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This year, the UIA World Congress of Architects gathers professionals from the construction industry to the Danish Capital to discuss and promote more sustainable ways of practicing architecture. This edition of the congress, happening between July 2^nd and 6^th, is centered around the UN 17 Sustainable Development Goals, highlighted by the overarching theme “Sustainable Futures – Leave no one Behind.” The world’s largest architecture congress offers a vast program of keynote dialogues, new findings presented on the science track, Next Gen sessions, workshops, exhibitions of new materials, and political talks. The packed schedule also includes the Obel Award Talks on the theme “Wellbeing Through Architecture”, Velux Daylight Talks, and Realdania Talks.

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The Museum of West African Art (MOWAA) has just unveiled a 20-acre project for a Creative District in the historic center of Benin City in Edo State, Nigeria. MOWAA, in collaboration with Adjaye Associates, is planning to establish a comprehensive environment dedicated to the artistic and cultural realms of the past, present, and future. The space provides support and collaboration opportunities for young professionals in the creative and cultural fields while also fostering partnerships with institutions throughout West Africa. At the heart of the project is the Creative District’s role in contributing to economic growth and development.

Oulu City Council has approved the AALTOSIILO restoration proposal by Skene Catling de la Peña. The concrete structure will be restored and reimagined as a multi-media performance, exhibition space, and “Tar Bar.” The 525 sqm Silo used to be used for storing woodchips and will now become a digitized communication point to connect the building with its surroundings. Now nearing its 100th anniversary, the proposal aims to at least double its lifespan.

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The Nordic Countries Pavilion for the 18^th International Architecture Exhibition “Girjegumpi”, is a collaborative library archive of Sámi architecture. While exploring La Biennale di Venezia onsite in Venice, ArchDaily had the chance to speak with the architect Joar Nango and also with the curators James Taylor-Foster and Carlos Mínguez Carrasco about the pavilion and its depths.

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Mecanoo, in collaboration with Meng Architects and LOLA Landscape Architects, has been selected as the winner of the international design competition for the design of the Shenzhen Guangming Scientist Valley. The aim of the project is to create a facility for research and innovation that is also engaging for a larger public while also being integrated and coexisting with the surrounding natural environment. The project includes an area of approximately 1.2 square kilometers located in a strategic place to serve the larger scientific community, from Guangdong, to Hong Kong, and Macao.

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Studio KO’s curation of the Uzbekistan Pavilion for the Venice Biennale is based on research, curiosity, workshopping, and experimenting with the senses. For over two years, the studio has worked alongside the Arts and Cultural Development Foundation, designing the Center for Contemporary Arts and their initiatives to restore and rehabilitate vernacular houses, transforming them into artist residencies. While exploring the 18th International Architecture Exhibition onsite in Venice, ArchDaily had the chance to speak with the founders of Studio KO, Karl Fournier, and Olivier Marty, curators of Uzbekistan National Pavilion. Their exhibition for this year’s theme, “The Laboratory of the Future,” focuses on the country’s rich heritage as a potential tool and inspiration for developing a more sustainable future.

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The National Pavilion of Israel presents “Cloud-to-ground,” an immersive installation exploring the nature of modern communication networks at the 18th International Architecture Exhibition of La Biennale di Venezia. The exhibition, curated by Arch. Oren Eldar, Arch. Edith Kofsky, and Hadas Maor, aims to initiate a multifaceted discussion regarding the physical aspects of virtual networks: the data centers and telephone exchanges commonly referred to as “black boxes.” The chosen theme is relevant for Israel due to its strategic location set at the intersection of continents and cultures. The pavilion in the Giardini will remain open for visitors until November 26, 2023.

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Pihlmann Architects is a young Copenhagen-based architectural run by Søren Pihlmann. In this interview with Louisiana Channel, the rising architect elaborates on his unique practice, the values he holds, and what he finds fascinating about architecture. Most notably, Pihlmann explains that his view on the practice has transformed from being an architect into becoming a type of curator, selecting very few things with great sensitivity.

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This article was originally published on Common Edge.

One of the principles of comedy is that you “punch up.” If you have to make fun of someone or something, make sure it’s more prominent than you, and deserving. You can’t get much higher than Santa Clara, California, and you can’t get much more deserving. Santa Clara is, arguably, the city at the heart of Silicon Valley, a globally famous urban region that is so ill-defined as to deny its own existence. Those ranch houses and corporate headquarters represent a distinctly 21st-century brand of power. And a distinctly 20th-century brand of urbanism.

The Royal Institute of British Architects (RIBA) has announced the 30 winners of the 2023 RIBA National Awards for Architecture, providing an insight into the country’s architecture, design, and social trends. Among the key themes observed this year, the need to rebuild communities and to find sustainable ways of practicing stand out as the main concerns of the participant architects. The response to these themes is varied, ranging from buildings that aim to offer opportunities for collaboration for students to creating stimulating social spaces for the elderly or providing creative programs at a neighborhood scale. All the projects selected have been in use for at least one year and have provided data regarding their environmental performance. Examples of sustainable design include both new buildings, following the Passivhaus certification, and renovation of existing structures.

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Videos

Atrium Ljungberg has just revealed Stockholm Wood City – the world's largest urban construction project in wood. Construction on the project is expected to begin in 2025, and the first buildings are expected to be completed in 2027. The initiative is a demonstration of Swedish sustainability.

The largest wood-building project in the world is now in progress, covering an impressive 250,000 square meters. The project sets a sustainable example for the real estate market, which is essential because built structures contribute a sizeable 40% of the world's CO2 emissions. Furthermore, Stockholm Wood City is set to become a turning point in sustainable architecture and urban planning. Situated in Sickla, southern Stockholm, this innovative neighborhood will offer an additional 2,000 houses and 7,000 business spaces. By merging workplaces, homes, neighborhoods, dining establishments, and retail spaces, it aims to create a vibrant and dynamic urban environment.

Nieuwe Instituut in Rotterdam has inaugurated the ‘Water Cities Rotterdam. By Kunlé Adeyemi,’ a cultural project comprising of exhibitions along with several floating pontoons and artist installations that present the Nigerian-Dutch architect Kunlé Adeyemi’s waterfront designs in the Netherlands. The exhibition brings a seven-meter-high floating wooden pavilion on the institute’s outdoor ponds. Inside the pavilion, landscape architect and artist Thijs de Zeeuw has created an artwork to allow visitors to experience the pavilion from the perspective of nature while contemplating the consequences of building and living on the water for the surrounding ecology and biodiversity. The entire exhibition is on display at the Nieuwe Instituut until 22 October 2023.

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Sauerbruch Hutton has won the competition for Headquarters 2 (HQ2) for the Haidenauplatz Quarter in Munich. This high-rise building will be the focal point of the newly developing Haidenauplatz district in Eastern Munich. Serving as HypoVereinsbank's second central location, it will stand alongside the iconic Hypo high-rise from the 1970s in the neighboring Bogenhausen district. The design by Sauerbruch Hutton and landscape architect MDP Michel Desvigne Paysagiste was chosen from a pool of nine other international participants.

Pedrógão Grande, a Portuguese municipality located approximately 55 kilometers from Coimbra, inaugurated the Memorial in Homage to the Victims of the 2017 Forest Fires last week. This tragic event resulted in the loss of 66 lives and left 253 injured. The monument was designed by architect Eduardo Souto de Moura, winner of the 2011 Pritzker Prize.

The work, initiated by Infraestruturas de Portugal (IP) two years ago, cost approximately 1.8 million Euros. According to IP, the monument features a framing lake spanning about 2,500 square meters in area. The lake is supplied by a 60-meter-long gargoyle and bordered by a strip of plants, including white water lilies, lilies, and ranunculus. Additionally, the project incorporates a wall with the name of each victim inscribed on it, according to IP.

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As the challenges posed by climate change increase in number and intensity, it also heightens the need to find sustainable building practices that connect to ecosystems and livelihoods rather than harm them. While often overlooked in the search for innovation, vernacular architecture can offer answers to contemporary issues. This type of architecture not only relies on readily available locally sourced materials but also on indigenous knowledge of local conditions like sun orientation, wind patterns, ventilation needs, and the behavior of materials in time. Dr. Sandra Piesik, director and architect of 3 ideas, and founder of HABITAT Coalition, explores this potential in her newest book, 'Habitat: Vernacular Architecture for a Changing Climate.'

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The Croatian Pavilion at the Venice Architecture Biennale 2023 celebrates the harmonious coexistence of the wild and domesticated, natural and man-made, and inanimate and living elements. Modeled after the Lonja Wetlands in Croatia, where communities that have adapted to the continuously shifting landscape have coexisted harmoniously for generations to create a dynamic habitat, the Pavilion is a hub for ongoing research into potential futures through educational experimentation and practice. The exhibition was curated by Mia Roth and Tonči Čerina, in collaboration with their design team: Luka Fatović, Vedran Kasap, Ozana Ursić, Niko Mihaljević, and Ivica Mitrović .“Same As It Ever Was” places a focus on the connections among actors from various backgrounds around the world.

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