Rising populations and soaring real estate prices pose significant challenged to urban housing. In a desperate hunt for affordable living options, communal co-living spaces have emerged as a creative solution, offering quality living conditions through clever space optimization strategies. By implementing innovative design techniques, these shared living communities maximize every square foot to create functional spaces within compact footprints.
The pursuit of an ideal city has long been a topic of debate among architects and urban planners. In addition to aesthetic identity and cultural heritage, the quality of life in every city represents perhaps the most important marker in this pursuit. This year, the Economist Intelligence Unit (EIU), a sister company of The Economist, has released its Global Liveability Index 2024, highlighting the cities that excel in this ongoing quest. For the third consecutive year, Vienna ranked as the most liveable city in the world. European cities Copenhagen, Zurich, and Geneva also rank high, attributed to their smaller populations, which contribute to lower crime rates and less congestion. In comparison with the 2023 ranking, the numbers for North American and Australian cities have been dragged down by the ongoing housing crisis.
The assessment ranks 173 cities from around the world. Each city is scored based on 30 qualitative and quantitative factors evaluating 5 categories: stability, healthcare, culture and environment, education, and infrastructure. The scores are based on external data points, in-house analysts, and in-city contributors. The category of stability has registered the biggest decline, as protests and armed conflicts increased in incidence. At the bottom of the cist, the city of Damascus, Syria, continues to be ranked as the least liveable city in the survey, followed by Tripoli, Libya, reflecting severe instability.
Yoshio Taniguchi, the renowned architect behind the redesign of New York's Museum of Modern Art (MoMA) and other celebrated cultural landmarks, has passed away, at the age of 87 due to pneumonia. Known for his minimalist designs that emphasize clarity and simplicity, Taniguchi's work includes the MoMA expansion completed in 2004, the Heisei Chishinkan Wing of the Kyoto National Museum, and the Toyota Municipal Museum of Art. His projects are characterized by a deep respect for space and proportion, allowing the art within to take center stage.
The architectural practice of reusing and refurbishing should be the first consideration when designing and reshaping our already overbuilt cities. Good architecture prioritizes this approach over demolition, as it can reduce costs, enhance environmental efficiency, and preserve functional structures that can continue serving their purpose for years.
In Delirious New York, Rem Koolhaas vividly discusses the Downtown Athletic Club, a striking example of how an unassuming building exterior can conceal a vibrant mix of distinct, self-contained programs. Inside the uniform facade of this skyscraper, a private athletic club hosts an eclectic range of facilities—boxing gyms next to oyster bars and interior golf ranges below swimming pools—all segregated yet highly accessible. The Downtown Athletic Club epitomized the dynamism of New York's skyscrapers at the time, showcasing the thrill of capitalism through a selective, inward-focused world of leisure and privilege for the selected. This "machine of programs" operated independently of the external city as an isolated ecosystem within its walls. Yet, one might ask: could a similar model, designed for public use, create a more inclusive, lively community and neighborhood experience? This will activate the building within, instead of only serving the selected elites, and influence and transform the urban fabric and shapes around the building. In Hong Kong, a distant parallel can be drawn with the Municipal Services Buildings (MSBs)—publicly-funded structures that serve the community by integrating diverse functions within a singular vast building mass, much like the Downtown Athletic Club.
The International Day of Cooperatives, celebrated on the first Saturday of July each year, is an opportunity to raise awareness and celebrate the cooperative movement. Celebrated on this day by the United Nations since 1992, the cooperative movement is a social and economic movement empowering individuals and communities by creating enterprises that are collectively owned and democratically controlled by members. This year's theme is "Cooperatives: Partners for Accelerated Sustainable Development." Underscoring the critical role cooperatives play in achieving the Sustainable Development Goals, it also emphasizes the unique typology of cooperatives in exploring new ways of living together. With a belief in community growth, cooperatives believe in communal development, prioritizing people and supporting them to improve collective well-being.
Reflecting on 2024, numerous architectural exhibitions have opened worldwide, addressing various themes, exhibition formats, and featured architects. Architectural design and architecture practice influence our daily lives in subtle and often unnoticed ways, where the end-users embrace built environments as they are. This reaction may arise from a combination of factors, such as a sense of powerlessness to enact significant change after a building is constructed or the experience of growing up in environments over which individuals had little or no agency in shaping. For these reasons, architectural exhibitions serve an essential purpose, offering society a chance to pause, reflect, and critically examine the myriad issues that surface during designing and building. These issues are often overlooked or need to be acknowledged, as practitioners may prioritize delivering projects within strict timelines over exploring more profound reflections.
In 2024, museums, galleries, and curators responded to the evolving challenges within the built environment with various approaches. Some exhibitions questioned the ethics of building materials and the practices behind supply chains, drawing attention to the broader implications of material choices. Others focused on documenting architectural movements worldwide, emphasizing their cultural and historical significance and the urgent need to preserve and adapt rather than replace them with entirely new builds. These efforts highlight the role of exhibitions in raising awareness about pressing issues while fostering a more critical dialogue about the architectural discipline.
Selected as one of ArchDaily's Best New Practices 2024, Estudio Rare defines itself as an interdisciplinary experimental space. Based in Córdoba, Argentina, its three founding partners, Agustín Willnecker, Iván Ferrero, and Mateo Unamuno, met while studying at the Faculty of Architecture of the National University of Córdoba. With a young but notable trajectory, the Rare team offers a free and dynamic perspective on design, architecture, and construction. Their works, regardless of scale or commission, demonstrate a close relationship with art, reflecting the diverse interests and personal backgrounds of each team member and their collaborators.
Walking on a glass floor is a unique experience that blends awe with a touch of unease. The transparency creates the illusion of emptiness beneath your feet, despite the firm support, generating a visual disconnection that makes each step feel tentative, as if you were floating or crossing an invisible bridge. Although glass is engineered for safety, the mind often associates it with fragility, producing a curious tension between trust and doubt. It's this mix of emotions that makes walking on a glass floor so unforgettable.
Modern glass floors are remarkably strong, thanks to advanced materials and manufacturing processes. Typically made from laminated glass—composed of multiple layers of glass bonded with a durable interlayer—they are designed to prevent shattering into sharp fragments. In terms of load capacity, a well-designed glass floor can support weights equivalent to or greater than traditional flooring materials, often exceeding 500 kilograms per square meter or more, depending on the design and application. Step onto a glass floor, and you're not just walking—you're floating, suspended between reality and illusion in a thrilling feat of modern design.
Artificial intelligence (AI) is reshaping the architectural landscape, offering tools that enhance creativity, streamline workflows, and redefine design processes. From assisting in urban planning to conceptualizing homes and creating visualizations, AI is unlocking new possibilities for architects, designers, and even non-professionals. Yet, as AI-generated outputs become more prevalent, concerns emerge regarding the possibility of generating generic-looking designs or the disappearance of traditional design skills. These challenges lead us to critically examine how AI complements human creativity and the ethical implications surrounding authorship, originality, and intellectual property rights in this rapidly evolving digital era.
Architects Lehrer Architects LA and Arquitectura y Diseño have just unveiled the first phase of the Gower Mausoleum at Hollywood Forever Cemetery in Los Angeles, United States. This innovative vertical structure, rising 100 feet, is set to provide eternal resting spaces for over 50,000 individuals, while also serving as a cultural and spiritual landmark in the heart of Hollywood.
In an increasingly diverse world, the emergence of multi-faith spaces represents a significant shift in architectural design, reflecting the evolving religious landscape of contemporary society. These spaces, which began to be formally established in the 1950s in public buildings like airports and hospitals, serve as microcosms of social transformation and peaceful coexistence. They allow various traditions to harmoniously share environments, embodying principles of inclusivity, flexibility, and adaptability.
As communities grow more multicultural and increasingly diverse, these spaces serve as physical manifestations of religious inclusion, encouraging the acceptance of religious and ethnic minorities within multicultural landscapes. Their proliferation reflects a growing need for inclusive environments that cater to diverse spiritual needs while promoting interfaith understanding. However, designing and implementing these spaces presents complex challenges, often sparking debates about representation, neutrality, and the very nature of sacred space. These discussions underscore the delicate balance architects must strike in creating spaces that are both universally welcoming and spiritually meaningful.
Zaha Hadid Architects has been selected to design the Zhejiang Shaoxing Shangyu District Cao'e River Culture and Art Center, located within a newly planned cultural district in Shaoxing's Shangyu area in Zhejiang province, China. The project is situated along the Cao'e River, a location with historical significance, and is envisioned to serve as a key cultural and artistic space for both the local community and visitors. Its design seeks to integrate contemporary functionality with the architectural and cultural traditions of the region.
Tegucigalpa, the capital of Honduras, offers a dynamic blend of the country's architectural heritage with mountainous landscapes. Nonetheless, just like many other cities in Latin America, it faces significant urban challenges such as social class disparities and a fragmented urban fabric. In response, several design initiatives have emerged over the years to address those issues. One of the most prominent examples is the "Villa for Girls", designed by the Guatemalan firm Solis Colomer Arquitectos, which has now expanded to include a "Villa for Boys" since 2017. These projects are aimed at children from low-income families who often face the risk of being recruited by gangs. Together they build upon an architectural legacy that offers a safe, supportive environment to grow and learn.
Throughout 2024, ArchDaily, in collaboration with the Open House Europe architecture event, brought inspiring projects and stories to light. These true architectural gems were unveiled through visits, and their widely shared narratives enriched the architectural discourse. It is an invitation to explore the stories behind buildings that, although part of citizens' daily lives, often go unnoticed amidst the routine automation of everyday life.
These narratives explored projects of different scales, uses, and contexts, revealing everything from religious buildings, to remarkable examples of adaptive reuse of old industrial structures, now taking on new roles within their communities. Each story uncovered the many layers that make up a building – from its initial design to the new meanings it has acquired over time.
The construction industry, traditionally reliant on the intensive use of non-renewable natural materials, is at a decisive moment to reevaluate its processes and mitigate its significant environmental impact. How can the growing demand for infrastructure, housing, healthcare, and education be met without depleting natural resources? While recycling initiatives are gaining traction, they remain insufficient. In this context, more innovative solutions are emerging, proposing the use of agricultural waste, such as sugarcane bagasse, to create sustainable and disruptive alternatives for construction.
The Paul Klee Center, designed by Renzo Piano Building Workshop, is a tribute to the renowned German-Swiss artist Paul Klee. Blending architecture with the natural landscape of Bern, Switzerland, the museum echoes the rolling hills and fields of the region. Situated on the city's easter outskirts, the structure aims to harmonize with its surroundings. Renowned as an iconic structure, Bern-based photographer Katerina Skarka has recently captured it through her lens, showcasing the architectural landmark.
The mid-twentieth century marked a transformative period for Africa as 29 countries achieved independence between 1956 and 1964, signaling the dawn of the nation-state across the continent. This era resonated with a spirit of liberation and progress, paralleling the global movements of that time, such as the establishment of international organizations like the United Nations (1945) and the Organization of African Unity (1963). Within this context, Modernist architecture emerged as a powerful symbol of national identity, ambition, and the collective aspiration for a brighter future. As newly independent nations sought to define themselves apart from their colonial pasts, the adoption of Modern Movement principles facilitated the construction of key infrastructures, such as convention centers, parliament buildings, and hotels, as well as the development of architectural education, as native-trained architects begun to either replace or cooperate with foreign-born professionals.
This article inaugurates a new series titled Rediscovering Modernism in Africa, aiming to explore the architectural legacy of the Modern Movement in Africa, highlighting its role in nation-building and the evolution of architectural education, while shedding light on the architects and movements that shaped this transformative era.
In a quest to enhance and attract new natural experiences to city centers, the design, planning, and revitalization of certain urban spaces align with strategies aimed at improving the quality of life for residents while maintaining a connection with nature rooted in the local landscape. Through technical solutions for wastewater treatment and stormwater drainage, improved accessibility, incorporation of recreational activities, introduction of native vegetation, and more, numerous parks, plazas, and gardens are integrated into urban and rural fabrics. These efforts seek to filter pollution, purify the air, address social issues, and promote experiences that foster connections between nature, biodiversity, and society.
This year marked another milestone for Indian architects in pushing the boundaries of contemporary practice nationwide. A noticeable trend among the projects featured on ArchDaily has been the embrace of fluid forms, a subtle homage to vernacular practices that parallels a gradual departure from India's legacy of modernist design rhetoric. Indian architecture praxis has evolved to reflect a deeper engagement with local contexts alongside a willingness to experiment with global influences. This approach is likely to subsist in the coming years, opening the door for new architectural expressions in the country.
Where design moves beyond rigid geometries to celebrate fluidity, architects across the subcontinent reimagine spatial experiences with forms that flow, merge, and breathe. Challenging conventional architectural paradigms, these projects continue to draw inspiration and proliferate deeply rooted cultural narratives. In India's case, the embrace of fluidity in architecture reflects an interplay of themes: materiality, memory, craftsmanship, and the living context of space.
The concept by Baile Menduiña and del medio atelier, coordinated by Luis Manuel Pereira, ranked first in the public design competition for the renovation and expansion project of the National Museum of Contemporary Art (MNAC), located in the historic Chiado neighborhood in Lisbon. Among the 29 projects submitted for the competition, the jury, composed of Carlos Bessa, Elisabete Moura, and André Caiado distinguished a total of five projects and awarded a series of honorable mentions.
This month, architecture has addressed a wide array of themes, from preserving cultural heritage to designing for adaptability. Around the world, architects are responding to changing needs with solutions that aim to prioritize both functionality and the environment. Notable examples include Gehl, SOM, and Bionic's ambitious redevelopment of San Francisco's India Basin waterfront, which reimagines urban living in harmony with nature, and VOID Studios' collaboration on Kenya's Masai Mara Conservation Centre, a project deeply rooted in ecological and cultural sensitivity. Elsewhere, Nokken and BIG unveiled their "Softshell structure," offering a flexible option for hospitality and residential markets. Meanwhile, the transformation of The Raleigh in Miami Beach by Peter Marino aims to preserve the site's heritage while introducing new standards. These projects, among others, reflect the ever-evolving priorities of the field. Read on to discover the latest news shaping the architectural world.
Nestled within the junction of London Wall and Aldersgate Street in the Barbican district of the City of London lies the Museum of London. Built in 1977, the brutalist building was home to the world's largest urban history collection, with more than six million objects curated to highlight London's social history. The museum has been closed for over two years with plans for relocation, while its historic building faces demolition to make way for a new development—the London Wall West scheme. This has sparked mixed reactions from London residents and people across the country, with calls to review the proposed design and campaigns favoring retrofit over the demolition of this unique modernist building. Photographer Arnolt Smead recently visited the museum to capture its beautiful architectural moments and highlight its unique features.
As the year comes to an end, we take a moment to honor the careers and contributions of celebrated architects, designers, and artists who passed away in 2024. These influential figures have left a lasting legacy in the built environment, prompting deeper thought about the role of their disciplines in society and their ability to evolve over time.
Whether through their work in academia, professional practice, or the arts, each of these individuals stood out for their dedication to advancing the fields of architecture, landscapes, design, materiality, and more. From Pritzker Prize-winning architect Fumihiko Maki to renowned sculptor Richard Serra, each showcased a unique vision and approach to design, leaving behind a wealth of knowledge to explore.
