know about structures, not only to bring their designs to reality but also to be able to discuss their projects with engineers in order to find the best solutions for construction. Structural pre-dimensioning is crucial to the initial design of the structural components, revealing the restrictions and the possibilities of the spaces.
One of the main loads that a structure must support is its own weight, so it's essential to know this information so that the different parts of the building can be dimensioned. When starting a structural project, the engineer doesn't yet know the dimensions of the different pieces that make up the structure, and therefore, can't know their own weight. A paradox appears without a solution: to know the weight it's necessary to know the dimensions, but, to know the dimensions, it's necessary to know the weight.
During the development of the project the architect finds himself in the curious situation of having to design without necessarily knowing the size of each of the parts of the building (such as the size of the pillars, for example). These important elements directly affect functionality and aesthetics of the project.
https://www.archdaily.com/891880/learn-to-pre-dimension-a-reinforced-concrete-structureJoão Carlos Souza
Rising populations and soaring real estate prices pose significant challenged to urban housing. In a desperate hunt for affordable living options, communal co-living spaces have emerged as a creative solution, offering quality living conditions through clever space optimization strategies. By implementing innovative design techniques, these shared living communities maximize every square foot to create functional spaces within compact footprints.
Humanity has inhabited cities for millennia and witnessed a shift to a predominantly urban global population since 2010. Throughout this time, it has repeatedly come up with creative solutions to ease the challenges of living in urban environments. The “fifth façade," as Le Corbusier proposed, is a yearning for serenity, greenery and space, and is currently experiencing a growth in popularity, with people transforming rooftops into serene sanctuaries as one way to achieve it. Especially in densely populated areas, the attraction of roof terraces is undeniable, offering a break from the frenetic pace of urban life and a deeper connection with nature.
However, access to these spaces requires care, especially when it breaks through the roof slab. This requires seamless integration with the space below, technology to enable water-tightness and visual connection, along with easy handling for opening and closing. Designed with functionality and aesthetics in mind, these access hatches can integrate seamlessly into the roofscape, offering convenient access, adding value to the property, increasing its appeal to potential buyers or tenants, and creating a symbiotic relationship between architecture and lifestyle, where innovation drives desirability.
As the anticipation builds for the XXXIII Olympic Games in Paris, the city is preparing to host a global sporting event and embark on a journey of urban renewal. In a departure from traditional stadium-centric hosting, Paris 2024 embraces a new approach to the Olympic experience. Sports architecture has the ability to transcend functionality and become a space of collective experience and shared joy. In that sense, it invites individuals from diverse backgrounds to forge connections while celebrating athleticism. This month’s curated collection focuses on diverse forms of sports architecture, stadiums, venues, and landscaping projects, dissecting what components come together to form different sports architecture experiences.
For the Qatar World Cup in 2022, Foster + Partners designed the iconic and more traditional Lusail FIFA stadium. In India, M:OFA Studios designed the National Institute of Water Sports, breaking away from the pragmatic norms of government institutions. In Hangzhou, China, the 2022 Asian Games featured a new Cricket Field by AZUT, emerging as an integration of sports infrastructure with the natural landscape. Meanwhile, in Order City, China, PLAT ASIA transformed an existing urban square into a Smart Sports Park, promoting community wellness and interaction. Finally, Opsis Architecture’s University of Idaho Arena serves as a main gateway to the University campus, celebrating the spirit of athleticism and community.
During Milan Design Week 2024, Lasvit presented its mastery in glassmaking and creative approach to design and architecture, with their latest installation "Re/Creation." Held at the Palazzo Isimbardi, the expert in hand-made glassmaking had various unique creations on display, leading with "Porta" as the centerpiece, conceived by Lasvit’s Art Director Maxim Velcovsky. The monumental piece highlighted the company’s expertise in using the fused glass furnace and its journey in redefining the relationship between glass and architecture.
"Re/Creation" emerged as a central attraction for visitors, offering a space for relaxation. Drawing inspiration from the fluidity of molten glass, the very title signifies a technique inherent in fused glass craftsmanship, where the material is allowed to organically flow into a predetermined shape guided by gravity. Within this tranquil setting, creatives were encouraged to unwind, fostering an environment conducive to rejuvenation and creative exploration.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
Santa Cruz de la Sierra is located on the eastern plains of Bolivia, on the banks of the Pirai River. Being the most populous city in the country, it reveals an extreme social and cultural complexity surrounded by extensive pampas and plains. Additionally, it represents one of the most developed cities in Bolivia, with a high municipal indicator of sustainable development. Delving into the importance of community architecture, popular appropriation, the character of urbanity, and other concepts, this article explores the history behind the Summit of the Americas Monument through a series of narratives, documentations, drawings, and images captured by Pino Musi.
Public Markets are complex cases that beautifully combine an engineering exploration with the instigation of a beneficial public function. In fact, it doesn't take much to designate an open and accessible commercial hub that would encourage commercial exchange and economic development for small or local businesses. All one needs is a lot and a sheltering roof. However, many designers and architects have chosen to take this exercise beyond the social level and into further material and technical exploration.
Powerhouse, Australia’s largest museum institution dedicated to applied arts design, and technology, has revealed the plans for a comprehensive restoration of its three sites located in Sydney, Australia, in addition to the opening of a new site in Parramatta in Western Sydney in 2025. The Powerhouse Ultimo site contains two heritage-listed buildings: the Ultimo Powerhouse and the Ultimo Post Office. The project for the renovation of this heritage location is led by a team of architects, Durbach Block Jaggers working in partnership with Architectus, Youssofzay + Hart, and landscape architects, Tyrell Studio.
On the banks of the Amazonian river Piraí, the rings and canals of Santa Cruz de la Sierra not only enclose buildings of Bolivia's contemporary and modern architecture (curious examples of formalist rationalism, brutalism, and postmodernism are evident here) but also include a part of its diverse ancient and everyday architecture: from a historic center with endless arcades and colonial mansions to local markets and sheds such as the pahuichi cruceño.
On the occasion of the Latin American Architecture Students Meeting (ELEA) where we were invited to provide on-site coverage, we encountered ten of these places that can help you get a general overview of the city and its heterogeneous architecture.
The U.S. has a long tradition of republicanism and laissez-faire capitalism that has not favored strong federal housing policy or intervention in the housing market. Policymakers have believed that private enterprise could best provide sufficient housing and that, as with healthcare and education,[1] government involvement would bring in “socialism” and undesirable control of the free market. There are two major exceptions to this tradition: the 1937 National Housing Act, a result of the devastation of the Great Depression, and the “war on poverty,” initiated by the Johnson administration in the mid-1960s.[2] Successful as these programs were, subsequent federal housing policy has mostly been aimed at undermining them, through either malice or neglect. Instead, federal policy has mainly sought to promote home ownership, the American dream, but that approach was eviscerated by the collapse of financing due to the subprime loan crisis and its aftermath. The result is that there is currently virtually no cogent federal housing policy. Thirty-five million Americans live in substandard housing; a much larger number devote 50% of their income to a roof over their heads. Housing construction is at a historic low, and construction costs have risen so high that they are well beyond the means of the average citizen.