The modern world is disconnected. Online interactions dominate the daily lives of people across the world. This shift is not just a result of the rise of the internet, but also a stark reflection of the decline of public spaces, particularly third places. Third places, once essential for promoting community and social cohesion, have evolved drastically over the past few decades. In today's commercialized landscape, third places face plenty of demands from users and designers alike, calling for a need to reconsider their accessibility and purpose.
The Lithuanian Pavilion at the 2025 Venice Architecture Biennale presents Archi / Tree / tecture, a project by the National Architects Association. Curated by architect Gintaras Balčytis, the exhibition invites architects, students, communities, and visitors to reflect on the deep connections between architecture and urban nature. It positions the discipline as an interpretive medium that reveals the layered relationships shaping our cities, which in turn reflect these dynamic interactions. The proposal evokes an urban memory rooted in landscapes where fields and trees once stood, introducing the dimension of time into discussions on city ecosystems, sustainability, and resilience. The exhibition, an indoor installation designed by architects Paulius Vaitiekūnas, Andrius Pukis, and Vika Pranaitytė, will be set within the Church of Santa Maria dei Derelitti.
Dutch architecture firm MVRDV has won the competition to design a new multifunctional market and food hall in Zhubei, Taiwan. Developed in collaboration with local firm EKUO, the project, referred to as the "Market Cube" or "River Bank 1," aims to redefine the traditional market building through a vertically layered, highly adaptable structure. Positioned along the Touqian River at a prominent gateway between Zhubei and neighboring Hsinchu, the building is set to become a major civic destination.
It shouldn't be too surprising that architectural concepts were traveling around the globe long before the online spread of information. While many regions share certain historical events and hence references (such as colonization and the mid-20th-century independence movement/ turn of political systems), others might have simply developed parallel solutions to similar climates and material availability. Additionally, it was only natural that with the dissemination of a more uniform architectural pedagogy acquired while studying abroad, followed by the internet boom, we would find almost twin projects from every corner of the world. While these might look nearly identical from some angles, they might bear different layers and stories. Then again, they might also display the same reasoning and prompts shared by counterparts from across the seas.
Integrating natural elements into architectural design has long been a fundamental pursuit in creating comfortable, sustainable environments that enhance both individual well-being and the relationship between buildings and their surrounding context. In areas with vast landscapes, incorporating natural elements is essential for seamlessly connecting architecture with its site. Conversely, in dense urban environments dominated by built structures, introducing greenery becomes also increasingly vital, reintroducing nature into the so-called "concrete jungle."
However, beyond conventional landscape features—such as water fountains, green walls, gardens, or courtyards—architects are redefining what it means to build with nature. The focus has shifted toward deeply integrating architecture with its natural surroundings, creating immersive spatial experiences that blur the boundaries between the built and the organic - in a way, "taming" nature. When successfully executed, these designs go beyond fostering well-being or promoting a healthy lifestyle; they evoke a profound sense of tranquility, power, and harmony, transforming the way we perceive and inhabit space.
When we think about cities, we often assume the orthogonal grid is the norm: neat, predictable, and rational. However, many urban areas around the world, notably those shaped by hills and uneven terrain, defy this convention. In cities like Lisbon, in Portugal orthogonal grids appear only in flatter zones such as Baixa, while surrounding areas like Alfama adapt organically to topography. These areas create more layered, irregular, and visually dynamic urban forms. Yerevan in Armenia, offers another urban example of this adaptation: the Cascade Complex transforms a steep hill into a terraced public space that connects different city levels while framing panoramic views. For other countries, this response to topography becomes even more critical. Cities like Tegucigalpa in Honduras or Valparaiso in Chile are defined by steep, irregular terrain that requires architects to engage deeply with the land. Designing in these contexts, especially for residential projects, demands technical adaptation and a contextual understanding that allows the slope to become a generative element in the design process.
How can architecture professionals transform the atmosphere of a structure? What kinds of interventions can go beyond adaptive reuse to modify spatial perception? As architectural structures are repurposed over time, new uses and needs emerge between spaces and their users. While the structures of old buildings keep the memory of communities alive, the introduction of new life through greenhouses, housing, commerce, offices, or cultural centers brings about new atmospheres where light, ventilation, the integration of nature, and other elements reshape interior experiences.
A change in the way architecture was practiced in Colombia was necessary, and Taller Síntesis emerged to materialize this transformation. The studio combines a deep understanding of the territory and its context with architectural solutions that translate into materiality and built spaces. Their works stand out for their strong local cultural identity, achieving a precise balance between the preexisting, the new, and harmony with the landscape.
Saudi Arabia is undergoing a remarkable transformation, guided by Vision 2030, with investments in tourism, culture, technology, and sustainability reshaping the Kingdom's identity. As part of this cultural evolution, the Mujassam Watan Urban Sculpture Challenge, organized by Buildner in partnership with the Mujassam Watan Initiative (an initiative by Al Fozan Social Foundation), invites architects and artists to shape Saudi Arabia's evolving public spaces through contemporary sculptural design.
Happening throughout 8 days across 12 cities from north to south of Ecuador, the "no-bienal" biennale is holding its second edition from March 25 to April 1, 2025. Its unique name is devised to stand in opposition to the competitive structure that characterizes traditional biennials in the discipline. One of the objectives of this new edition is to demonstrate that there is unity in Ecuador, resisting the political strategies of division. Escuela Radical, the educational collective at the center of the event's organization, asserts that "it is not about centralization or decentralization, but simply about sharing without competing."
David M. Childs, the architect renowned for his significant contributions to the New York City skyline, passed away on March 26, 2025, in Pelham, N.Y., at the age of 83. His career, primarily spent at Skidmore, Owings & Merrill (SOM), was marked by a commitment to urbanistic values and a dedication to enhancing the civic good through architecture. Childs left an indelible mark on the built environment, balancing aesthetic considerations with the complex demands of large-scale urban projects.
Foster + Partners has just released the design for the redevelopment of Palas Iași, a major mixed-use development in Iași, a city in eastern Romania. The proposal includes a new masterplan centered around the historic Palace of Culture and aims to improve urban connectivity, enhance public green spaces, and upgrade the existing commercial infrastructure. Developed in collaboration with Romanian developer IULIUS, the project aims to bring together retail, cultural, and landscape elements within a unified and accessible framework.
Amidst the traditional streets of Antwerp, where centuries-old townhouses stand as remnants of a historic European city, a stark white volume quietly asserts its presence. Maison Guiette, designed by Le Corbusier in 1926, is an anomaly in its surroundings — a bold statement of modernity in a context that had not yet embraced it.
While today it is overshadowed by the architect's more famous works, this house holds a unique place in history: it was Le Corbusier's first built project outside France, a precursor to his later architectural experiments, and a manifestation of his emerging Modernist principles. Despite its modest scale, it was a manifesto in built form — a house that encapsulated the essence of an architectural revolution.
Architecture and design today are not just about constructing an urban sprawl or focusing solely on spatial design, rather they involve the integration of diverse elements and ideologies that enrich one's work and environment. This is where 'FOAID- Festival of Architecture and Interior Designing' comes in, celebrating a legacy of 11 years. This event has it all, be it architects, designers, brands, artists, or innovators from across the nation and around the globe, all united in one single platform. With over 10,000 visitors, the event aimed to exhilarate the connected yet fragmented design world, showcasing Avant-garde design techniques and celebrating the legacy of established patrons and emerging talents in the design fraternity. Additionally, they promoted interdisciplinary networking opportunities strengthening the architectural community's impact on society. In collaboration with CNBC TV18, the event marked its marvelous presence in New Delhi on November 22nd -23rd at NSIC Ground and December 20th -21st at the Jio Conventional Center in Mumbai.
As educational institutions around the world adapt to shifting societal needs, the architecture of learning is also evolving. This curated selection brings together projects submitted by the global ArchDaily community, highlighting how architects are rethinking the future of schools and universities through design. These proposals reflect pressing global concerns: the importance of community-centerededucation, the revitalization of historical buildings and neighborhoods, the integration of natural systems, and the search for spatial expressions that accommodate both formal instruction and informal exchange. Whether situated in dense urban centers, rural villages, or coastal landscapes, these projects respond to specific cultural and environmental contexts while engaging with broader architectural questions about sustainability, access, and identity.
In 2021, the Municipality of Roosendaal began collaborating with MVRDV as an urban development consultant. The firm's partner, Winy Maas, was subsequently appointed as urban advisor, conforming a team that included MVRDV, Rebel Group, Transitiefocus, and other experts. Their task was to consolidate existing projects and initiatives into a unified strategic vision, seeking a mix of bottom-up and top-down planning approaches. The vision, also called "The Mosaic", was developed through a participatory process involving residents. It provides insight at multiple scales, from land-use adjustments across the municipality to over 40 potential projects aimed at harnessing the potential of specific locations. Published as a series of seven interconnected documents, the vision aims to provide Roosendaal with strategies to accommodate growth.
21st Europe, a new design-led think tank founded by former SPACE10 creative director Kaave Pour focused on shaping the future of the continent, has just unveiled Starline: a blueprint for a high-speed rail system that aims to connect Europe as seamlessly as a city metro. Revealed at the think tank's inaugural summit in Barcelona and developed in collaboration with creative technology studio Bakken & Bæck, Starline combines infrastructure, digital tools, and visual identity into one integrated vision for movement across the continent.
"Steven Holl – Drawing as Thought," an extensive exhibition of the American architect's original watercolors, is now on view at the Tchoban Foundation Museum for Architectural Drawing in Berlin. It reveals insights behind some of Holl's key projects and design methodology. The selected drawings range from early unbuilt winning competition entries to some of the latest visions now under construction in Europe and the United States. Occupying the museum's two levels, the show opened on February 6 with a conversation between Holl and the museum's founder and architect Sergei Tchoban, as well as addresses by Kristin Feireiss, the exhibition's curator and founding director of the next-door Aedes Architecture Forum, and Diana Carta, an architect and scholar from Rome. The show, which can be visited until May 4th, is accompanied by a catalog that states, "The work of internationally renowned US architect Steven Holl is distinguished not only by his extraordinary buildings, with a focus on cultural and public structures such as museums, art centers, concert halls, libraries and universities worldwide, but also by his artistic oeuvre, which today comprises more than 50,000 sketches, black-and-white drawings, and watercolors. […] While exhibition visitors will only encounter a small portion of his extensive body of work, each drawing should be explored and studied individually, in keeping with Holl's intent."
The way we perceive and experience spaces extends beyond aesthetics—they directly influence our emotions, thoughts, and even creativity. Spacious environments with high ceilings often evoke a sense of freedom and inspiration, while smaller, enclosed spaces encourage focus and introspection. This is not merely a subjective impression but a scientifically studied phenomenon. In the 1960s, anthropologist Edward T. Hall introduced the term "Cathedral Effect" to describe how ceiling height impacts cognition and behavior. More recent research has expanded on this idea, demonstrating how architecture shapes decision-making and emotional states in various contexts.
Buildner has released the results of the Morocco Oasis Retreat Competition, an international design challenge inviting architects, designers, and urbanists to envision a self-sustaining oasis in the Moroccan desert. Participants were tasked with designing an architectural intervention that responds to the region's extreme climate, integrating shelter, water conservation strategies, and energy-efficient design.
The competition encouraged exploration of how architecture can support resilience in remote environments while drawing from both traditional building techniques and modern sustainability principles. Entrants had the flexibility to determine the scale and purpose of their projects. Key considerations included passive cooling strategies, resource management, and integration with the desert landscape. The competition highlights the role of architecture in creating functional and sustainable spaces in challenging environments. Full details on the winning projects are available on the Morocco Oasis Retreat Competition website.
Jenny E. Sabin is an American architect, designer, and educator known for her work at the intersection of architecture, computation, and biomaterials. She integrates digital fabrication, responsive materials, and bio-inspired design into her architectural practice and runs an experimental architecture studio, Jenny Sabin Studio, based in Ithaca, NY. In this interview with Louisiana Channel, she shares her personal journey from artist to scientist, explains how biological and material systems can be applied at an architectural scale, and discusses her teaching and research roles at Cornell University. She elaborates on her interest in bringing people together through new strategies for responsive and adaptive architecture. In her view, the connections between the digital, the physical, and the biological define a paradigm shift in the evolution of architecture, converging with other realms of physical experience to create a more interconnected future.
Studio Gang, led by Jeanne Gang, in collaboration with Lincoln Road Enterprises, a philanthropic organization advancing women's leadership, has unveiled the design for the forthcoming Women's Leadership Center at Williams Bay. Located on an 8.6-acre site overlooking Geneva Lake in southeastern Wisconsin, the 24,000-square-foot retreat center is designed to support innovation, collaboration, and leadership programming for professional women's groups. The project broke ground in July 2024 and is scheduled for completion in 2026.
Located at the edge of Rotterdam's iconic Dakpark, the new Kop Dakpark project, designed by the architectural firms INBO and h3o, stands as an innovative model of sustainable and inclusive housing. Developed by Woonstad Rotterdam, this residential complex includes 153 affordable homes —63 social and 90 middle-income— that not only address the need for housing but also integrate nature and community to enhance both the urban and ecological landscape.
In the Port of Hamburg, the "FiftyNine" rises as a 16-story residential tower that combines elegance and technical sophistication to withstand the demanding weather conditions of the harbor. Here, 60 floor-to-ceiling air-lux sliding windows have been installed – with impressive dimensions of up to 5400 x 3085 mm. Thanks to the innovative, air-assisted sealing system, they withstand heavy driving rain, intense wind loads, and high noise pollution.
