During the 20th century, Miami Beach reinvented itself several times, from Gilded Age mecca to Art Deco capital, to glamorous 1950s destination, only to become a faded has-been resort by the 1970s. The preservation movement that began in the 1970s and 1980s became its saving grace. By the 1990s Miami Beach, especially its South Beach neighborhood, was one of the hippest communities in the United States, drawing notable European residents like Gianni Versace.
Delicately excavated from the natural grounds of Jordan’s Wadi Rum, Jordanian architect Rasem Kamal transformed the phrase of “form follows function” into “subtraction follows function”, emphasizing the relationship between external form and internal space with a resort that promises a sanctuary both above and underground.
In the newly-released video of the proposal, the architect uncovers the hidden resort and takes viewers on an enchanting walkthrough of the proposed Wadi Rum Sanctuary Resort. Kamal complements the desert’s jagged landscape with the resort’s subtle architecture, letting the structure blend seamlessly with its surroundings.
In the 1960s, Cristiano Toraldo di Francia and Adolfo Natalini, two Florence-based architecture students in their twenties, decided to undertake the substantial task of designing a new way for the citizens of the globe to inhabit the earth. Driven by the possibilities laid out in science fiction novels and the desire to prescribe design to solve the problems of their era, the duo, who dubbed themselves as Superstudio, sought to continuously reinvent their role in what it means to be an architect. Their solution was the creation of an “anti-design” culture as a means to provide commentary on politics, capitalism, and urbanism, by creating ideas in which everyone is given a functional space that frees itself of time, place, and the need for excessive objects.
Sigmund Freud, the author of “The Interpretation of Dreams” and the founder of Psychoanalysis, once argued that, “A strong experience in the present awakens in the creative writer a memory of an earlier experience (usually belonging to his childhood) from which there now proceeds a wish which finds its fulfillment in the creative work.”
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Children's furniture is all furniture –fixed or mobile– that is designed according to the ergonomic guidelines and anatomical dimensions of children specifically. Following this definition, we can identify two types of furniture: (1) those that facilitate a relationship between the caregiver and the child, and (2) those that allow the child to use them independently.
The big difference between these two types is that the first has dimensions that mainly adapt to the ergonomics of the adult, while the second is designed to meet the ergonomic needs of the child at each stage of their development. Since the growth of children occurs relatively quickly, it is common for the furniture of this second group to be multifunctional or even extendable.
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When designing in times of quick and constant transformations, one must keep a close eye on the surge of new demands, and one must design spaces that embrace such mutability.
Flexible furniture is a reflection of this contemporary behavior because they can be moved around easily, they have great adaptability, and because they can perform different functions in a single piece. These pieces enable several different layouts, being able to adjust their shape according to specific requirements and changes, which helps optimizing interiors.
We have selected eight Brazilian projects that combine versatility and flexibility in furniture design.
Revit is a parametric and multidisciplinary design software that can virtually create and insert any building within a BIM process. Revit is not a true modeler, but an aggregator of construction components governed by a series of specific rules. In order to avoid issues within the Revit project, it must be set up carefully. Since each project has different characteristics and requirements, there is no standard procedure when starting a new one. However, becoming familiar with various situations and their necessary steps will greatly help.
In the introduction of Cities for People, Jan Gehl stated clearly that most cities have neglected the human aspect when planning the built space. While technologies have allowed us to build large, our focus shifted from creating architecture for humans to erecting structures that look like they are meant for a different kind of species. Top-down urban planning decisions have ignored scales adapted to the senses and organic growth, and new ideologies prioritized speed, functionality, and profitability.
Dictating our city experience, scale, this major spatial component related to the human dimension, stimulates our senses, and influences our well-being. In this article, we lay down historical changes and underline scientific facts to highlight how scale can impact our daily city life, guided by Eden of the Orient, a series of photos by Belgian photographer Kris Provoost, portraying a battle of scale in Hong Kong.
Vernacular architecture can be defined as a type of local or regional construction, using traditional materials and resources from the area where the building is located. Consequently, this architecture is closely related to its context and is aware of the specific geographic features and cultural aspects of its surroundings, being strongly influenced by them. For this reason, they are unique to different places in the world, becoming even a means of reaffirming an identity.
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On November 3rd, 2020, after successfully holding the Award Ceremony and the Shanshui City Theme Forum in Lishui, the site of the competition, the Future ShanShui City • Dwellings in Lishui Mountains International Urban Design Competition finally came to a successful conclusion after more than seven months.
Now that traveling is restricted and mobility is limited, having the ability to get a sense of the space in person is somewhat impossible. Naturally, if we were to choose between being present in the project or skimming through images online, the choice would be the former. But luckily, we still have books and architecture websites to keep us well-informed.
In a new Youtube video, Archimarathon’s Kevin Hui and Andrew Maynard explain how we can understand architecture without being physically present in the project, but by letting our visualization skills and imagination do the investigations instead.
A radial concentric city plan is formed by streets that extend outward from a defined center and reach the outer edge of the city, together with concentrically arranged roads that connect the radial streets to the lots. This pattern traces back to ancient times and continues even to this day.
Depending on the historical context, location, or purpose of the city planning, the element found in the center may vary. Plazas, churches, or government buildings are among the most common elements and this is no accident, nor is the urban design pattern. Basically, the radial arrangement of streets is intended to highlight a particular element or location that has great political, religious, financial, or symbolic value to the city as a whole.
Architecture is defined by its context. This holds especially true when buildings are located in harsh climates and must respond to natural conditions. This week’s curated selection of the Best Unbuilt Architecture focuses on designs located at the intersection of nature and the built environment. Drawn from all over the world, they represent proposals submitted by our readers.
The article features a range of building types and locations, including many coastal proposals, from a regeneration plan on the South Coast of England and a proposal to link the famous Turku archipelago, to a dockside timber tower in Dublin. Also included are more extreme ideas, from an overlook on the Algarve coast to a vertical city with greenhouses located along a cliff on Mars.
When designing the Nordic Pavilion in Venice, Sverre Fehn incorporated Nordic architectural elements in unusual ways. One of the most attention-grabbing elements of the building is its laminar roof cover of white concrete, which is broken by trees planted inside the building blocking the sun's rays and filtering the light. Depending on the angle, the roof blades allow visitors to see the colors of the sky and the canopy of the trees, bringing dynamism to the pavilion's lighting and movement. In fact, the use of parallel slats on facades, walls, and roofs is a tradition that comes from Nordic architecture and has spread throughout the world. In this article we will cover some examples that use this element, including its variety of possibilities and the best ways to amplify their effect.
There’s nothing green about your back-up generator. Manufacturing it released tons of CO2 into the atmosphere; so did shipping it from the factory to the dealership to your backyard. There it will sit, idle, waiting to be deployed only when the much cleaner—but underfunded—public infrastructure fails. At that point, it will fill the air with additional pollutants. There may be perfectly good reasons to buy an emergency generator but being green—that is, protecting the environment—isn’t one of them.
As the forces shaping our built environment have shifted, engaging technology, networks, and complex systems, architects need to envision more than the physical space but produce narratives on how to best operate within this new societal landscape. In this context, speculative architecture seems to have never been more critical; therefore this article takes a closer look at the mediums that currently question the existing conditions of the built environment and explore new architectural possibilities.
When it comes to the design process behind architectural projects, brainstorming is never the same for everyone. Some find inspiration in crowded rooms with loud music in the background, some walk around public spaces and observe people’s behaviors, and some need almost no resources whatsoever, just a pen, paper, and complete silence.
In an interview with architecture filmographers Spirit of Space, Steven Holl shares how being completely isolated in the Watercolor Hut contributed to some of his office’s most notable creations.
This past summer, the nonprofit design practice, PennPraxis, in partnership with The Fresh Air Fund, piloted a new program, Virtual Design Studio, that sparked the imaginations of nearly 150 students to show how design has the power to change the built environment. Their courses, which were taught by University of Pennsylvania Stuart Weitzman School of Design graduate students, generated multiple designs for a nature center operated by The Fresh Air Fund and public spaces in New York City and offered children an introduction to explore future careers in design that could have a lasting impact on their communities and the design professions for years to come. Over the course of seven weeks, these students committed over 150 hours to the program while also receiving a stipend.
Building design today, and throughout the 20th century, has been significantly shaped by fire safety considerations. Architects today are familiar with the wide range of code requirements for a building to be compliant, from materials, to fire extinguisher locations, to fire-rated walls and doors. As buildings have become better-equipped to withstand fire emergencies, however, modern life has simultaneously increased the amount of fire hazards we live with.
The built manifestation of an ideology, the urban landscape left behind by the socialist regimes around Europe are removed from the aspirations of contemporary urban living, thus trigger a unique process of re-appropriation of the post-soviet landscapes. The short film Landscape Architecture: Rethinking The Future out of a Totalitarian Past created by Minimal Movie invites a conversation around urban planning, cultural identity, and community building relating to the urbanism and architecture of Ukraine's Socialist Era.
This article was originally published on Common Edge
I spent four glorious days in Copenhagen in 2017 and left with an acute case of urban envy. (I kept thinking: It’s like..an American Portland—except better.) Why can’t we do cities like this in the United States? That’s the question an urban nerd like me asks while strolling the famously pedestrian-friendly streets, as hordes of impossibly blond and fit Danes bicycle briskly past.
Washington D.C. has earned a reputation for iconic architecture. Emerging from the L'Enfant and McMillan Plans, Washington’s cityscape includes wide streets and low-rise buildings that sprawl out from circles and rectangular plazas. From the White House to Lincoln Memorial, Washington’s architecture was built to symbolize the nation’s values. Today, new projects are designed to rethink the city’s morphology while respecting its identity.
The 1st stage of the Architectural Visualization Awards has come to an end. 30 finalists, 10 from each category: Exterior, Interior, and Conceptual were selected by the official ArchDaily jury. Launched thanks to IPEVO, Cove.tool, and Concepts, this 1st edition of the award gathered a whopping number of proposals, with 750 visualizations submitted from all over the world.
.jpg?1602872196 "Photo: 1931, Kaunas, Lithuania. Two children working on reading/writing words at Maria Varnienė's Children's House. The child on the left is Stasys Ragaišis, who later became a medical doctor.. Image via @montistory101")
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.jpg?1605991358 "Nüwa City on Mars. Image Courtesy of ABIBOO Studio")
.jpg?1605991377 "Nüwa City on Mars. Image Courtesy of ABIBOO Studio")
.jpg?1605822515 "Surface Ex-Tension by Jonathan Craig, Luis Arjona, Marco Nieto & Philip Elmore. Image Courtesy of Arch Out Loud. Image Courtesy of Arch Out Loud")
