Throughout history, sunshades--light-weight screens typically made of interwoven wooden reeds--have been the go-to method of sun protection and temperature control for dwellings across civilizations, especially those located in tropical and Mediterranean climates. While offering protection from the sun's heat and rays, sunshades also allow air to permeate, making them an effective and economical cooling system for interior spaces. 

SCI-Edge, Center for Advanced Studies in Architecture, offers 5 postgraduate Master of Science degree programs. This year is the fourth class at SCI-Arc Edge and previous graduates are already establishing themselves as innovative voices defining what it means to be an architect in the twenty-first century. The current students have just completed the fall semester, which is the first of the three-semester sequences of the programs. The students coming into the programs represent an astonishingly wide range of backgrounds and research interests. We have asked two of them to describe their research interests and how they are beginning to bridge between their previous education and their new experiences at SCI-Arc Edge.

This article was originally published on Common Edge.

I attended graduate school, in geography, in Tucson, Arizona, United States, in the late 1990s. Tucson draws fame from a number of things, including its Mexican-American heritage, its chimichangas, its sky islands, and its abundant population of saguaro cacti.

Every architect has certainly already had the experience of designing a house throughout his or her career (or at least in university). Yet, developing a residential project with limited space, either due to physical restrictions of the land or a small budget, can be an interesting challenge while attempting to optimize the space, satisfy the architectural brief and provide maximum comfort to the future residents. With this in mind, we have gathered 21 Brazilian houses under 100 square meters along with their floor plans. Check out below:

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What might be called the Art Fair Industrial Complex has been an ambivalent force on both art markets and art itself in recent years: in one view, fairs offer their attendees chances to see international work they wouldn’t otherwise have access to; in another, the vast mall of it all dulls context into commerce.

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Sinaloa is a state located in the northwestern part of Mexico bordered by the states of Sonora, Chihuahua, Durango, Nayarit, and by the Gulf of California to the west. It consists of over 58200 km² of territory and is the agricultural hub of Mexico.

The A’ Design Award is an international award whose aim is to provide designers, architects, and innovators from all design fields with a competitive platform to showcase their work and products to a global audience. Among the design world's many awards, the A' Design Award stands out for its exceptional scale and breadth, including over 100 award categories and having honored over 12,000 designers with an award over its 11-year lifetime.

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This article was originally published on Common Edge as "Presenting Architecture as Progressive, but Practicing Through Exclusion."

For a profession that likes to congratulate itself about how well-meaning it is, and sees itself as liberal, diverse, open, and progressive, British architecture has a serious problem with diversity of pretty much every kind. It is dominated by people from well-off backgrounds. It trains a lot of brilliant female architects but doesn’t pay them as much as men, and loses many of them after 30 when they are not supported in balancing work and family life. Its ethnic makeup is very, very white, considering that it’s 2020. A supposed beacon of success is the acceptance of the LGBTQ community within the field, but as with women and those from and religious and ethnic minorities, stories of unprofessional comments, inappropriate jokes, and insidious forms of jovially “innocent” othering and the diminution of identity-specific concerns abound.

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In 1941, Swiss engineer George de Mestral was coming back from a hunting trip with his dog when he noticed that some seeds kept sticking to his clothes and his dog's fur. He observed that they contained several "hooks" that caught on anything with a loop, and from studying this plant, seven years later, he invented the hook and loop fastener, which he named Velcro.

A single, continuous line unbroken by handle rotation: such was the simple, yet difficult-to-execute design concept motivating Zaha Hadid Design’s new innovative door handle. The result is a beautifully molded sculptural yet ergonomic design, playfully balancing form with function.

This article was originally published on Common Edge.

Pretty much everyone hates waiting rooms. Here are four statistics about them from a survey administered by Software Advice, an Austin, Texas-based consultation group: 80% of respondents said being told the accurate wait time would either completely or somewhat minimize their frustration; 40% said they would be willing to see another physician if it meant a shorter waiting time; 20% would be willing to pay an extra fee for quicker service; and 97%—virtually all of us!—are frustrated by wait times. And now, waiting rooms, in addition to being some of the dreariest places on earth, have become one of the easiest places in the world to get sick.

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Every city has its odd building. Paris has Centre Pompidou. London –Lloyd’s of London. New York –the Guggenheim. Naturally, Chicago, the architectural capital of the world, has one too. Here it is –James R. Thompson Center, named so in honor of four-term Illinois Republican Governor (1977-91) who was brave enough to get it built in 1985. Home to offices of the Illinois state government the building is unlike anything you have ever seen before.

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Most people are familiar with the concept of social and economic inequality, but although it affects a large part of the world's population, it is still somewhat abstract for many people. Photographer Johnny Miller intends to make it visible through his project Unequal Scenes, capturing images of spatial inequality from a very revealing perspective: aerial imagery.

The project started in South Africa, a country that is socially and spatially marked by apartheid, and now has been taken to Brazil to document scenarios in which extreme poverty and wealth coexist within a few meters, showing how distance is not only a measurement of physical length but can also imply more complex aspects, deeply rooted in our society.