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In early 2020, along with the implementation of worldwide social isolation measures, we published several articles in order to help our readers increase productivity and comfort in their home offices. After months of continued isolation, surveys show that more than 80% of professionals want to continue working from home even after quarantine ends. In addition, a good number of companies are similarly satisfied with current work practices, showing a high tendency to adopt this practice indefinitely, since the majority of companies observed that remote work was as or more productive than face-to-face work.

However, with respect to children and home studying during the pandemic, the result was not as positive. One of the main reasons for this difference is that it can be difficult to get students to concentrate and motivate themselves for a long time in front of screens. Lack of physical interaction with other children is also a contributing factor. Yet until the global situation improves, it is likely that the return to schools will continue to be postponed. With this situation in mind, we decided to share in this article a series of efficient strategies to transform study spaces at home into better spaces for learning.

It’s easy to think of Modernism as inseparable from air conditioning, simply because we are surrounded by so much of it that is. A valuable reminder that this wasn’t always the case is provided in University of Pennsylvania architecture professor Daniel A. Barber’s Modern Architecture and Climate: Design Before Air Conditioning (Princeton University Press), which outlines the story of the febrile, flexible, and often-forgotten early experiments in climate control.

Why should any 21^st Century architect bother to draw by hand? There is, after all, an abundance of readily available digital tools that make pens and pencils seem little more than primeval artefacts. Fondly regarded, perhaps, yet as charmingly irrelevant to contemporary architecture as heavy horses are to today’s farmers or typewriters are to newspaper journalists.

The A’ Design Award was "born out of the desire to underline the best designs and well-designed products." It is an international award whose aim is to provide designers, architects, and innovators from all design fields with a platform to showcase their work and products to a global audience. This year's edition is now open for entries; designers can register their submissions here.

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Corals are fundamental to marine life. Sometimes called tropical sea forests, they form some of the most diverse ecosystems on Earth. They serve as a refuge, breeding, and feeding area for dozens of species in the sea, and their absence can negatively affect local biodiversity to a tremendous degree. Yet just as humanity pollutes and destroys, it can also remedy and encourage the creation of more life. This is why shipwrecks of old vessels or the sinking of concrete structures for the creation of artificial reefs are frequently reported as providing immense potential. In Hong Kong, researchers have been developing 3D printed structures using organic materials that can lead to the creation of new opportunities under the sea.

The polished concrete technique is not only suitable for many different environments, but also harmonizes well with various building materials, and has been the material of choice for many Brazilian architects in housing designs in recent years.

The mixture of sand, cement, and water is prepared on-site and the result is a cost-effective and long-lasting alternative when properly and regularly maintained. This finish has become so popular that you can find porcelain tiles and coatings with a similar texture.

This article was originally published on Common Edge.

The pandemic has force-fed change into almost every aspect of our lives. What does that mean for architecture? I have been in my office 135 out of the 140 days since Connecticut Governor Ned Lamont declared “construction” (and all its constituent trades, including “design”) essential. For two months I was alone, then one employee for a day or two a month, then others, eventually all, but most still working from home. The office continued to function.

International architectural practice Kohn Pedersen Fox (KPF) is constantly striving to improve efficiencies and enable greater creative exploration through the application of the latest technologies. With nine offices worldwide and projects based anywhere from Europe to the US and China, the company takes a global approach to its design process by fostering collaboration; it’s not uncommon for a single project to involve team members based in London, New York, and Singapore, for example, who come together virtually in what Cobus Bothma, Director of Applied Research, calls their “tenth office”.

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At the 2014 Venice Biennale, celebrated architect and curator Rem Koolhaas chose an unusual curatorial theme. Rather than exploring the major issues that plague modern society or their manifestations in the profession of architecture, the event's theme, "Fundamentals," and its main exhibition, "Elements of Architecture," examined in detail the bare fundamentals of buildings, simple elements used by everyday architects for everyday designs. According to Koolhaas, “Architecture is a profession trained to put things together, not to dismantle them. Only by looking at the elements of architecture under a microscope can we recognize cultural preferences, technological advances, changes triggered by the intensification of global exchange, climatic adaptations, local norms and, somewhere in the mix, the architect's ideas that constitute the practice of architecture today.”

If you wandered down Novinsky Boulevard in central Moscow five years ago looking for the Narkomfin building, you’d have been greeted by a sorry sight. The Narkomfin, the poster child for Constructivist architecture designed by Moisey Ginzburg and Ignaty Milinis in 1928, had been slowly falling into a state of dereliction after being left unloved for 45 years. Paint peeling, concrete crumbling, and windows broken—not to mention the numerous, muddling alterations made to the block of flats, including a completely new ground floor.

Recent studies note the lack of growth in productivity and innovation in the construction fields. Quickly falling behind other sectors, this stagnation often leads to projects that are over-budget or over-schedule (or both). Part of this inefficiency could be combated by more effective coordination among the architects and various consultants during the design phase. Currently, an estimated 30% of project time is spent in coordination tasks within the team. A new Integrated Design tool aims to make collaboration more seamless, with the end result of more efficient communication and ultimately better buildings. 

The technology used in smartphone facial recognition or digital car keys has the potential to revolutionize the way people access and move through buildings. Many common aspects of building access systems today seem outdated in comparison to technological advances in other parts of our lives: PIN pads, security badges, key cards, even physical locks and keys. However, the technology already exists with the potential to make building access simultaneously more seamless and more secure.

New Generations is a European platform that analyses the most innovative emerging practices at the European level, providing a new space for the exchange of knowledge and confrontation, theory, and production. Since 2013, New Generations has involved more than 300 practices in a diverse program of cultural activities, such as festivals, exhibitions, open calls, video-interviews, workshops, and experimental formats.

The COVID-19 pandemic has brought to the forefront an acute awareness of infection control in building design, both in public spaces as well as our personal spaces like homes and offices. Infection prevention and control experts consistently advise that improved hand hygiene is critical in maintaining a safe and sanitary environment. However, handwashing is not as simple as it would seem at first blush. The faucet itself is a major infection vector unless careful precautions are taken. The obvious answer to increasing the effectiveness of hand washing is by reducing the danger of being re-contaminated by the faucet through hands-free operation.